blue note

blue note on Elsewhere by Graham Reid - browse 34 items of content tagged as 'blue note'.

Eric Dolphy: Out to Lunch (1964)

Eric Dolphy: Out to Lunch (1964)

The sudden and unexpected death of saxophonist/flute player and clarinettist Eric Dolphy just months after these exceptional studio sessions for the Blue Note label robbed jazz of one of its most distinctive voices, and left many questions hanging about where the 36-year old might have taken his music. Already he had worked with Charles...

Cassandra Wilson: Loverly (Blue Note)

Cassandra Wilson: Loverly (Blue Note)

More so than her Blue Note labelmate Norah Jones, vocalist Wilson (along with violinist Regina Carter on Verve incidentally) has redefined the parameters of what we know as "jazz" in the 21st century.Jones may be a superb jazzy singer-songwriter with a country heart, but Wilson can turn her attention to material from all across the...

CHARLIE PARKER: A life and musical shards of light

CHARLIE PARKER: A life and musical shards of light

Jazz trumpeter Miles Davis in his characteristically clipped manner once observed that “the history of jazz can be told in four words: Louis Armstrong – Charlie Parker.” In offering those two names Davis highlighted two vastly different lives and two facets of genius. Armstrong was undoubtedly one of the great artists...

RAVI COLTRANE INTERVIEWED 2007: First rays of the new rising son

RAVI COLTRANE INTERVIEWED 2007: First rays of the new rising son

If musical talent is in the genes then Ravi Coltrane was twice blessed: his father was the legendary tenor saxophonist John Coltrane whose spiritual and searching bebop redefined jazz in the late 50s and 60s; and his mother was the gifted pianist/composer Alice who played in her husband’s group and whose own creative contributions have...

Charles Lloyd: Lift Every Voice (2002)

Charles Lloyd: Lift Every Voice (2002)

It's a fair bet the average jazz musician earns considerably less than Lenny Kravitz, and probably works a darn sight harder.  Sales of jazz albums are modest – in the US 10,000 was considered a good seller – and not too many jazz musicians find their music used in Tom Cruise or J. Lo movies, let alone lucrative...

JOE LOVANO, A CAREER CONSIDERATION (2004): Sax in every direction

JOE LOVANO, A CAREER CONSIDERATION (2004): Sax in every direction

About a month ago I was in New York and spoke to Bruce Lundvall, head of the Blue Note label. Lundvall is a jazz man from way back and has been a major player in shaping careers. He worked the jazz catalogue at Sony back when it was called Columbia, left to start the Elektra Musician label for Warners and has been helming Blue note for two...

KEITH JARRETT'S THE MELODY AT NIGHT, WITH YOU (1999). Distilling genius

KEITH JARRETT'S THE MELODY AT NIGHT, WITH YOU (1999). Distilling genius

These days, Keith Jarrett gets as much space, sometimes more, in jazz encyclopaedias as the great saxophonist John Coltrane.  That irritates some people, it would be like Van Morrison getting more than Sam Cooke in a dictionary of soul. But there’s a reason: they’ve lived longer, done more. When Coltrane died in...

JOE LOVANO INTERVIEWED (2008): Life is in the learning

JOE LOVANO INTERVIEWED (2008): Life is in the learning

At 55, Joe Lovano is one of the leading saxophonists of his generation, and has a career notable for its diversity. He has played straight ahead and swing, worked with Cuban musicians and orchestras, done an album of Sinatra songs, and has enjoyed two longtime musical relationships: one is with guitarist John Scofield whom he met at Berklee in...

Jackie McLean: Right Now! (1965)

Jackie McLean: Right Now! (1965)

The Reid Miles-designed cover of this album by altoist McLean is a Blue Note classic. The hammered-out typewriter font blown up large and the thump of the exclamation point hinted at - and the intense opener Eco confirmed - the tough music within. Altoist McLean, born in New York in 1932, studied with his neighbour Bud Powell and played with...

WAYNE SHORTER ON THE FRONTLINE AGAIN: The Grammy-magnet

WAYNE SHORTER ON THE FRONTLINE AGAIN: The Grammy-magnet

When my eldest son bought a one-way ticket to London and packed his bag, he brought over three boxes of vinyl for me to store. Over the weeks I picked my way through this eclectic treasure trove admiring his excellent taste, sometimes wondering where I had gone wrong (the Joey and John Travolta albums, were a joke, surely), his bizarre...

Wynton Marsalis: He and She (Blue Note/EMI)

Wynton Marsalis: He and She (Blue Note/EMI)

It must be difficult being Wynton Marsalis, having done it all (at least if you consider "all" being going backwards through jazz pre-Sixties and bringing the music to the current generations) you must find the search for new forms of expression quite awkward, especially if you limit your palette as he has done. His recent outing...

HORACE SILVER, JAZZ PIANO LEGEND: Fifty years of Peace, in our time

HORACE SILVER, JAZZ PIANO LEGEND: Fifty years of Peace, in our time

When I was at school, my dad wasn’t concerned about what marks I got. All he wanted to know was, ‘Where were you in the class?’ He figured while 82 per cent sounds impressive, if everyone else got in the 90s then you were in the bottom. That isn’t quite so impressive. The only thing worth knowing was the comparison....

The Bird and the Bee: Ray Guns Are Just Not the Future (Blue Note)

The Bird and the Bee: Ray Guns Are Just Not the Future (Blue Note)

Not quite what you'd expect on the jazz label Blue Note -- nor was Norah Jones -- but this airy pop with lightly exotic Latin references from the LA-duo of Inara George and Greg Kurstin (and guests) is just fine from wherever it comes. With slightly cheesy samba licks, a nod to David Lee Roth on Diamond Dave, and some kitsch and cute pop...

Norah Jones: The Fall (Blue Note/EMI)

Norah Jones: The Fall (Blue Note/EMI)

The smaller sales on Jones’ two albums  -- Feels Like Home (04) and Not Too Late (07) -- after the extraordinary figures for her 02 debut Come Away With Me (20 million and rising) were no reflection of any diminishing talent. Those follow-ups were subtle and layered outings, but on a casual listen sounded like more aural wallpaper...

THELONIOUS MONK; THE LIFE AND TIMES OF AN AMERICAN ORIGINAL by ROBIN D.G. KELLEY

THELONIOUS MONK; THE LIFE AND TIMES OF AN AMERICAN ORIGINAL by ROBIN D.G. KELLEY

In late November 1963, a 5000 word profile of Thelonious Monk was scheduled to appear in Time magazine. Monk was to be the cover. An interviewer and jazz aficionado Barry Farrell from Time had spent months with Monk watching him at work and relaxing at home with his family, and the Russian painter Boris Chaliapin had been commissioned to...

Hollie Smith: Humour and the Misfortune of Others (EMI)

Hollie Smith: Humour and the Misfortune of Others (EMI)

This can be extremely brief given that Smith's story, travails and so on have been much canvassed. But what hasn't been said too often or too loudly is that while her previous album Long Player sold exceptionally well it came encumbered with two shortcomings which probably didn't go unnoticed by those at Manhattan/Blue Note with whom she parted...

JONATHAN ZWARTZ: Bass player in debut album shock . . . 20 years on

JONATHAN ZWARTZ: Bass player in debut album shock . . . 20 years on

Even longtime jazz listeners would be forgiven for not recognising the name of New Zealand-born double bassist Jonathan Zwartz. He left this country for Australia in the early Eighties, studied in the US while playing alongside the likes of Rufus Reid, and returned to Sydney a couple of decades ago. He can tick off playing with Pharoah...

THE FATE OF THE NU: Something old, new, borrowed and Blue Note

THE FATE OF THE NU: Something old, new, borrowed and Blue Note

Pity any movement that describes itself as “New . . .” or, worse, “the future”. By definition i is fated to an inevitable and humiliatingly early grave when the next “new” movement, or something else promising to be “the future”, arrives. Back in the late Sixties and early Seventies, new...

Catherine Russell: Inside This Heart of Mine (World Village/Ode)

Catherine Russell: Inside This Heart of Mine (World Village/Ode)

With an excellent ensemble of understated but very classy players, jazz-cum-r'n'b singer Russell takes a sophisticated journey down the byways of ol' New Orleans, finger-snapping Swing Era sounds, cool blues and other related styles on a warmly produced album which includes materiaal by Fats Waller, Harold Arlen, Duke Ellington, early r'n'b star...

DAVE BRUBECK (2011): A jazz life of constant discovery

DAVE BRUBECK (2011): A jazz life of constant discovery

Dave Brubeck, whose hit album in 1958 was Time Out, understands time better than most of us. In December 2010 he turned 90 and although ailing, as expected, he had been playing right up until his late 80s – and been collecting awards and accolades. For many jazz listeners and critics Brubeck was always considered an intellectual...

Various Artists: . . . Featuring Norah Jones (Blue Note)

Various Artists: . . . Featuring Norah Jones (Blue Note)

Those who dismiss Norah Jones as some kind of aural wallpaper clearly aren't listening carefully enough. Her albums have been quietly progressive as they step deftly betwen lounge jazz and alt.country -- and the lady constantly defies expectation. Not the least by putting herself about a bit, in a professional way. This 18 track album...

MILES DAVIS AND QUINCY JONES AT MONTREUX: The circle is unbroken

MILES DAVIS AND QUINCY JONES AT MONTREUX: The circle is unbroken

It was emblematic of the soul rebel career of Miles Davis that in his final years he was painting as much as he was playing, had a cameo spot in a movie (Dingo) playing a pre-electric period jazz trumpeter, exchanging tapes with Prince, recorded with rapper Eazy Mo Bee and – most surprising of all turned up at the Montreux Jazz...

Amos Lee: Mission Bell (Blue Note)

Amos Lee: Mission Bell (Blue Note)

Singer-songwriter Lee's name has been inextricably linked with that of Norah Jones who heard his debut EP and had him open for her. Signed to her label Blue Note by president Bruce Lundvall (who signed him before the Jones connection), Jones' partner and bassist Lee Alexander produced his debut album. He's firmly in that lineage of crafted...

BLUE NOTE'S BRUCE LUNDVALL INTERVIEWED (2005). Riding high on a Blue Note

BLUE NOTE'S BRUCE LUNDVALL INTERVIEWED (2005). Riding high on a Blue Note

The most powerful man in jazz sits in his office six floors above Fifth Avenue, New York. He's smiling. Business is good. Bruce Lundvall -- who began his career at Columbia Records with a hip young Miles Davis -- has been heading the famous Blue Note jazz label for 20 years. And recently business just got better. Why? In a word,...

THE VERVE LABEL: Fifty-plus years, and what's the forecast?

THE VERVE LABEL: Fifty-plus years, and what's the forecast?

Sometimes, if we are lucky we can be at historic events. But we might not realise it until later. If a historic event is the Foo Fighters first recording as a band -- and remember Dave Grohl did the band's debut album himself -- then I can immodestly claim to have been there. It was in a BBC studio in London, Pat Smear lit one after...

The Little Willies: Lou Reed (2005)

The Little Willies: Lou Reed (2005)

The idea of the improbable is always enjoyable. It is the basis of Dada and Surrealism, not to mention a few good dreams and a whole lot of Monty Python-type humour. And so you can guess when this band -- Norah Jones, Lee Alexander, Richard Julian and others -- got together to indulge their love of country and alt.country music by playing...

TAL FARLOW (1921- 1998): Fading, like notes in the breeze

TAL FARLOW (1921- 1998): Fading, like notes in the breeze

It is a very curious thing that as pop and rock music -- which never used to argue for longevity -- are constantly excavating their pasts and delivering collections of their most minor or ephemeral talents, that jazz --- which Leonard Feather famously called "the classical music of the 20th century" -- is letting many of finest...

WYNTON MARSALIS, FROM THE PLANTATION TO THE PENITENTIARY: Wynton in the 21st century

WYNTON MARSALIS, FROM THE PLANTATION TO THE PENITENTIARY: Wynton in the 21st century

 Only a few jazz musicians have actually changed the course of the music: Louis Armstrong, Duke Ellington, Charlie Parker and Dizzy Gillespie, Miles Davis (twice, maybe three times) and Ornette Coleman undeniably reset the compass -- and Wynton Marsalis certainly did. However many would qualify Wynton with, “but not in a good...

The New Fuse Box: The Wakem/Nielson Project (LGW)

The New Fuse Box: The Wakem/Nielson Project (LGW)

A little clarifying chronology here might be useful when teasing out the threads of this Auckland jazz group. As I recall their debut album The Politiks of Jazz (just credited to Fuse Box) arrived in about 2000 and the group consisted of keyboard player Lindsay Wakem (who composed eight of the 10 tracks), guitarist Frans Huysmans, drummer...

Hollie Smith and Mara TK: Band of Brothers Vol 1 (EMI)

Hollie Smith and Mara TK: Band of Brothers Vol 1 (EMI)

Although this collaboration with Mara TK of the electronica outfit Electric Wire Hustle will doubtless be read in some circles as a departure for Smith, most often known for her sky-scaling soul style -- as she notes in this interview with Elsewhere -- this is just growth. And because Smith's work and difficulties have been lived out in the...

NORAH JONES INTERVIEWED (2002 and 2003) AND ALBUM REVIEWS: Great Expectations -- and then some

NORAH JONES INTERVIEWED (2002 and 2003) AND ALBUM REVIEWS: Great Expectations -- and then some

Somebody up there obviously likes Norah Jones and blessed her with extraordinary good looks. Those are her cheekbones and ruby lips which have been replicated in their thousands and grace the cover of her album Come Away With Me.  And just in case her looks alone weren't enough to draw attention to this 22-year-old singer/pianist, that...

The Ornette Coleman Trio: At the Golden Circle, Stockholm. Vol 1 (1965)

The Ornette Coleman Trio: At the Golden Circle, Stockholm. Vol 1 (1965)

As far as I can see by looking back, Ornette Coleman is the first artist to have two entries at Essential Elsewhere, he has appeared previously with The Shape of Jazz to Come. Although, to be honest, he should also be here for Virgin Beauty (1988) but the damn thing is out of print. However this classic Coleman album recorded in Sweden...

Van Morrison, It's Too Late to Stop Now (1973)

Van Morrison, It's Too Late to Stop Now (1973)

Anyone coming Johnny Rogan's thorough and sometimes exhaustive biography of Van Morrison, No Surrender, to find out why Morrison is such a curmudgeon will learn soon enough: it seems he has always been a grumpy, sullen and, when young, an occasionally violently surly character.  As a child he had lamentable social skills...

The Wood Brothers: Ways Not To Lose (Blue Note/EMI)

The Wood Brothers: Ways Not To Lose (Blue Note/EMI)

The trio Medeski, Martin & Wood have been one of the most innovative and consistently interesting jazz (and beyond) bands of the past decade or so. But here upright bassist/singer from the band Chris Wood teams up with his singing/guitar playing brother Oliver (a dab hand on slide among other things) for an album of lowkey acoustic charm...

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