gil scott-heron

Recent content on Elsewhere by Graham Reid tagged as gil scott-heron.

Gil Scott-Heron: I'm New Here (XL)

Gil Scott-Heron: I'm New Here (XL)

When Gil Scott-Heron -- the American poet, activist and conscience of his nation from the Vietnam years to the Reagan era -- was jailed for cocaine in 2001, then again in ‘06 and ‘07, it seemed it was going to be the beginning of a slow, sad end for one of the most important voices out of black America. If he had done nothing...

FREEDOM, RHYTHM AND SOUND: Jazz with a raised fist and a copy of Malcolm X speeches in the other hand

FREEDOM, RHYTHM AND SOUND: Jazz with a raised fist and a copy of Malcolm X speeches in the other hand

Few people today -- musicians included -- consider rock or jazz as “political”, even in the broadest sense of the word. Yet back in the late 60s and through the 70s large areas of both certainly were. Less than a year after that remarkable year 1968 (student demonstrations, assassinations, political oppression and...

The Last Poets: When the Revolution Comes (1970)

The Last Poets: When the Revolution Comes (1970)

In the wake of the killing of Martin Luther King and the rise of Black Power politics, the ghettos were in flames. It was inevitable that music -- and in this case street poetry coupled with Afro-roots music -- should reflect, and even drive, the times. The Last Poets were mad as hell and not going to take it: and they were mad as hell about...

Gil Scott Heron: Winter in America (1974)

Gil Scott Heron: Winter in America (1974)

The great pre-rap, spoken word-cum-jazz-poet Gil Scott Heron is perhaps best known for his angry The Revolution Will Not Be Televised (see clip below) in which he assailed those uncommitted or comfortable blacks who seemed to be standing on the sideline while the streets ran red and Black Panthers had their fists raised. For him it was never...

Bill Elliot and the Elastic Oz Band: God Save Us (1971)

Bill Elliot and the Elastic Oz Band: God Save Us (1971)

The problem with political songs is that so often they are merely sloganeering and headlines. Fine print and nuance can't make it into a three minute song. Still, there's nothing quite like a chant such as "power to the people" -- even if we are never quite sure which people should have the power. For a few years from the late...

Elaine Brown: Seize the Time (1969)

Elaine Brown: Seize the Time (1969)

In that period when rock joined hands with the revolutionaries (the late Sixties into the early Seventies) few could claim to so confidently occupy both sides: Brown was one of them. Born in Philadelphia, she moved to California in the mid-Sixties to wait tables, became a member of the Black Congress community orgainsation, wrote freedom...

CECIL TAYLOR IN 1990: Florescent flights

CECIL TAYLOR IN 1990: Florescent flights

Genius is the word a lot of people use about Cecil Taylor – but words get pretty debased these days. (“Genius, that‘s like brilliant - but better, yeah?” ) So let’s just say Cecil Taylor is different and interesting. Way back in the Fifties they used to debate whether his abstract speedthrash...

Various Artists: Message from the Tribe (Universal Sound/Southbound)

Various Artists: Message from the Tribe (Universal Sound/Southbound)

On the surface this may look like one for those with selective taste: here is a 12 track collection of inner city jazz from Tribe Records out of Detroit between '72 and '76. The dates are important: Motown had all but gone from the city, many of the jazz musicians had been used as session players but were inspired by Archie Shepp, Ornette...

Gil Scott-Heron and Jamie XX: We're New Here (XL)

Gil Scott-Heron and Jamie XX: We're New Here (XL)

Although much hailed -- perhaps because no one expected to hear from him again -- last year's I'm New Here by American poet Gil Scott-Heron did seem a little under-developed: pieces faded out, other bits were just snippets of conversations and so on. That didn't deny its visceral power -- made more so given his recently troubled life -- but...

The Blind Boys of Alabama: Retrospective (Stem/Southbound)

The Blind Boys of Alabama: Retrospective (Stem/Southbound)

With this long-running gospel-cum-doo wop group due in New Zealand for a concert in April with Aaron Neville and Mavis Staples, this triple disc originally released in 2007 gets a timely re-release. The Blind Boys have been around in name since 1939 and recording since the late Forties -- a couple of their founders only died in the past...

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