Jarrett, Haden, Motian: Hamburg '72 (ECM/Ode)

 |   |  1 min read

Jarrett, Haden, Motian: Life, Dance
Jarrett, Haden, Motian: Hamburg '72 (ECM/Ode)

The death this year of the great bassist/composer Charlie Haden robbed the world -- and not just the jazz world -- of one of the great artists of our time.

It would take far too long here to go into the musical diversity he embraced (from Ornette Coleman to American country music), the plethora of artists he performed with (great jazz musicians to Yoko Ono and Ringo Starr), his political position (he wrote Song for Che) and so on.

But there is no doubt his career reached a particular apotheosis in this trio with pianist Keith Jarrett and drummer Paul Motian (which became Jarrett's American Quartet with the addition of Coleman alumni Dewey Redman).

This trio came together in '66 (Jarrett had only recorded two albums for ECM at the time), this concert was for German radio in '72 recorded during the trio's first European tour and ECM founder/producer Manfred Eicher started work on mixing the tapes -- by chance -- the day after Haden's death.

Among the many interesting aspects of this session is the only recording of Song For Che by Jarrett, and his composition Piece for Ornette. This was the period where Jarrett was exploring other instruments (here he plays flute, soprano sax and percussion) and that's perhaps the least appealing aspect of this: Piece for Ornette is well intentioned but he's not the most vigorous sax player and that was certainly required for this.

There's no real bite in his tone.

Everything That Lives Laments is a bit hard to take for its frequently shapeless flute playing but the 15 minute exploration of Song For Che is very good because Jarrett brings a yearning and slightly discordant tone on sax.

So you'd conclude this is somethng of a mixed bag, but when it's good it is very good indeed, but they tend to be passages rather than complete pieces.

The late Charlie Haden was heard -- with Jarrett or in other bands -- in better contexts, and the recently released Last Dance with Jarrett (released two days after his death) is a better place to start.

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Avishai Cohen: Big Vicious (ECM)

Avishai Cohen: Big Vicious (ECM)

Not to be confused with the Israeli bassist/singer of the same name, this Avishai Cohen – also originally from Israel, then in the US – is a highly regarded trumpeter whose style has... > Read more

MILES DAVIS, THE AUTOBIOGRAPHY (1990): Miles runs the voodoo down

MILES DAVIS, THE AUTOBIOGRAPHY (1990): Miles runs the voodoo down

When trumpeter Miles Davis turned 60 in 1986 the New York weekly Village Voice marked the occasion with a lavish 28-page supplement of essays and critical opinion. By way of introduction the... > Read more

Elsewhere at Elsewhere

Scotch Eggs

Scotch Eggs

Billy Connolly once said, “Scottish food isn't a cuisine, it's a dare”. Funny, but also kind of true if you are averse to black pudding (blood sausage) and the traditional... > Read more

Frank Sinatra: In the Wee Small Hours (1955)

Frank Sinatra: In the Wee Small Hours (1955)

Some may remember it, that strange time when we were told that Tony Bennett was hip with the grunge crowd. It seemed unlikely (I doubted it) but it at least gave me the opportunity to interview him... > Read more