Wilco; Sky Blue Sky (Nonesuch) BEST OF ELSEWHERE 2007

 |   |  2 min read

Wilco: Sky Blue Sky
Wilco; Sky Blue Sky (Nonesuch) BEST OF ELSEWHERE 2007

The career trajectory of Wilco, helmed by Jeff Tweedy, has been fascinating to follow, if not always easy for many.

From alt.country through to ambitious and complex pop in the late 90s, they then made the "Radiohead leap" with Yankee Hotel Foxtrot in 2002 where the experimentation, noise factor and angularity of ther material was critically hailed and saw the album appear in many "best of" lists.

But equally it alienated some who just found it, like Radiohead's most recent work, a bit too difficult.

The story of the making of that album -- in all its raw emotion and personality clashes -- was told on the superb doco I Am Trying to Break Your Heart, one of the essential rockumentaries (see tag).

A line-up change and Tweedy's increasing dependency/depression etc were behind A Ghost is Born of three years ago, another that was widely hailed and enjoyed commercial success -- although you suspect Tweedy had found a new audience by this time rather than keeping the old.

If Tweedy has used Wilco to work out his demons then listeners of all persuasions are in for a surprise: he's now happier and cleaner, wanting to be more direct lyrically and musically unadorned -- and all this is reflected in this new album which is full of plaintive ballads (some asking for forgiveness, others about acceptance), owes much to the 70s singer-songwriter movement, and even spirals out like Steely Dan on tracks like Impossible Germany.

The title track is a gorgeous acoustic strum coloured by gentle electric guitar lines and Nels Cline on swooning lap steel as Tweedy sings, "I survived, that's good enough for now".

Tweedy doesn't get much "happier" than that in truth, and everywhere he sounds almost reluctant to accept this new-found state, but that adds a tension and an undercurrent which makes for some interesting ambivalence.

It is the most musically approachable Wilco album in years and Tweedy in interviews is saying things like, Sky Blue Sky is "geared toward expressing some sense of acceptance. Trying to find some comfort in music, my relationship. Trying to allow that comfort is there in your life".

He denies that happiness isn't a good place to write from (in a rock culture which seems to prefer angst over acceptance) and that he "just wanted to make a record that was nice to listen to. What's wrong with that?" Nothing at all -- and this is certainly a step away from noise into allowing his cracked vocals to take centre-stage on songs strong on downbeat and sometimes mellow-mood melodies.

You don't have to be too smart to hear flickers of folksy Neil Young and melancholy Lennon here.

Already some critics are bemoaning what has been lost -- an edge, an ichoate anger, lyrical abstractness -- but know this also: Sky Blue Sky debuted at #4 in the States, the highest charting Wilco album so far.

The Tortured Artist Albums by Wilco are still out there and recommended, but it seems a lot of people like to hear Jeff Tweedy a little more "happy".

 

Early copies of Sky Blue Sky came with an excellent DVD of eight of the 12 tracks performed live, and interviews with the band and Tweedy talking about the genesis of some of the material. It is worth seeking that version out.

Share It

Your Comments

Martin - Jun 6, 2009

Wilco had been musically in many places before Sky Blue Sky arrived.They haven't convinced me all the way through but after all that,this album because it feels more even keeled than some of their earlier stuff and thus consistent is why it is an enyoyable Wilco excursion.These honchos mean real business,them guitar solos come thick,mostly too long,but all peppered with Wilco stealth.Fave is ` On and On' ,Tweedy sings as always with conviction and settles in a dreamy poignant song and as he conspires with you `On and On we'll be together yeah' it's downright catchy and where might some joy take a talent this good.

post a comment

More from this section   Music at Elsewhere articles index

Mice on Stilts: Hope for a Mourning (bandcamp/Aeroplane)

Mice on Stilts: Hope for a Mourning (bandcamp/Aeroplane)

A couple of years ago in a music lecture I made light-hearted comments about prog-rock of the Seventies (maybe I said “pretentious” or “bloated”) and after the class a... > Read more

Santana: Santana IV (Santana IV)

Santana: Santana IV (Santana IV)

While there was understandable anticipation for this reunion of (almost) all of the original Woodstock era band, this one reminds you Santana songs were often the vehicle for his autograph... > Read more

Elsewhere at Elsewhere

Climie Fisher: Here today and gone . . .

Climie Fisher: Here today and gone . . .

Climie -- or maybe it was Fisher -- almost had me. The conversation was, in the late Eighties, about why so many pop duos were turning up with little or no live experience, and why record companies... > Read more

ELVIS COSTELLO. LOOK NOW, CONSIDERED (2018): Songwriter Elvis Bacharach meet bandleader Burt McManus

ELVIS COSTELLO. LOOK NOW, CONSIDERED (2018): Songwriter Elvis Bacharach meet bandleader Burt McManus

Falling between his innovative mash-up/mix-up Wise Up Ghost with the hip-hop group The Roots (and don't call it self-sampling) and his latest Hey Clockface with its spoken word passages,... > Read more