David Kilgour and Sam Hunt: Falling Debris (Arch Hill)

 |   |  1 min read

David Kilgour and Sam Hunt: Every Time It Rains Like This
David Kilgour and Sam Hunt: Falling Debris (Arch Hill)

As we all know, song lyrics are rarely poetry -- and conversely poems, especially contemporary poems which don't bother with rhyme schemes, can't often be readily adapted into the service of a song.

Singer-guitarist David Kilgour of the Clean here takes some of Sam Hunt's poems (despite the attribution, Hunt's distinctive sing-song voice isn't heard here) and works them into a breezy folk-rock with a little guitar jangle. But there's a musical and emotional restraint throughout that doesn't always serve the lyrics -- although the consistent tone could doubtless have wide appeal, especially to those who have followed Kilgour's recent, and uniformly excellent, solo albums.

And his downbeat delivery throughout reminds me of the tone on Lloyd Cole's solo albums, a similarly off-hand story-telling and easy way with a lyric.

But Kilgour and Hunt together will inevitably throw up real gems and they are scattered throughout the song/poems (which are book-ended by a little sonic scene setting): the strum and easy melody of Every Time It Rains Like This which uses the title as the pivot; Talking of the Winter which could have slid easily into an earlier Kilgour album; and the Dylan-style settings of They Are Clouds and the acoustic A Summertime Blues for Tom.

Kilgour tells a good story about how this project came about, ("serendipity", he says, using a word I have always loved) and of course the attraction of Hunt's words is entirely understandable, they can be deeply engaging -- even if the musical setting Kilgour offers isn't always so (I Throw You Flowers, the rather lightweight melody offered the aggressive words of First One Hit, Friend to Many which again opts for melody over meaning).

So, uneven as might be expected when it comes to setting poetry to pop, but peppered with highlights nonetheless. 

Share It

Your Comments

Thorny - May 11, 2009

I liked the laid back style of the music which suits the Dylan like music. Great to have Sam Hunt in music though it would have been great to capture his singsong gravelly voice on some tracks. Very Kiwi story telling in our own way. Is good.

Tim - May 29, 2009

Love so much of what DK has done both solo and with various bands since the mighty mighty Clean. I do struggle a bit with the mismatch of music and lyrics (poems) on this though and it is a bit hit and miss. Thankful that only Sam's words feature - I've always thought his work is best taken in off the page rather than heard delivered by the writer.

post a comment

More from this section   Music articles index

Dolly Parton: The Grass is Blue (Sugar Hill/Elite)

Dolly Parton: The Grass is Blue (Sugar Hill/Elite)

Time was when double-barrelled Dolly was on a major label and hammering home the hits with Kenny Rogers. These days, and for some little while, she's been on minor labels and not many people... > Read more

Tim Hecker: Love Streams (4AD)

Tim Hecker: Love Streams (4AD)

On this, his third album, Canadian electronica artist Hecker – again recording in Reykjavik with an Icelandic choir – reaches across six centuries, drawing inspiration equally from... > Read more

Elsewhere at Elsewhere

Fripp and Eno: No Pussyfooting (1973) and Evening Star (1975)

Fripp and Eno: No Pussyfooting (1973) and Evening Star (1975)

Context is everything -- or almost everything -- at Essential Elsewhere, these being albums you can return to repeatedly so probably stand outside of time, yet are always born of a specific place... > Read more

LINDSEY BUCKINGHAM: SONGS FROM THE SMALL MACHINE (Eagle Vision DVD/CD)

LINDSEY BUCKINGHAM: SONGS FROM THE SMALL MACHINE (Eagle Vision DVD/CD)

Aside from Stevie Nicks whose fan base is loyal and huge (but whose last album In Your Dreams was patchy to the point of being often awful), few people these days would care much for what former... > Read more