Cat Power: Jukebox (Matador)

 |   |  1 min read

Cat Power: Lost Someone
Cat Power: Jukebox (Matador)

Covers albums can be uneven and most often uncalled for: usually they represent some stopgap measure for an artist, and at their worst seem pretty pointless, like Patti Smith's recent Twelve in which she covered songs which had influenced her but she brought nothing to them other than her stylistic signature.

Or Bryan Ferry's recent Dylanology which only seemed to exist because way back Bryan had done well with a couple of Bob covers.

However Cat Power on this collection shows how it should be done. No stranger to covers -- she released The Covers Record about seven years ago and has usually popped a few onto her albums -- she here looks to (mostly) lesser known songs by James Brown, Jesse Mae Hempill, her hero Bob Dylan and Nick Cave.

She also includes two of her own songs (Metal Heart and the somewhat unsuccessful tribute to a young Dylan in Song to Bobby). Also here is Woman Left Lonely by Dann Penn and Spooner Oldham, the latter a guest musician.

And Joni Mitchell's Blue (which is an Essential Elsewhere album).

She makes over one of Lee Clayton's least interesting songs Silver Stallion and successfully shifts it away from its country cliches, does a gender rewrite on Hank Williams' Ramblin' Man and soulfully covers the pre-funk James Brown song Lost Someone which sounds like it is being sung in a lonely bar as the waiter puts up the chairs. It is the standout.

What Cat Power brings here -- and she is ably supported by her Dirty Delta Blues band which is lean and subtle -- is a real sense of understanding to the lyrics and a voice which can move from confidence to fragility and world weariness. It takes self-assurance to totally retool some of these songs, notably New York and Don't Explain, songs almost exclusively associated with Frank Sinatra and Billie Holiday.

But she pulls most of these songs off and takes you right into them.

At their best covers albums -- as with those by Dylan in the mid 90s -- can help an artist find their footing again if their muse has deserted them.

That this album came after Cat Power had a breakdown suggests that might have been part of the purpose here.

But this is not therapy in song or a stopgap album, it feels like a powerful statement and the way the material has been shifted from its origins make it fascinating and, in places, quite haunting.

The Deluxe Edition of this album comes with an extra disc of half a dozen other songs, among them the folksy Naked, If I Want to by Moby Grape from the '67 psychedelic pop-rock debut by that San Francisco band which is also an Essential Elsewhere album.

Share It

Your Comments

simon kent - Dec 21, 2008

This is my best album of the year to drift off to. With 2 of her own songs and 11 covers which she performs like she's never heard the originals and with a retrofit production sound you have to make an appointment with yourself, set some quality quiet time aside. The band play like the dampers are off so you get this shimmery, floating, resonant, spacey, sound that encourages one to drift your mind and thoughts, reminisce the past imagine the future come back for another trigger and go again. Cat has a clear authentic unstriving, wistful, dreamy slightly detached unreachable voice leaving you desiring more. The piano and organ of both Gregg Forman and guest Spooner Oldham enhance the floaty retro effect and wrap around her voice.
Lots of lovely moments eg the pause in the middle of James Brown's Lost someone and with her singing/speaking voice pushed upfront for Nick Caves Breathless and the spare unhurried guitar and bass lovely stuff, my personal fave Silver stallion. For most of the songs her voice is pushed back in the mix adding to the dreaminess. Her songs work too 1 lettin go and resolving the past. Hey leave your tiedowns and anchor in the shed fot his one; drift with the current and weather with the wood.

Mick "200 Years is A Long Time" Gentilli - Jan 9, 2010

I was soooooooo in the mood for an unpretentious kick-off-my-boots digression; thanks for delivering. Following the link to Cat Power was the perfect apéritif, yum!

Mick "200 Years is A Long Time" Gentilli - Jan 9, 2010

(...coming from the Michael Hurley entry, that is ...)

post a comment

More from this section   Music articles index

Nightmares on Wax: Feelin' Good (Warp)

Nightmares on Wax: Feelin' Good (Warp)

Now this is downbeat electronica which effortlessly keeps the beats and pulses moving, but also puts the trip-hop in the same emotional space as touches of reggae (Now is the Time) and the... > Read more

Ronnie Earl and the Broadcasters: Hope Radio (Elite)

Ronnie Earl and the Broadcasters: Hope Radio (Elite)

Okay, all instrumental, guitar-driven blues isn't for everyone I agree -- but if anyone can persuade you to the cause it is Earl and his white-hot band which have their feet firmly in two camps,... > Read more

Elsewhere at Elsewhere

GRAND DESIGNS: SERIES SIX with KEVIN McCLOUD (Roadshow DVD)

GRAND DESIGNS: SERIES SIX with KEVIN McCLOUD (Roadshow DVD)

Some people watch celebrity chefs on television and buy glossy monthlies with enticing recipes -- and yet still make the same six meals which come easy and never fail. Then there are others... > Read more

THE FAMOUS ELSEWHERE QUESTIONNAIRE: Corb Lund

THE FAMOUS ELSEWHERE QUESTIONNAIRE: Corb Lund

Curiously enough it wasn't the name "Corb Lund" (memorable enough perhaps) which caught my attention when I was in Vancouver, it was the name of his band: the Hurtin' Albertans. Great... > Read more