the grateful dead

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The Warlocks: Can't Come Down (1965)

The Warlocks: Can't Come Down (1965)

By the mid Sixties the spirit and style of poetic Bob Dylan was everywhere as singers and writers tried to match his surreal wordplay. Dylan's harmonica, image heavy lyrics and monotone is everywhere in this demo by the Warlocks out of San Francisco. Of all the Bob-copyists the Warlocks had the best claim to similar territory: they were...

I WANT TO TAKE YOU HIGHER: THE PSYCHEDELIC YEARS 1965-69 edited by JAMES HENKE AND PARKE PUTERBAUGH

I WANT TO TAKE YOU HIGHER: THE PSYCHEDELIC YEARS 1965-69 edited by JAMES HENKE AND PARKE PUTERBAUGH

Somewhere among my old photographs at home is one of me standing beside John Lennon’s psychedelic Rolls Royce. It was London in late ‘69 and -- aside from revealing the embarrassing affectation of a black cape -- it‘s most interesting for what is in the background: a Morris Minor of the kind that was considerably more common...

The Gun: Race with the Devil (1967)

The Gun: Race with the Devil (1967)

In the age of Cream (mid '66 to late '68), Blue Cheer and the Jimi Hendrix Experience, the power trio became an established form and this group from Buckinghamshire -- two brothers and another -- took the hard rock, guitar pyrotechnics sound to the top of the British charts with this single. And that was about it for them. That's actually...

THE GRATEFUL DEAD: The Dead rise again

THE GRATEFUL DEAD: The Dead rise again

There are some pretty odd tribute albums out there lately - and they seem to be getting stranger by the day. A couple of years ago it was all sensible kind of stuff, artists getting together to play Byrds songs or salute Neil Young. That’s cool. These days, however, we are getting albums like the Manson Family Sings the Songs...

Endless Boogie: Full House Head (Shock)

Endless Boogie: Full House Head (Shock)

In his rock'n'roll essays and fiction collection The Boy Who Cried Freebird, the American writer Mitch Myers traces the notion of “boogie” from its name (having sex, basically) through the blues (John Lee Hooker's Boogie Chillun in 48) and boogie-woogie piano a building block of early rock'n'roll and then into those endless jams...

Sir Douglas Quintet: Lawd I'm Just a Country Boy in This Great Big Freaky City (1968)

Sir Douglas Quintet: Lawd I'm Just a Country Boy in This Great Big Freaky City (1968)

When this song was written, Doug Sahm -- singer, writer and frontman for the Sir Douglas Quintet -- was feeling somewhat jaded about the hippie paradise that had been San Francisco. He and the band were from Texas and in the mid-Sixties had, like so many, moved to the Bay Area to enjoy whatever was happening there. But increasingly the...

JEFFERSON AIRPLANE; THE SIDE PROJECTS 1970-74: The Baron and the Nun go it alone, together

JEFFERSON AIRPLANE; THE SIDE PROJECTS 1970-74: The Baron and the Nun go it alone, together

The New York garageband Blues Magoos' Psychedelic Lollipop of 1966 was one of the first albums to have the word “psychedelic” in the title, but it wasn't quite the spaced-out sweet thing the name suggested. 13th Floor Elevators out of Texas the same year with their debut The Psychedelic Sounds of the 13th Floor Elevators...

Barry McGuire: California Dreamin' (1965)

Barry McGuire: California Dreamin' (1965)

After his growling and apocalyptic version of PF Sloan's Eve of Destruction in '65 the former folkie Barry McGuire -- who had been in the New Christy Minstrels and had co-written their big hit Green Green -- was looking for new material to include on his second album. Producer Lou Adler lined up a number of covers -- the Beatles' Yesterday...

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