THE BIRTH OF BEBOP -- A SOCIAL AND MUSICAL HISTORY by SCOTT DEVEAUX

 |   |  1 min read

Charlie Parker: Lester Leaps In (1952)
THE BIRTH OF BEBOP -- A SOCIAL AND MUSICAL HISTORY by SCOTT DEVEAUX

Suggesting that this engrossing, historically investigative and anecdotally amusing book should be reviewed because it asked the question, "Was bebop jazz a revolution or simply a musical evolution?" drew the response: "Yep, that's a question that keeps most people awake at nights."

Fair enough. But in these scrupulously annotated, occasionally academic 450 pages, this worldly and sassy associate professor of music at the University of Virginia is using the question to get inside the history and musical heart of black America.

Scott DeVeaux addresses, and sometimes out of research and necessity dismisses, important myths about the musical culture of black America in the first half of this century as he looks specifically at the schism between swing jazz and hard-blowing black bop which threw up seminal musicians such as Charlie Parker, Dizzy Gillespie and Thelonious Monk, all of whom deserve to be counted in the roll-call of great American musicians of the past century for their invention and genius.

But as the title of this engrossing book hints, this is as much a social as a musical history of the period.

The social snobbery between middle-class black musicians who went to different colleges but had high social aspirations is emblematic of one of the great unaddressed issues in any discussion of race anywhere (snobbery and social position are not race-selective), and DeVeaux grounds his discussion in economic necessity as much as the need for musical expression.

Thelonious Monk once said that jazz is about freedom. DeVeaux doesn't necessarily disagree.

But it's about much else besides, not the least matters of race, money, marketplace and the ever-changing moods of its practitioners.

If you read nothing else of DeVeaux's probing book, read the introduction where he poses that question, "Was bebop jazz a revolution or simply a musical evolution?"

It might not keep you awake, but you may find yourself reading into the night.

Share It

Your Comments

post a comment

More from this section   Writing articles index

THE LAST WORD by HANIF KUREISHI

THE LAST WORD by HANIF KUREISHI

Consider the plight of a hard-pressed writer commissioned to do the biography of an old, famous living author. Then think how much more difficult it would be if the manipulative author has... > Read more

MUSEUM CURATOR BRIAN GILL INTERVIEWED (2012): Past perfect for the future

MUSEUM CURATOR BRIAN GILL INTERVIEWED (2012): Past perfect for the future

In the 21st century museum of the popular imagination, musty cases and specimens under glass have been replaced by brightly coloured interactive displays, whizz-bang educational sites for... > Read more

Elsewhere at Elsewhere

PAUL McCARTNEY, THE TRIBUTE ALBUM: Pop's greatest craftsman gets Big Name thumbs aloft

PAUL McCARTNEY, THE TRIBUTE ALBUM: Pop's greatest craftsman gets Big Name thumbs aloft

It's probably possible to count the number of songs Paul McCartney has written -- you can bet his publishing people and royalty-collecting accountants have -- but here's a guess: do the maths on... > Read more

CURATOR GAIL BUCKLAND INTERVIEWED (2012): It's not only rock'n'roll

CURATOR GAIL BUCKLAND INTERVIEWED (2012): It's not only rock'n'roll

Chrissie Hynde of the Pretenders – appropriately wiry and driven, often in black, her signature fringe below her eyebrows – once said, “presentation is half of it in... > Read more