gillian welch

Recent content on Elsewhere by Graham Reid tagged as gillian welch.

Jenny Owen Youngs: Batten the Hatches (Shock)

Jenny Owen Youngs: Batten the Hatches (Shock)

This album has floated to the top of the pile quite frequently in the past three months and it has only been distractions which have meant it hasn't made an appearance here earlier. Let's rectify that oversight and tell you what prompted it: a line I saw somewhere which said that if KT Tunstall could be big why not this woman. Fair point....

Eilen Jewell: Boundary County

Eilen Jewell: Boundary County

Jewell appeared on Elsewhere a few weeks back (see tag) with her second album Letters From Sinners & Strangers -- but this debut from 2006 is actually much better, and it seems to have been given local release on the back of interest in that more recent one. Where Sinners/Strangers has a jazzy shuffle in places, this one is more firmly in...

GILLIAN WELCH INTERVIEWED (2004): That ol' time contemporary music

GILLIAN WELCH INTERVIEWED (2004): That ol' time contemporary music

For someone whose stark songs sound like they have come from the impoverished rural underbelly of Depression-era America, Gillian Welch seems as lively as a June-bug. She laughs readily and doesn't come across as a woman who sings death ballads and has the signature song Orphan Girl. But Welch surprises on many levels. Those who have heard...

Alison Moorer: Mockingbird (New Line)

Alison Moorer: Mockingbird (New Line)

Moorer has quite some story: she is the younger sister of Shelby Lynne, was 14 at time of the murder-suicide of her parents, her ballad A Soft Place to Fall appeared in The Horse Whisperer and earned her a Grammy nomination, and she is the seventh Mrs Steve Earle (although to be fair to Steve he married Lou-Anne Gill twice) with whom she...

MIRIAM CLANCY INTERVIEWED (2006): Career opportunities

MIRIAM CLANCY INTERVIEWED (2006): Career opportunities

“You know, I’d left school and had gone straight into playing in pubs,” laughs Auckland singer-songwriter Miriam Clancy. “I had no other training behind me. So it was either work in a café, or go and live at mum’s.” Clancy laughs again as she remembers that difficult period a few years ago when she...

The Wailin' Jennys: Live at the Mauch Chunk Opera House (Shock)

The Wailin' Jennys: Live at the Mauch Chunk Opera House (Shock)

On the release of their Firecracker album a couple of years back I noted that you'd be forgiven for getting burn-out on this whole old-time country music sung authentically by people who are probably middle-class and well educated. Still, people like Gillian Welch do it so well, and you don't want to open up that whole "can white people...

Great North: Soldiers (Great North)

Great North: Soldiers (Great North)

New bands often make great claims for themselves -- that is forgivable -- but I especially like the humour of what this Auckland five-piece say of their music: "It is the sound of Bruce Springsteen having a tumultuous affair with Gillian Welch" and "the songs were delivered by angels. Drunk angels. The kind you don't invite round...

Baskery: Fall Among Thieves (Glitterhouse/Yellow Eye)

Baskery: Fall Among Thieves (Glitterhouse/Yellow Eye)

Recently I flipped on yet another faux-country alt.folk album and listened to university educated people pretending they were Appalachian mountain dwellers imbued with a rural spirit and old time religion. I thought, "Spare me much more of this!" And then comes this album to reinvigorate my interest in a mighty crowded genre -- and...

Dave Rawlings Machine: A Friend of a Friend (Acony)

Dave Rawlings Machine: A Friend of a Friend (Acony)

The quiet and often largely invisible power beside Gillian Welch, guitarist/singer-songwriter Rawlings here comes into the spotlight with a collection of folk-country and alt.folk-rock songs which would mostly not fit Welch's canon but here have an understated charm of their own. They still possess some of that old time quality which has...

Simon Comber: Endearance (CNZ)

Simon Comber: Endearance (CNZ)

Halfway through this slowly engrossing New Zealand singer-songwriter's album is the gently penetrating song Please Elvis, which opens with the singer asking the King not to make his mother cry as she again plays one of his dusty old 45s, but then the song unfurls into a darker and more deep story of family life: "she's twirling a brandy...

Frazey Ford: Obadiah (Nettwerk/Shock)

Frazey Ford: Obadiah (Nettwerk/Shock)

Ford was one of the key voices in the Be Good Tanyas, but since they have disbanded she is now out on her own with this debut solo album -- and quite some quiet piece of work it is. Things really start to grip a few tracks in when you identify the idiom: despite the banjo on the lead-off track Firecracker, this is no recreation of backwoods...

BEST OF ELSEWHERE 2011 Tiny Ruins: Some Were Meant for Sea (Spunk)

BEST OF ELSEWHERE 2011 Tiny Ruins: Some Were Meant for Sea (Spunk)

Tiny Ruins is the nom de disque of Bristol-born, Auckland-raised (from the age of 10) singer-songwriter Hollie Fullbrook who recorded these songs in "a diminutive [sic] hall, once the local school of South Gippsland's Morraya, Australia" (which doesn't appear on any map of that region south east of Melbourne that I can see, unless they...

Jolie Holland and the Grand Chandeliers: Pint of Blood (Anti)

Jolie Holland and the Grand Chandeliers: Pint of Blood (Anti)

This being Holland's first album since 2008's excellent The Living and the Dead, it naturally arrives much anticipated. But while some have suggested it harkens back to her style on the very popular Escondida of '04, to these ears it sounds the natural extension of its predecessor. She again has the same producer Shahzad Ismaily, her songs...

THE FAMOUS ELSEWHERE QUESTIONNAIRE: Simon Comber

THE FAMOUS ELSEWHERE QUESTIONNAIRE: Simon Comber

New Zealand singer-songwriter Simon Comber seems to have a confident mainline into those places where few others venture: insecurity articulated in small details, astutely observed slice-of-life images which suggest more than they say, and an honesty which is soul-baring and yet guarded at the same time. He really is someone special and...

The Wailin' Jennys: Firecracker (Factor)

The Wailin' Jennys: Firecracker (Factor)

You can have too much of a good thing: like the slew of Cuban albums which followed the success of the Buena Vista Social Club. After a while it all just got too much and you lived in fear that yet another tiny record company would discover it too had a bunch of old Cubans in its back-catalogue. It's much the same with "that old-time...

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