john hiatt

john hiatt on Elsewhere by Graham Reid - Browse our selection of content tagged 'john hiatt'.

Various: Endless Highway, The Music of The Band (Shock)

Various: Endless Highway, The Music of The Band (Shock)

Tribute albums are, almost by definition, uneven. Some artists will be up to the challenge, others won't quite get inside the song. This one however has a higher score card than most, largely because of the calibre of those on hand -- and of course the quality of the songs. So here are appropriately enough are Guster and Gomez (both...

Bettye LaVette and Drive-By Truckers: The Scene of the Crime (Anti) BEST OF ELSEWHERE 2007

Bettye LaVette and Drive-By Truckers: The Scene of the Crime (Anti) BEST OF ELSEWHERE 2007

This is an unexpected pairing: soul-singer LaVette with alt-country rockers Drive-By Truckers recording in Muscle Shoals in Alabama. A marriage made in heaven (or a somewhat hotter place) as it turns out: the band are edgy or supportive and nudge LaVette (who needs little prompting it must be said) through a collection of gritty songs which...

Peter Case: Let Us Now Praise Sleepy John (YepRoc Records)

Peter Case: Let Us Now Praise Sleepy John (YepRoc Records)

Case used to be the mainman in the Plimsouls, a terrific and slightly ragged power pop band but he has enjoyed a long and diverse alt.country/alt.rock solo career -- as befits a man who was once married to Victoria Williams. On his superb self-titled debut in '86 he had John Hiatt and Roger McGuinn helping out, and down the decades he has...

Sonny Landreth: From the Reach (Shock)

Sonny Landreth: From the Reach (Shock)

Having once stood in torrential rain and mud up to my boot-tops at a New Orleans Jazz and Heritage Festival to watch guitarist Sonny Landreth, I have always felt a strange loyalty to him. I have faithfully reviewed his many albums but always came to the same conclusion. Gifted though he obviously is -- and conceding his career performing...

BONNIE RAITT INTERVIEWED 1992: Born to make things better

BONNIE RAITT INTERVIEWED 1992: Born to make things better

At one of those flashbulb and tape-recorder after-match functions following this year’s Grammy awards, three-time recipient Bonnie Raitt was the centre of attention. In a year which gave awards to Natalie Cole and her dead dad singing something written 30 years ago, Bonnie Raitt – just as she was two years back when she picked up...

John Hiatt: Same Old Man (Elite)

John Hiatt: Same Old Man (Elite)

It has been two decades since John Hiatt hit a high profile with the albums Bring the Family and Slow Turning. But despite some fine albums since (and a few duffers) he seems to be missed by the spotlight and has now become one of those rock-country journeymen who is more respected than actually listened to.His Crossing Muddy Waters at the start...

ELVIS COSTELLO INTERVIEWED (1991): Every thorn has a rose

ELVIS COSTELLO INTERVIEWED (1991): Every thorn has a rose

Elvis Costello has lurked about under any number of names in the past decade or so. He’s been Howard Coward of the Coward Brother (when he sang with T-Bone Burnett), Napoleon Dynamite (for his ’86 Blood and Chocolate album), cynically called himself “The Beloved Entertainer” and for a while even worked under his birth...

BONFIRE OF ROADMAPS by JOE ELY (2008)

BONFIRE OF ROADMAPS by JOE ELY (2008)

Joe Ely who grew up in Lubbock, West Texas (Buddy Holly's hometown) is something of a legend in Americana/alt.country rock: he was on the road in the early 70s hitching around to play gigs far and wide but also formed the formidable band the Flatlanders with Butch Hancock and Jimmie Dale Gilmore (both of whom have gone on to remarkable...

Joe Ely: Live at Antones (2000)

Joe Ely: Live at Antones (2000)

After Joe Strummer's terrific showing at the Big Day Out in 2000, albums by his old band the Clash got a fair thrashing round my way, especially their sprawling three-album set from 1980, Sandinista! Over six sides of vinyl, they dragged together garage-trash rock and dub reggae, power pop and rockabilly, and most points in...

JOHN HIATT INTERVIEWED (1991): Through a glass, darkly

JOHN HIATT INTERVIEWED (1991): Through a glass, darkly

Thursday last week and a cool, almost chill night in Los Angeles. It’s a little after nine and John Hiatt is back in his hotel room after dinner. He came in from Nashville a few days ago to do some recording and writing with “three other guys” but is now just making a few phone calls. He flies home tomorrow in time to catch...

BEST OF ELSEWHERE 2009 Elvis Costello: Secret, Profane and Sugarcane (Starbucks/Universal)

BEST OF ELSEWHERE 2009 Elvis Costello: Secret, Profane and Sugarcane (Starbucks/Universal)

On his what is his thirtysomethingth album here's Elvis Costello's problem as I see it: it is his thirtysomethingth album. As with Eric Clapton who could deliver the best album of his career tomorrow and watch it go largely ignored (as McCartney found with Flowers in the Dirt of '89 where he co-wrote with Costello), a lot of people have...

NICK LOWE INTERVIEWED (2009): As times go by

NICK LOWE INTERVIEWED (2009): As times go by

It is one of the ironies of Nick Lowe’s life that -- despite producing the first three Elvis Costello albums, the success of his solo debut Jesus of Cool in ‘78 (retitled Pure Pop for Now People in the more sensitive American market), being in the dream team with Cooder and drummer Jim Keltner on the exceptional John Hiatt album...

Chris Smither: Time Stands Still (Shock)

Chris Smither: Time Stands Still (Shock)

As on his earlier Leave The Light On, this grizzled singer-songwriter now in his mid 60s, covers a Bob Dylan song, this time It Takes A Lot To Laugh, It Takes a Train To Cry. He also adds in Mark Knopfler's Madame Geneva's and that's a more useful reference, because Knopfler explores roots music -- but Smither lives it. His low grumble isn't...

GREG JOHNSON INTERVIEWED (2009): The song, not the singer

GREG JOHNSON INTERVIEWED (2009): The song, not the singer

The first call catches Greg Johnson and his wife Kelli somewhere in the empty landscape of Texas heading for Shreveport, Louisiana with a fuel gauge hovering near “Empty”. “We’re looking for gas at the moment,” he says slightly anxiously, and there follows a brief and fraught discussion in the front seat. They...

Chet Atkins and Jerry Reed: Me and Jerry, Me and Chet (Raven/EMI)

Chet Atkins and Jerry Reed: Me and Jerry, Me and Chet (Raven/EMI)

Doubtless one for guitarists (of the country pickin' persuasion too perhaps), this two-fer pulls the '70 and '72 Grammy-grabbing duet albums by Atkins and Reed onto one disc and adds eight bonus tracks. There is a small band (which includes pianist Floyd Cramer) on the Me and Chet album. With Chet on the right and Jerry on the left you can...

John Hiatt: The Open Road (New West)

John Hiatt: The Open Road (New West)

For my money John Hiatt never sounds better than when he gets a rocking band behind and sounds a little venomous or angry. The back-porch Hiatt never much appealed to me -- so this, his 19th album, suits me just fine. With his tight little touring band and at age 57, he (mostly) writes about hitting the highway and some of the songs seem...

Jakob Dylan: Women and Country (Sony)

Jakob Dylan: Women and Country (Sony)

The previous solo album by Dylan, Seeing Things, confirmed that he had stepped well out of the shadow his famous father (and the Wallflowers band) and had found his own voice -- or at least Jackson Browne's by way of alt.country. And although he sounded wise beyond his years he was on the cusp of 40 so . . . This time out with producer...

Ben Ottewell:Shapes and Shadows (Shock)

Ben Ottewell:Shapes and Shadows (Shock)

The name might not be familiar but from the first bar the voice certainly is. It belongs to that rusty balladeer in Gomez who here steps out with a classy, soulful solo debut of originals co-written with Sam Genders of the rather bent UK alt.folk outfit Tuung who have barely raised a ripple in this country. With a sound as distinctive...

John Hiatt: She Loves the Jerk (1983)

John Hiatt: She Loves the Jerk (1983)

Songs of spousal abuse or domestic violence are never going to be pretty or common, in fact on a countback the most outstanding one prior to this by Hiatt was probably the gloomy and dark He Hit Me (It Felt Like a Kiss) written by Gerry Goffin and Carole King in the early Sixties. They'd heard from Little Eva (who'd had a chart hit with...

Gomez: Whatever's On Your Mind (Shock)

Gomez: Whatever's On Your Mind (Shock)

Split between the UK and USA, seven studio albums into their career and with songwriters Ian Ball and Ben Ottewell having released solo albums (rusty voiced Ottewell's being the excellent alt.folk Shapes and Shadows) hardly seems to have damaged Gomez, who started on a career high when they won the '98 Mercury Prize for their Bring It On...

Nick Lowe: Dig My Mood (1998)

Nick Lowe: Dig My Mood (1998)

It is coming up close to two decades since Nick Lowe -- once a laddish and witty figure in British rock in the immediate post-punk days -- decided to take the long view on his career and reposition himself. As he told Elsewhere late last year, “Back when I first got noticed in the Seventies it was for being rather irreverent and...

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