ennio morricone

ennio morricone Content tagged as ennio morricone.

Lisa Gerrard: Lisa Gerrard (4AD)

Lisa Gerrard: Lisa Gerrard (4AD)

This evocative 15-track collection draws on Gerrard's extensive soundtrack work (material from Gladiator, Whale Rider and Ali are included here), her solo albums, and those with Dead Can Dance. Given that range, what is apparent from these tracks is how singular her musical vision has been: wordless and ethereal vocals imbued with a...

Tim Gane and Sean O'Hagan: La Vie d'Artiste (Too Pure)

Tim Gane and Sean O'Hagan: La Vie d'Artiste (Too Pure)

In the long and ever-changing list of "favourite bands" two names come up for me consistently, Stereolab and the criminally ignored High Llamas whose Sean O'Hagan was doing Brian Wilson better than Wilson was for over a decade. Soundtracks in the absence of seeing or knowing much about the movie can be difficult affairs, but with...

Tortoise: Beacons of Ancestorship (UNSPK)

Tortoise: Beacons of Ancestorship (UNSPK)

As the band most likely to be cited when the discussion turned to "post-rock", this five-piece from Chicago have been critically acclaimed for their magpie tendencies (they lift from prog-rock, free jazz, punk, post-punk, electronica, Can and other equally unconstrained Krautrock bands) but largely haven't connected with an audience...

Wall of Voodoo: Dark Continent/Call of the West (Raven)

Wall of Voodoo: Dark Continent/Call of the West (Raven)

Stan Ridgway, frontman for Wall of Voodoo, was one of the smartest, story-telling songwriters -- and nervously energetic singers -- to emerge in the wake of American new wave in the early Eighties. Sadly most people might only know them for their terrific single Mexican Radio and relegate them to that one-hit-wonder category reserved for...

THE GOOD, THE BAD AND THE UGLY; THE DIRECTOR'S CUT (DVD): The horse opera of death

THE GOOD, THE BAD AND THE UGLY; THE DIRECTOR'S CUT (DVD): The horse opera of death

The reputation of the epic Western has been somewhat tarnished in recent years, but the tradition of outsiders and the lawless world they inhabited is an honourable one. However, by the mid-Sixties, with the rise of the anti-hero and a more gritty kind of cinema, it took the Italian director Sergio Leone to re-invent the tired genre....

Lisa Germano: Magic Neighbor (Young God Records)

Lisa Germano: Magic Neighbor (Young God Records)

Given that the cover art here is by Auckland's West Coast artist Dean Buchanan, we might guess that singer/violinist/composer Germano encountered his work when she was in New Zealand in April 2001 for Neil Finn's 7 Worlds Collide project. Certainly Buchanan's dark and mysterious work is appropriate here because Germano's music is much the...

THE MISSING a film by RON HOWARD

THE MISSING a film by RON HOWARD

For those who consider the Western as an art form there will always be debate on which films should be counted among the greatest in the genre: down to personal taste and protracted argument would be 3.10 To Yuma (1957, Van Heflin vs Glenn Ford in a story by Elmore Leonard); Posse ('75 Kirk Douglas vs Bruce Dern); The Gunfighter ('50, Gregory...

Nick Cave and Warren Ellis: The Road (Mute)

Nick Cave and Warren Ellis: The Road (Mute)

The most difficult test for any film score is if it works in the absence of images, and even more so if it does when the listener hasn't seen the movie. Nick Cave and Warren Ellis have had a long association (Bad Seeds, the booze-rock blues-rock Grinderman) and here on the score to the forthcoming film adaptation of Cormac McCarthy's dark...

Dub Spencer and Trance Hill: Riding Strange Horses (Echo Beach/Yellow)

Dub Spencer and Trance Hill: Riding Strange Horses (Echo Beach/Yellow)

Those who know their spaghetti westerns and love a bit of dubbery will welcome this new installment from the Swiss band Spencer/Hill (aka bassist Marcel Stalder, guitarist Markus Meier, keyboard player Philipp Greter and drummer Julian Dillier). Opening with Ennio Morricone's harmonica theme (from For a Few Dollars More, I think?) and then a...

Brendan Perry: Ark (Cooking Vinyl)

Brendan Perry: Ark (Cooking Vinyl)

As half of Dead Can Dance (alongside Lisa Gerrard), Perry was responsible for impressive sonic landscapes which owed a little to a kind of geographically amorphous "world music" and also to cinema soundtracks. Here, more than a decade after his previous solo outing, he embarks on gloomy sounding, authoratively-delivered meditations...

Ben Vaughn: Designs in Music (Vampisoul/Southbound)

Ben Vaughn: Designs in Music (Vampisoul/Southbound)

It's not like Ben Vaughn needs a calling card into the world of television soundtracks, his music has apparently been used in That 70s Show and Third Rock From the Sun. But this delightfully referential album -- recorded with the cream of LA session players who are in on the game -- includes nods to everyone from Ennio Morricone to whoever...

Roy Budd: Get Carter soundtrack (Silva Screen/Southbound)

Roy Budd: Get Carter soundtrack (Silva Screen/Southbound)

The classic Brit-film Get Carter of '71 -- Michael Caine in a career-defining role as a London gangster out for revenge in grim Newcastle -- could have come with a period soundtrack, but Bowie and T.Rex would have sounded pretty silly in this bleak context. But, as with the first adaptation of In Cold Blood, it sounded so much better with...

Various Artists: The Insatiable Moon (Ode)

Various Artists: The Insatiable Moon (Ode)

Soundtrack albums of songs -- as opposed to a commissioned score -- should be perhaps reviewed in the absence of having seen the movie. That way you find if they hang together as a stand alone item. Not having seen this much acclaimed film about marginalised people in an urban society (the mad, unfortunate, deluded and different) means these...

Various Artists: Screen Freak (Chrome Dreams/Triton)

Various Artists: Screen Freak (Chrome Dreams/Triton)

Elsewhere has previously posted the Late Night Tales album of movie themes At the Movies, but the segues between the pieces was jarring and the album -- mostly of snippets from movie themes -- didn't make much sense. Purist therefore will prefer this one, 39 distinctive themes or signature pieces from classic horror and thriller films (and...

The Unforgiven: All is Quiet on the Western Front (1986)

The Unforgiven: All is Quiet on the Western Front (1986)

Some time in the early Nineties I met up with two of the guys from Cracker at a bar in New York, and towards the end of our conversation the talk turned to what they had done before their alt.rock incarnation. John Hickman said he'd been in another band . . . and after a long pause said they had been called the Unforgiven, but that I...

COMANCHE MOON, written by LARRY McMURTRY (Madman DVD)

COMANCHE MOON, written by LARRY McMURTRY (Madman DVD)

Although his star as one of the great historical novelists of lives played out on the American frontiers (the West, that world between the lawless old and increasingly modernity) has been eclipsed by the darker works of Cormac McCarthy (The Road, No Country for Old Men, All the Pretty Horses), the great Larry McMurtry has written some remarkable...

RANDY NEWMAN INTERVIEWED: What's the Buzz? (1999)

RANDY NEWMAN INTERVIEWED: What's the Buzz? (1999)

Randy Newman is a problem in popular culture, a man misplaced into the rock textbooks simply because there's nowhere else to put him. He's part of rock culture by association (his albums are reviewed in rock magazines) but more correctly he's an ironic, acerbic songwriter who has populated his songs with an extraordinary collection of bigots,...

Can, Tago Mago (1971)

Can, Tago Mago (1971)

Only a rare band could count among its admirers and proselytisers the young Johnny Rotten, David Bowie and Brian Eno, eccentric UK rocker Julian Cope, and Bobby Gillespie of Primal Scream. Oh, and various contemporary classical composers, Thurston Moore of Sonic Youth, and post-hippie rock fans. But then, Can from Germany were a...

Ennio Morricone: The Good, The Bad and The Ugly (1966)

Ennio Morricone: The Good, The Bad and The Ugly (1966)

The relationship between some movie directors and composers is so close that it is hard to imagine certain films without their soundtracks: Hitchcock had Bernard Herrmann's gripping scores for Psycho and North by Northwest and others; Werner Herzog with the German avant-rock band Popul Vuh providing the eerie music to Aguirre, Wrath of God and...

Tags related to ennio morricone