Mariame: Bloom (N'we Jinan)

 |   |  1 min read

Mariame: Native
Mariame: Bloom (N'we Jinan)
When a North American singer is presented as the “Cree Rihanna” it's hard to know how to respond.

Are you being invited to show more interest just because she's singer from the First Nation people in North America?

But if that is somehow her point of difference then why make the immediate association with a singer who has an established sound? That doesn't suggest a point of difference . . . beyond her lineage.

The promotional material for Mariame Hasni also plays up how she emerged from the Quebec Cree communities around James Bay, is a graduate of a music education programme winning their Rising Star award in '13, and this is the debut album on a new label N'we Jinan.

She's also a single mother of two who wants her kids to look up to her and . . .

This all sound very Idol . . . and like the hopes of a lot of people are riding on it.

But should any of that be our concern?

The good news is you shove all this to one side (it does sound special pleading) and just listen to the six classy r'n'b songs on Bloom.

Mariame – the single name is what she goes by -- is a very proficient and soulful singer and when she raps on All For You she has that effortless style New Zealanders might recognise from Sisters Underground. Very cool indeed. Emotionally and style-wise.

Her pop smarts are to the fore on Now You Know It and the rhythmically pop'n'bopping sound of Electric (you'll get the Rihanna reference on these) but more interestingly her cultural background emerges in the chant groove and inspiration message of the powerful Native (featuring Supaman) and she has a facility for storytelling over a slower groove where her vocal flexibility is evident as on the rather special Vulnerable.

You'd like to hear more from these sources, although it'll probably be the r'n'b pop that gets her over the line ...

So this is very much a case of putting aside the interesting but perhaps intrusive backstory (leave that for the interviews) and just listen to the music.

Glad I heard her . . . and of course I was seduce by that “Cree Rihanna” things.

Just goes to show though . . . when it comes to promotion it's what ever works.

Would I have listened to her otherwise?

Would you? 

You can find her music here.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

STKS: Rhythm and Brown (M4U Records)

STKS: Rhythm and Brown (M4U Records)

In November 2010, when most media people were looking the other way unfortunately, a new Auckland-based record label M4U launched itself with a showcase of its talent in a hip bar on... > Read more

Slim Chance: The Show Goes On; The Songs of Ronnie Lane (Fishpool/Southbound)

Slim Chance: The Show Goes On; The Songs of Ronnie Lane (Fishpool/Southbound)

There is a lovely but very sad doco The Passing Show about the life of the late Ronnie Lane, formerly of the Small Faces and Faces, who died -- more correctly wasted away through multiple sclerosis... > Read more

Elsewhere at Elsewhere

THE BARGAIN BUY: The Ramones; Anthology (Warners)

THE BARGAIN BUY: The Ramones; Anthology (Warners)

This is easy: any album which makes it into the Essential Elsewhere list is obviously recommended (for one reason or another, the list is absurdly diverse). But this one gets through on sheer... > Read more

NILE RODGERS AND CHIC, REVIEWED (2023): Everybody in the house say yo

NILE RODGERS AND CHIC, REVIEWED (2023): Everybody in the house say yo

About 15 years ago I took one of my sons – a Beatle fan in his 30s – to a touring tribute shows, either the Let It Be show or that by the excellent Bootleg Beatles. Either way, they... > Read more