the byrds

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Matthew Sweet and Susanna Hoffs: Under the Covers Vol 2 (Shock)

Matthew Sweet and Susanna Hoffs: Under the Covers Vol 2 (Shock)

The previous album by this hugely underrated power pop/rock singer songwriter and the former Bangle was a snapshot of their favourite Sixties songs (by the Beatles, Dylan, Neil Young, Stone Ponies, Who and so on) under the banner of Sid'n'Susie. Here they undertake the diversity of the Seventies which means power pop (a rather mundane...

Tom Petty and the Heartbreakers: The Live Anthology (Universal)

Tom Petty and the Heartbreakers: The Live Anthology (Universal)

They used to say you could always judge a band by its covers. But today many bands write "originals" which sound exactly like their influences (like these people), or seem to be above such direct referencing. You suspect only the most confident of bands play other people's songs simply because they love and respect them. Tom Petty...

Various Artists: The Gerry Goffin and Carole King Songbook (EMI)

Various Artists: The Gerry Goffin and Carole King Songbook (EMI)

While Carole King went on to greater fame, it is worth remembering that of the songs she wrote with her writing partner-then-husband Gerry Goffin in the early Sixties it was he who penned those memorable and often extremely adult lyrics: think of the pre-sex doubt in "will you still love me tomorrow", the post-sex pleasures of...

Sagittarius: My World Fell Down (1966)

Sagittarius: My World Fell Down (1966)

Elsewhere doesn't go much for conspiracy theories -- although I've been to the Texas Book Depository in Dallas and, hmmm. But here's one that might be of interest. LA musician/producer Gary Usher was working on the single My World Fell Down with a bunch of session musicians at the same time as Brian Wilson was meticulously crafting Good...

Tom Petty and the Heartbreakers: Mojo (Reprise)

Tom Petty and the Heartbreakers: Mojo (Reprise)

My take on Tom Petty -- most of whose albums in the first decade or more I cherished with a passion, but had misfortunes with the man -- is that when he hooked up with the Traveling Wilburys he became prematurely geriatric and he lost his rock edge. This is a theory which doesn't bear much serious scrutiny perhaps (I was "wrong"...

Crowded House and Roger McGuinn: Eight Miles High (1989)

Crowded House and Roger McGuinn: Eight Miles High (1989)

Recorded live at the Pantages Theatre in Los Angeles when Crowded House met up with former Byrd Roger McGuinn, this song -- and their versions of Mr Tambourine Man and So You Want to be a Rock'n'Roll Star -- appeared on a '91 version of the CD single for Weather With You (other versions had live Crowdies tracks from the period). Not the most...

The Flying Burrito Brothers: Wild Horses (1970)

The Flying Burrito Brothers: Wild Horses (1970)

Few Rolling Stones songs have had such an interesting history -- right up to Susan Boyle's recent interpretation -- as this one. Keith Richards has always claimed the title was his; Mick Jagger insists the song came from the first words Marianne Faithfull said when she came arround from a failed suicide attempt in '69: "Wild horses...

ROGER GUINN, BACK FROM RIO (1991): The return flyte

ROGER GUINN, BACK FROM RIO (1991): The return flyte

When Jim McGuinn changed his name to Roger in ’67 during a period of chaos without and within for The Byrds, there were those who thought it was an elaborate hoax. Jim had taken off to Rio and been replaced by his lookalike brother, said Paul-is-Dead paranoids and conspiracy theorists. Hence the wry in-joke title on his album Back...

THE GRATEFUL DEAD: The Dead rise again

THE GRATEFUL DEAD: The Dead rise again

There are some pretty odd tribute albums out there lately - and they seem to be getting stranger by the day. A couple of years ago it was all sensible kind of stuff, artists getting together to play Byrds songs or salute Neil Young. That’s cool. These days, however, we are getting albums like the Manson Family Sings the Songs...

Luke Jackson: . . . And Then Some (Popsicle)

Luke Jackson: . . . And Then Some (Popsicle)

After a mention of the late Robert Kirby's string arrangements in a review of the Magic Numbers' The Runaway, this Canadian singer-songwriter with a well-stamped passport got in touch: he too had benefited from Kirby's smart touch. And he sent on a copy of this album which opens with a classic blast of power-pop (Come Tomorrow, the title even...

MATTHEW SWEET INTERVIEWED (1993): It should be a more Sweet world

MATTHEW SWEET INTERVIEWED (1993): It should be a more Sweet world

Matthew Sweet comes with a double handicap: the unthreatening “Matthew” and then . . . “Sweet” Hmm, very soft, very sweet. It isn’t a promising start and he made life doubly difficult by calling his last album Girlfriend and putting a lovely furwrapped, teenage Tuesday Weld on the cover. Wow, Matthew...

Matthew Sweet: Girlfriend (1991)

Matthew Sweet: Girlfriend (1991)

Bitter irony is how Matthew Sweet's small but devoted following might describe his recent profile and measure of success: this gifted singer-songwriter, power-pop rocker and fine interpreter of a lyric is currently gathering kudos for the Under the Covers albums he has been doing with former Bangle Susanna Hoffs. Yes, it's good to know he's...

BEST OF ELSEWHERE 2010 The Young Veins: Take a Vacation! (One Haven/Southbound)

BEST OF ELSEWHERE 2010 The Young Veins: Take a Vacation! (One Haven/Southbound)

Here's my theory about The Young Veins, for what it's worth: they are aliens who crashed landed secretly in California behind a music store, got on the computer late at night and Googled "pop music". Disturbed by the cops they grabbed some band names and songs at random, fled with some instruments and have subsequently launched...

BADFINGER (1968-73): The shop-soiled Apple band

BADFINGER (1968-73): The shop-soiled Apple band

There are two stories every young musician should read, the first is obvious. The Beatles story is full of magic and coincidence; McCartney's meeting with a drunk Lennon, Harrison getting in by playing Raunchy to them while on a bus, the Hamburg days and the death of Stu Sutcliffe, the firing of Pete Best and Ringo entering just before...

THE JAM and TOM PETTY in '79: Two bands separated by a common language

THE JAM and TOM PETTY in '79: Two bands separated by a common language

At the fag-end of the Seventies, the sound of the Sex Pistols explosion in Britain had faded and in the place of furious punk anger came the more intellectual and cooler sound of post-punk: bands like Magazine, Wire and Joy Division. Across the Atlantic the Ramones' flat-tack energy was faltering and the names to note were Talking...

THE BARGAIN BUY: Emmylou Harris, The Original Album Series (Rhino)

THE BARGAIN BUY: Emmylou Harris, The Original Album Series (Rhino)

With a new Emmylou Harris album about to be released -- does an Emmylou album "drop"? -- it is timely to look briefly at this five CD set of her early solo albums. It skips past her work with Gram Parsons of course, and also her debut solo album Gliding Bird of '70 on the small Jubilee label but picks up her five Reprise albums...

Gruff Rhys: Hotel Shampoo (Ovni)

Gruff Rhys: Hotel Shampoo (Ovni)

The singer for Wales' Super Furry Animals here delivers his third album and the reference points are pure Sixties melodic pop (the Vogues, Buckinghams, early Lennon-McCartney, the Beach Boys) and the LA singer-songwriters of the early Seventies (all those various Taylors, Dan Fogelberg etc). And a little mariachi trumpet. This makes for a...

Urge Overkill: Rock&Roll Submarine (Redeye)

Urge Overkill: Rock&Roll Submarine (Redeye)

Possibly the most coolly knowing, confidently aloof band since Steely Dan, Urge Overkill out of Chicago were touring mates with Nirvana and Pearl Jam but their stylish and increasingly power pop sound (and cover of Neil Diamond's Girl You'll be a Woman Soon which was used in Pulp Fiction) took them to a mainstream, but small, audience....

Roger McGuinn: The Byrd who can't fly from his past

Roger McGuinn: The Byrd who can't fly from his past

The backstage meet'n'greet is usually an uncomfortable if not dire affair. Record company types, tour managers, promoter's flunkies and various levels of B-grade guests -- such a myself -- mill around waiting for that quick handshake with someone whose music you might like, and whom you'd probably not want to invite home for dinner. I avoid...

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