ennio morricone

For those who consider the Western as an art form there will always be debate on which films should be counted among the greatest in the genre: down to personal taste and protracted argument would be 3.10 To Yuma (1957, Van Heflin vs Glenn Ford in a story by Elmore Leonard); Posse ('75 Kirk Douglas vs Bruce Dern); The Gunfighter ('50, Gregory...
> culturalelsewhere/2784/the-missing-a-film-by-ron-howard/

The most difficult test for any film score is if it works in the absence of images, and even more so if it does when the listener hasn't seen the movie. Nick Cave and Warren Ellis have had a long association (Bad Seeds, the booze-rock blues-rock Grinderman) and here on the score to the forthcoming film adaptation of Cormac McCarthy's dark...
> music/2823/nick-cave-and-warren-ellis-the-road-mute/

Given that the cover art here is by Auckland's West Coast artist Dean Buchanan, we might guess that singer/violinist/composer Germano encountered his work when she was in New Zealand in April 2001 for Neil Finn's 7 Worlds Collide project. Certainly Buchanan's dark and mysterious work is appropriate here because Germano's music is much the...
> music/2745/lisa-germano-magic-neighbor-young-god-records/

The reputation of the epic Western has been somewhat tarnished in recent years, but the tradition of outsiders and the lawless world they inhabited is an honourable one. However, by the mid-Sixties, with the rise of the anti-hero and a more gritty kind of cinema, it took the Italian director Sergio Leone to re-invent the tired...
> culturalelsewhere/2687/the-good-the-bad-and-the-ugly-the-directors-cut-dvd-the-horse-opera-of-death/

Stan Ridgway, frontman for Wall of Voodoo, was one of the smartest, story-telling songwriters -- and nervously energetic singers -- to emerge in the wake of American new wave in the early Eighties. Sadly most people might only know them for their terrific single Mexican Radio and relegate them to that one-hit-wonder category reserved for...
> music/2648/wall-of-voodoo-dark-continent-call-of-the-west-raven/

The relationship between some movie directors and composers is so close that it is hard to imagine certain films without their soundtracks: Hitchcock had Bernard Herrmann's gripping scores for Psycho and North by Northwest and others; Werner Herzog with the German avant-rock band Popul Vuh providing the eerie music to Aguirre, Wrath of God and...
> essentialelsewhere/830/ennio-morricone-the-good-the-bad-and-the-ugly-1966/

As the band most likely to be cited when the discussion turned to "post-rock", this five-piece from Chicago have been critically acclaimed for their magpie tendencies (they lift from prog-rock, free jazz, punk, post-punk, electronica, Can and other equally unconstrained Krautrock bands) but largely haven't connected with an audience...
> music/2527/tortoise-beacons-of-ancestorship-unspk/

Only a rare band could count among its admirers and proselytisers the young Johnny Rotten, David Bowie and Brian Eno, eccentric UK rocker Julian Cope, and Bobby Gillespie of Primal Scream. Oh, and various contemporary classical composers, Thurston Moore of Sonic Youth, and post-hippie rock fans. But then, Can from Germany were a...
> essentialelsewhere/809/can-tago-mago-1971/

Randy Newman is a problem in popular culture, a man misplaced into the rock textbooks simply because there's nowhere else to put him. He's part of rock culture by association (his albums are reviewed in rock magazines) but more correctly he's an ironic, acerbic songwriter who has populated his songs with an extraordinary collection of...
> absoluteelsewhere/485/randy-newman-interviewed-whats-the-buzz-1999/

In the long and ever-changing list of "favourite bands" two names come up for me consistently, Stereolab and the criminally ignored High Llamas whose Sean O'Hagan was doing Brian Wilson better than Wilson was for over a decade. Soundtracks in the absence of seeing or knowing much about the movie can be difficult affairs, but with...
> music/1344/tim-gane-and-sean-ohagan-la-vie-dartiste-too-pure/

This evocative 15-track collection draws on Gerrard's extensive soundtrack work (material from Gladiator, Whale Rider and Ali are included here), her solo albums, and those with Dead Can Dance. Given that range, what is apparent from these tracks is how singular her musical vision has been: wordless and ethereal vocals imbued with a...
> music/1062/lisa-gerrard-lisa-gerrard-4ad/