Elsewhere by Graham Reid

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Wide angle reviews, interviews and opinion by writer Graham Reid

this heat

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The Mothers of Invention: Uncle Meat (1969)

The Mothers of Invention: Uncle Meat (1969)

While it is entirely possible to live a happy and fulfilled life without hearing any music by Frank Zappa and the Mothers of Invention, there really is no need to be so deprived given the extensive re-issue programme that was undertaken after his death in 1993. And, Lord protect us, it arrived all over again in 2012.  All the...

This Heat: This Heat (1979)

This Heat: This Heat (1979)

Understandably, many hail the Sixties as the greatest ever decade for popular music: the undeniable brilliance of the Beatles and what they spawned on both sides of the Atlantic, not to mention globally; the whole shift from pop to rock, and from singles to albums, which freed minds and arses that followed; the innovations of Hendrix, Cream and...

Harmonia and Eno '76: Tracks and Traces Reissue (Gronland/Rhythmethod)

Harmonia and Eno '76: Tracks and Traces Reissue (Gronland/Rhythmethod)

Even during his days in Roxy Music, Brian Eno professed an admiration for not just the music coming out of the German electronic movement (Can and so on) but for their collective spirit. They often lived communally and kept outside the mainstream, and (the commune thing excepted) so did he. That they had so many musical interests in common...

Magazine: Real Life (1978)

Magazine: Real Life (1978)

If there was a godfather of the Manchester scene in the Eighties there's a good case to be made that it wasn't Tony Wilson (who founded the Hacienda and Factory Records) but that it was Howard Devoto, singer and songwriter for Magazine, the band he formed in 1977. In that crucial year Devoto promoted the two local concerts by the Sex Pistols...

Underworld Vs the Misterons: Athens (K7/Border)

Underworld Vs the Misterons: Athens (K7/Border)

This might not be what some would expect from the techno stars Underworld, but this excellent compilation serves a number of purposes outside of being fascinating in its own right. It is a collection of some of their favouite tracks from the more meditative end of the musical spectrum so has a kind of neo-ambient, avant-jazz flavour, and...

Hot Chip: One Life Stand (EMI)

Hot Chip: One Life Stand (EMI)

Artists should not be held to their press releases, but after a couple of tracks of wimp-pop for disco-cum-dance clubs you have to wonder why the promo sheet on this album speaks of it being "awash with Hot Chip's trademark creative bravery and a searing emotional intensity from first track to last". Sorry, bullshit on both counts....

The Raincoats: The Raincoats (We Three/Southbound)

The Raincoats: The Raincoats (We Three/Southbound)

I'm pretty sure I shared an elevator with some of the Raincoats at a hotel in New York in the mid Nineties, but I may be wrong. And that's the end of my anecdote. This is a reissue (The second? Third?) of their important '79 debut album when this London group of Ana da Silva, Gina Birch, Palmolive and Vicky Aspinall were hailed as the first...

Romeo Void: Never Say Never (1982)

Romeo Void: Never Say Never (1982)

The British label Stiff Records (which gave the world Jona Lewie, Lena Lovich and Wreckless Eric alongside Elvis Costello and Ian Dury, among others) said everybody had one good single in them. Romeo Void out of San Francsisco had Never Say Never, a smart sliver of New Wave pop which rode a relentless beat and was elevated not just by the...

The Trons: The Trons (Pieplate CD/DVD)

The Trons: The Trons (Pieplate CD/DVD)

A few decades ago Devo advanced the idea of "devolution", that Mankind wasn't going forward but actually regressing and you could see that in the behaviour of the mob. Regrettably it seems they might have been right if idiot postings on Facebook and You Tube are anything to go by, not to mention the guy who will hold up store at...

BEST OF ELSEWHERE 2011 Wire: Red Barked Tree (Pink Flag)

BEST OF ELSEWHERE 2011 Wire: Red Barked Tree (Pink Flag)

In the late Seventies Wire delivered a trifecta of classic post-punk, minimalist and arty albums -- Pink Flag, Chairs Missing and 154 – then called it a day. In subsequent decades they reformed dropping drummer Robert Gotobed to appear as an alt.electro-rock outfit (not much cop), in the past decade their sound became more aggressive...

Various Artists: Forbidden Planets Vol 2 (Chrome Dreams/Triton)

Various Artists: Forbidden Planets Vol 2 (Chrome Dreams/Triton)

Subtitled "More Music from the Pioneers of Electronic Sound", this double disc with a booklet will not be for everyone. But if the original theme to Dr Who, the Bebe and Louis Barron soundtrack on the film Forbidden Planet and even the more demanding music in 2001: A Space Odyssey (nope, not the Strauss) held any appeal then you should...

Brian Eno: Drums Between the Bells ((Warp)

Brian Eno: Drums Between the Bells ((Warp)

Brian Eno first encountered the work of poet/spoken word artist Rick Holland more than a decade ago and despite some small attempts to collaborate things didn't come to much. Until now. Here Eno creates the textural soundbeds for these readings of Holland's work by various people (himself included) and sometimes they have a drilling, intense...

CAN'S CLASSIC TAGO MAGO; 40 YEARS ON (2011): Pre-post-rock with a sonic sweep

CAN'S CLASSIC TAGO MAGO; 40 YEARS ON (2011): Pre-post-rock with a sonic sweep

If you applied cold logic, on paper most band line-ups wouldn't make much sense. With hindsight you can see the internal faultlines which would pull apart so many of them. None of that matters of course, as long as at some point they make great music. And Can out of Germany certainly did that, although on paper the line-up for their...

Howard Devoto of Magazine: The floorboards creak . . .

Howard Devoto of Magazine: The floorboards creak . . .

Back at the dawn of time -- for two periods in 1980 and 1981 to be precise -- I had a programme on Radio Pacific on Saturday evening, sandwiched between the Rugger Buggers sports show and, of all people, Hollywood gossip David Hartnell. It was all free-format music (not a term used in radio these days, it means you could play what you liked)...

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