opera

The contents of this page relate to opera.

NZ OPERA'S BUNGA-BUNGA VERDI: Rigoletto in Berlusconi's Rome

NZ OPERA'S BUNGA-BUNGA VERDI: Rigoletto in Berlusconi's Rome

Ten days out from Christmas and little more than a fortnight before the 2012 Sydney Festival opening night and director Lindy Hume seems almost unnaturally relaxed. Might have been the massage, she laughs. At this point, aside from the usual crises which hit at the last minute, she admits there isn't a lot she can do but let things...

THE FLYING DUTCHMAN: Wagner, economy size

THE FLYING DUTCHMAN: Wagner, economy size

Some years ago when I interviewed Paul Simon, I brought up a topic I knew he'd be uncomfortable with. His Broadway play The Capeman. The show – which had cost US$11 million by some estimates – was savaged by critics, the public stayed away and the thing folded after just 68 performances. It was by no means the biggest...

THE FLYING DUTCHMAN, REVIEWED (2013): The power and the passion

THE FLYING DUTCHMAN, REVIEWED (2013): The power and the passion

Although in later life Richard Wagner may have overstated the importance of The Flying Dutchman – first staged in 1841 – in the long arc of his career, there is no doubt it represented something of a breakthrough for him after the more traditional Rienzi. Wagner's shift from overt drama to internal narrative and...

DON GIOVANNI REVIEWED (2014): When opera goes clubbing

DON GIOVANNI REVIEWED (2014): When opera goes clubbing

It was Mae West who said, “Keep a diary and perhaps some day it will keep you”. This presumes you've had an interesting life, but former Rolling Stone bassist Bill Wyman assiduously kept diaries so when he wrote his autobiography Stone Alone back in 1990 he had hard facts as well as memories to draw on. Rock people and...

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