tomasz stanko

Recent content on Elsewhere by Graham Reid tagged as tomasz stanko.

BEST OF ELSEWHERE 2009 Jon Hassell: Last Night the Moon Came (ECM/Ode)

BEST OF ELSEWHERE 2009 Jon Hassell: Last Night the Moon Came (ECM/Ode)

By sheer coincidence, this new album by ambient trumpeter Jon Hassell (full title "Last night the moon came dropping its clothes in the street" from a poem by Rumi) arrived just as I was posting his 1981 release Dream Theory in Malaya as an Essential Elsewhere album. And it is pleasing to report that when it comes to his seductive,...

Jon Hassell: Dream Theory in Malaya (1981)

Jon Hassell: Dream Theory in Malaya (1981)

When I imported this album in 1981 it was on the basis of faith: faith that the Melody Maker writer who had hailed it was on the money, that Brian Eno who appeared as a collaborator and on whose EG Music imprint it appeared was right, that it would be as good as their previous collaboration, and that it would arrive intact. My faith was...

Manfred Schoof Quintet: Resonance (ECM)

Manfred Schoof Quintet: Resonance (ECM)

Here is further proof that the past is a different country: this double disc pulls together tracks from Schoof albums of the mid to late Seventies when the contract of jazz was very different. These days -- with only a few rare exceptions -- jazz has retreated from the barricades and most of it is conservative, backward looking or so...

TOMASZ STANKO INTERVIEWED (2009): A blow for freedom

TOMASZ STANKO INTERVIEWED (2009): A blow for freedom

To hear trumpeter Tomasz Stańko tell it, life in Poland in the 1960s might not have been quite as grim and mono-chromatic as we believe. -Certainly there was the irony of playing free jazz in the politically repressive atmosphere, and he laughs knowingly when offered a quote by composer-pianist Thelonious Monk: “Jazz and freedom...

Tomasz Stanko: Dark Eyes (ECM/Ode)

Tomasz Stanko: Dark Eyes (ECM/Ode)

Polish trumpeter Stanko has been introduced previously at Elsewhere on the ocassion of his excellent Lontano album. Here with yet another line-up he essays some slightly sombre territory (The Dark Eyes of Martha Hirsch, Krzysztof Komeda's Dirge For Europe) with a kind of European stateliness which isn't quite as emotionally gripping as some...

Eden Mulholland: Music for Dance (Isaac)

Eden Mulholland: Music for Dance (Isaac)

Probably this shouldn't work. Music for dance pieces have to be special to exist without the moving images -- and yet in theory they should be able to do exactly that. These do. Eden Mulholland has written for numerous New Zealand dance productions and is the singer-songwriter in the rock band Motorcade, but here he collects 23 discreet,...

MICHAEL NYMAN INTERVIEWED (1993): Play us a film, piano man

MICHAEL NYMAN INTERVIEWED (1993): Play us a film, piano man

For director Jane Campion to have as noted a composer as Michael Nyman to score the soundtrack for her film The Piano was as simple as a phone call. From his home in Toulouse, Nyman -- whose extensive career is best known for his soundtracks to Peter Greenaway films – acknowledges that he knew Campion’s previous films...

BEST OF ELSEWHERE 2010 Nik Bartsch's Ronin: Llyria (ECM/Ode)

BEST OF ELSEWHERE 2010 Nik Bartsch's Ronin: Llyria (ECM/Ode)

Because music on the ECM label often invites a litany of familiar adjectives -- austere, cool, detached -- it's a pleasure to throw this disc into the player and find yourself thinking more along the lines of . . . muscular, vigorous, assertive.   Even the cover here suggests fireworks --- and while the music isn't exactly incendiary...

Chet Baker: In New York (American Jazz Classics/Southbound)

Chet Baker: In New York (American Jazz Classics/Southbound)

Although you could hardly argue with a line-up which had tenor player Johnny Griffin, pianist Al Haig, bassist Paul Chambers and drummer Philly Joe Jones alongside trumpeter Chet Baker, the result was a fairly mainstream, late Fifties sessions which -- while admittedly pushing Baker in a way he hadn't previously -- don't really separate...

Trygve Seim/Andreas Utnem: Purcor; Songs for Saxophone and Piano (ECM/Ode)

Trygve Seim/Andreas Utnem: Purcor; Songs for Saxophone and Piano (ECM/Ode)

On a blindfold test -- "What record label is this on?" -- my money would be on greater than 90 percent of music-aware Elsewhere people saying immediately "ECM", and about half of those left over making an inspired guess and saying the same. Much as this is all things which its oddly under-claiming promo makes for it...

Mathias Eick: Skala (ECM/Ode)

Mathias Eick: Skala (ECM/Ode)

As mentioned in a review of one his earlier albums, The Door (here), Norwegian trumpeter Eick has an inclusive approach to his art and has played in many different contexts, from big bands to psychedelic rock groups and in small, introverted jazz outfits. This time out he gets in two drummers (very discreet, you'd hardly know it), electric...

TOMASZ STANKO, LONTANO: Emotion from a distance

TOMASZ STANKO, LONTANO: Emotion from a distance

Rock audiences have a forgivable problem with jazz groups: the membership of jazz outfits can just keep changing. If you like the Arctic Monkeys chances are you can expect the line-up not to change much over the years. Rock bands -- for the most part -- have an enviable stability which they guard jealously. Consider how long it took for...

BEST OF ELSEWHERE 2011 Marcin Wasilewski Trio: Faithful (ECM/Ode)

BEST OF ELSEWHERE 2011 Marcin Wasilewski Trio: Faithful (ECM/Ode)

Pianist Wasilewski who leads this trio has appeared a number of times previously at Elsewhere, with this group, as a member of Tomasz Stanko's ensemble and with trumpetr Enrico Rava. He -- and his trio -- has impressed every time. But this album finds them really pushing themselves: Night Train to You is a 10 minute piece which swings and is...

Ricardo Villalobos/Max Loderbauer: Re: ECM (ECM)

Ricardo Villalobos/Max Loderbauer: Re: ECM (ECM)

The usually restrained ECM isn't a risk-averse label -- how well some remember the textural noise of Lask and the guitar abuse of David Torn -- so when they open the vaults for manipulation you know the result will be nothing like the Verve and Blue Note remix albums. Here this Berlin-based electronica duo improvise with pre-existing...

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