joe lovano

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Rahsaan Roland Kirk: Brotherman in the Fatherland (Hyena/Southbound

Rahsaan Roland Kirk: Brotherman in the Fatherland (Hyena/Southbound

Kirk, who died almost 30 years ago, was one of those musicians who divided jazz critics: some thought he was a showman-cum-charlatan (he could play three saxophones simultaneously) and others thought he was something close to a genius. I head cautiously more toward the latter, although he did often seem to be pulling tricks of a bag to...

Motian/Frisell/Lovano: Time and Time Again (ECM/Ode)

Motian/Frisell/Lovano: Time and Time Again (ECM/Ode)

These musicians -- drummer Paul Motian, guitarist Bill Frisell and saxophonist Joe Lovano -- are of the generation which has, by the attrition of age of those who preceeded them, are becoming the senior statesmen of jazz. Yes, figures such as Ornette Coleman and Joe Henderson are still around, but their output is so minimal as to be of...

Bill Frisell Band: Lookout For Hope (ECM)

Bill Frisell Band: Lookout For Hope (ECM)

It would be a brave or foolish person who tried to give a snapshot of the career of this guitarist in just a few short sentences: so here goes a fool. Frisell came out of the Midwest (so there's some country, widescreen sensibilities and folk for you) and studied at Berklee with Jim Hall (some straight jazz into the mix). He became an...

JOE LOVANO, A CAREER CONSIDERATION (2004): Sax in every direction

JOE LOVANO, A CAREER CONSIDERATION (2004): Sax in every direction

About a month ago I was in New York and spoke to Bruce Lundvall, head of the Blue Note label. Lundvall is a jazz man from way back and has been a major player in shaping careers. He worked the jazz catalogue at Sony back when it was called Columbia, left to start the Elektra Musician label for Warners and has been helming Blue note for two...

JOE LOVANO INTERVIEWED (2008): Life is in the learning

JOE LOVANO INTERVIEWED (2008): Life is in the learning

At 55, Joe Lovano is one of the leading saxophonists of his generation, and has a career notable for its diversity. He has played straight ahead and swing, worked with Cuban musicians and orchestras, done an album of Sinatra songs, and has enjoyed two longtime musical relationships: one is with guitarist John Scofield whom he met at Berklee in...

Jackie McLean: Right Now! (1965)

Jackie McLean: Right Now! (1965)

The Reid Miles-designed cover of this album by altoist McLean is a Blue Note classic. The hammered-out typewriter font blown up large and the thump of the exclamation point hinted at - and the intense opener Eco confirmed - the tough music within. Altoist McLean, born in New York in 1932, studied with his neighbour Bud Powell and played with...

Joe Lovano: Symphonica (EMI)

Joe Lovano: Symphonica (EMI)

Those who were witness to the outstanding Auckland concert fronted by saxophonist Lovano and guitarist John Scofield might be right now looking for Joe albums: if so this maybe ain't the one you need. Where that concert had tension, strength'n'stretch, musical dialogues which sounded like those betweeen an erudite dinnertable...

NATHAN HAINES INTERVIEWED (2008): Cocktails, class and cool

NATHAN HAINES INTERVIEWED (2008): Cocktails, class and cool

About 45 minutes into the conversation in a noisy café just around the corner from Neil Finn’s studio where he recorded his new album Music For Cocktail Lovers, Nathan Haines mentions casually that this is his seventh album. Murray Thom -- prime mover behind Music For Cocktail Lover and on whose label the album appears -- seems...

JOHN SURMAN: The casually-dressed career

JOHN SURMAN: The casually-dressed career

The European jazz label ECM rarely uses photos of musicians on its covers: usually they are blurry photos taken out a moving vehicle; monochromatic landscapes; eerily evocative imagery . . . They rarely have liner notes and cloak the music with an air of esoteric mystery. There might also be a more practical reason: most jazz artists...

ENRICO RAVA AND NEW YORK DAYS: The trumpet calls the faithful

ENRICO RAVA AND NEW YORK DAYS: The trumpet calls the faithful

It’s disappointing and embarrassing that one encounter may put you off a musician for such a long time. Then, shame-faced, you crawl your way back later and have to concede everybody else was right. When I first heard The Band I was into loud rock’n’roll and these country music guys just seemed exceptionally dull and -- the...

Steve Kuhn: Mostly Coltrane (ECM/Ode)

Steve Kuhn: Mostly Coltrane (ECM/Ode)

Even those jazz listeners not usually drawn to the sound and style of many albums on the ECM label would find the pedigree of the players here, and the topic of their conversation, mighty appealing: pianist Kuhn actually played with John Coltrane for two months in 1960 when he (Kuhn) was 21; the drummer here in this acoustic group is the...

Jan Garbarek: Rites (ECM)

Jan Garbarek: Rites (ECM)

Norwegian saxophonist Garbarek scored a huge crossover album in 1995 with Officium which lined him up with the Hilliard Ensemble for an inspired marriage of the spiritual and the secular which ended up on many classical, jazz and even pop "best of" lists. Garbarek's biting, sometimes clinically incisive, tone has often been...

Manfred Schoof Quintet: Resonance (ECM)

Manfred Schoof Quintet: Resonance (ECM)

Here is further proof that the past is a different country: this double disc pulls together tracks from Schoof albums of the mid to late Seventies when the contract of jazz was very different. These days -- with only a few rare exceptions -- jazz has retreated from the barricades and most of it is conservative, backward looking or so...

CHARLES LLOYD INTERVIEWED (2010): A forest flower in full bloom

CHARLES LLOYD INTERVIEWED (2010): A forest flower in full bloom

For exceptional people, we make an exception. And saxophonist Charles Lloyd is certainly exceptional. Not just because he enjoyed that rarity in jazz, a hit album (Forest Flower in 66 which anticipated the free spirit of the hippie era), or because he played bills with Jimi Hendrix and Jefferson Airplane. And not because he moved...

Charles Lloyd Quartet: Mirror (ECM/Ode)

Charles Lloyd Quartet: Mirror (ECM/Ode)

Anyone who has seen this extraordinary quartet recently -- they played in New Zealand earlier this year, Lloyd interviewed here -- will need not further prodding on this album other than to know it is released, the first studio album by this line-up. These tunes -- many of them familiar in their concert repertoire and from previous albums (I...

Motian/Lovano/Frisell; Time and Time Again (2007)

Motian/Lovano/Frisell; Time and Time Again (2007)

Because jazz is -- as the critic Leonard Feather noted in the closing overs of the last millennium -- the classical music of the 20th century, in it you can hear the human condition reflected. Or in other words, each generation creates the jazz it requires. In the post-war period things adopted a cooler and more sophisticated mood (less...

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