THE FAMOUS ELSEWHERE JAZZ QUESTIONNAIRE: Mark Robinson

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Roger Manins, Rueben Bradley, Mostyn Cole: Silo
THE FAMOUS ELSEWHERE JAZZ QUESTIONNAIRE: Mark Robinson

Jazz advocate and radio host Mark Robinson started buying 7" singles as a 10 year old back in 1974.

He was born in the Home Counties west of London and lived there until 27 then move up North. Seriously into soul, funk and jazz-funk until plunging heavily into jazz in late teens. He lived in Auckland for 18 years until relocating to Melbourne and has now been in Adelaide a few years ago.

In Auckland he presented It's A Jazz Thing from 2pm to 4pm every Sunday afternoon on George FM, ran the George Jazz internet station for three years, help start the Creative Jazz Club with Caroline Moon and Roger Manins.

He also hosted and MC'd at the Queenstown Jazz Festival for several years, presented shows on the wonderful low-power station KFM for a couple of years and in Melbourne presented various jazz shows on PBS 106.7FM .

He currently presents Primetime Jazz four times a month on Radio Adelaide (see here).

He admits to being passionate about music and radio broadcasting (and wine, food, travel, movies, books and life in general). And now he answers our questionnaire . . .

The first piece of music, jazz or otherwise, which really affected you was . . ?

Very hard to remember. I do remember as a 10 year old being given some cash for my birthday to buy some singles. I shudder to admit that the purchases were top 10 pop songs at the time (1974). The tune that I think affected me the most at that time was “Claire” by Gilbert O’Sullivan.

When did you first realise this jazz thing was for you?

I’d always been surrounded by jazz from my father’s record collection and listening preference when at home. I began to take the music seriously in my early teenage years. As a 14 year old in 1978, slap bang in the middle of the “disco” era I realised that I preferred the “jazzier” side of the music (jazz funk) by bands such as “Players Association”, “The Blackbyrds”, “Spyro Gyra” etc. This opened the door for me into the amazing world of record collection and jazz.

What one piece of music would you play to a 15-year old into rock music to show them, 'This is jazz, and this is how it works'?

I tried this all the time when my daughter was 15 but it didn’t work!!

For someone into rock at that age we’d have to ease them in via the jazz-rock music of Zappa perhaps? So I’ll go for “St Etienne” from “Jazz From Hell”. Although a ballad tempo the track speaks volumes.

Time travel allows you go back to experience great jazz. You would go to . . ?

I don’t think many would miss the opportunity to go back to July 6, 1948

Onyx Club, 52nd Street New York to witness Charlie Parker’s band. The gig that night was recorded on a tape recorder and has been released (remastered in 1994) on CD. The band that night perhaps the greatest in jazz history beginning to come to terms with Bird’s new view on music;

Charlie Parker - alto saxophone

Miles Davis - trumpet

Duke Jordan - piano

Tommy Potter - bass

Max Roach - drums

Just imagine being at the corner of a very dark and smoky bar wondering what the hell those cats on the stand were doing!!!

Which period of Miles Davis' career do you most relate to, and why: the acoustic Fifties; his orchestrated albums with Gil Evans; the fusion of the late Sixties; street funk of the Seventies or the Tutu album and beyond in the Eighties . . .

Tutu and Amandla were released during the mid and late Eighties when I was mid 20s and therefore able to see Miles live in London at that time. I was on a ferry from travelling from the island of Tioman to Malaysia mainland having been out of contact with “civilization” for a few weeks when I read in the Malaysian Times of Mile’s death. The memory of reading that article 24 years ago stays with me. For that reason I relate to that period more than any other. However I will only listen to those releases perhaps once a year whereas I will listen to releases from the “acoustic 50s” at least once a week. Coltrane’s solo on “Flamenco Sketches” is, to my ears, one of the most beautiful passages of music ever recorded.

Any interesting, valuable or just plain strange musical memorabilia at home?

Mono first NZ vinyl pressing of “Kind of Blue.

100s of concert ticket stubs

Security passes from Soul Weekenders from Bognor, Caister, Prestatyn, Southport Soul Weekenders going back to 1987

Autographed (in person) black and white Spyro Gyra band photo

Frank Gibson signed vinyl copy of “Space Case 1”

410GDH1V7VLThe best book on the jazz life you have read is . . .

Art Pepper – Straight Life

If you could get on stage with anyone it would be . . . (And you would play?)

Dave Weckl – I’d play electric bass and we’d kick arse!!!

The three films you'd insist anybody watch because they might understand you better are . . .

Arthur (original Dudley Moore version) (comedy)

Blade Runner (philosophy)

Round Midnight (Dexter Gordon) (love of sound)

The last CD or vinyl album you bought was . . . (And your most recent downloads include . . .)

Last vinyl was Thurston Moore – Demolished Thoughts

Last CD was a bloody long time ago and probably second hand from Real Groovy, Auckland before I moved to Oz

Last download – I get a lot of promo downloads for the radio show so they don’t count. Last download I paid for was from Bandcamp “Allan Browne Trio with Marc Hannaford and Samuel Pankhurst - Aries (Williams ver.)”

One jazz standard you wished you had written . . .

Stolen Moments – Oliver Nelson

space_caseThe poster, album cover or piece of art could you live with on your bedroom forever would be . . .

Space Case, Executive Decision 

Three non-jazz albums for a desert island would be . . ?

Greetings From Asbury Park – Bruce Springsteen

Greatest Hits – Luther Vandross

The Whole Love – Wilco

Your dream band of musicians (living or dead) would be . . ?

Billy Cobham – Drums

Stanley Clarke – Bass

Airto Moreira – Percussion

Lyle Mays and Joe Zawinul – Electric Keys

Herbie Hancock – acoustic grand piano

Pat Metheny – Guitars

Mike Mainieri – Vibes

Michael Brecker – Tenor Sax

John Coltrane – Soprano Sax

Pepper Adams – Baritone Sax

Charlie Parker – Alto Sax

Steve Ture – Trombone

Roger Fox – Trombone

Miles Davis – Trumpet

Chet Baker - Trumpet

Dave Valentine – Flute

Marcus Miller – Bass Clarinet

John Luc Ponty – Violin

Cassandra Wilson – Vocals

Chakha Khan – Background Vocals

Luther Vandross - Background Vocals

Rachel Ferrell - Background Vocals

Gil Evens - Arranger

And finally, is there a track on your most recent album you would love people to hear. And, if so, why that one?

I don’t have an album release. However one track people should hear is anything on the Rattle Jazz label because Steve Garden is wonder a magnificent job showcasing NZ music

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