THE BIRTH OF BEBOP -- A SOCIAL AND MUSICAL HISTORY by SCOTT DEVEAUX

 |   |  1 min read

Charlie Parker: Lester Leaps In (1952)
THE BIRTH OF BEBOP -- A SOCIAL AND MUSICAL HISTORY by SCOTT DEVEAUX

Suggesting that this engrossing, historically investigative and anecdotally amusing book should be reviewed because it asked the question, "Was bebop jazz a revolution or simply a musical evolution?" drew the response: "Yep, that's a question that keeps most people awake at nights."

Fair enough. But in these scrupulously annotated, occasionally academic 450 pages, this worldly and sassy associate professor of music at the University of Virginia is using the question to get inside the history and musical heart of black America.

Scott DeVeaux addresses, and sometimes out of research and necessity dismisses, important myths about the musical culture of black America in the first half of this century as he looks specifically at the schism between swing jazz and hard-blowing black bop which threw up seminal musicians such as Charlie Parker, Dizzy Gillespie and Thelonious Monk, all of whom deserve to be counted in the roll-call of great American musicians of the past century for their invention and genius.

But as the title of this engrossing book hints, this is as much a social as a musical history of the period.

The social snobbery between middle-class black musicians who went to different colleges but had high social aspirations is emblematic of one of the great unaddressed issues in any discussion of race anywhere (snobbery and social position are not race-selective), and DeVeaux grounds his discussion in economic necessity as much as the need for musical expression.

Thelonious Monk once said that jazz is about freedom. DeVeaux doesn't necessarily disagree.

But it's about much else besides, not the least matters of race, money, marketplace and the ever-changing moods of its practitioners.

If you read nothing else of DeVeaux's probing book, read the introduction where he poses that question, "Was bebop jazz a revolution or simply a musical evolution?"

It might not keep you awake, but you may find yourself reading into the night.

Share It

Your Comments

post a comment

More from this section   Writing articles index

BANKSY; THE MAN BEHIND THE WALL by WILL ELSWORTH-JONES

BANKSY; THE MAN BEHIND THE WALL by WILL ELSWORTH-JONES

When, in 2008, Britain's Mail on Sunday identified who it thought to be the anonymous stencil artist Banksy, there were numerous complaints. “Why have you done this? I don't... > Read more

RUPERT MURDOCH; A REASSESSMENT by RODNEY TIFFEN

RUPERT MURDOCH; A REASSESSMENT by RODNEY TIFFEN

Because media baron Robert Murdoch is such a polarising figure – from a bottom-feeder driving down news content to the lowest common denominator to “Rupert is magnificent”... > Read more

Elsewhere at Elsewhere

PIANIST JAY McSHANN: From Charlie Parker to Keith Richards . . .

PIANIST JAY McSHANN: From Charlie Parker to Keith Richards . . .

About 20 years ago I interviewed the legendary Kansas City pianist, Jay McShann, in an Auckland bar. He’d flown in late the previous afternoon, had a “talk-rehearsal” with the... > Read more

The Tedeschi Trucks Band: Made Up Mind (Sony)

The Tedeschi Trucks Band: Made Up Mind (Sony)

The slight Susan Tedeschi can belt out blues with the fervour of Janis Joplin, and with husband/guitarist Derek Trucks (who also plays in Clapton's band and the Allman Brothers) she's had... > Read more