THE BIRTH OF BEBOP -- A SOCIAL AND MUSICAL HISTORY by SCOTT DEVEAUX

 |   |  1 min read

Charlie Parker: Lester Leaps In (1952)
THE BIRTH OF BEBOP -- A SOCIAL AND MUSICAL HISTORY by SCOTT DEVEAUX

Suggesting that this engrossing, historically investigative and anecdotally amusing book should be reviewed because it asked the question, "Was bebop jazz a revolution or simply a musical evolution?" drew the response: "Yep, that's a question that keeps most people awake at nights."

Fair enough. But in these scrupulously annotated, occasionally academic 450 pages, this worldly and sassy associate professor of music at the University of Virginia is using the question to get inside the history and musical heart of black America.

Scott DeVeaux addresses, and sometimes out of research and necessity dismisses, important myths about the musical culture of black America in the first half of this century as he looks specifically at the schism between swing jazz and hard-blowing black bop which threw up seminal musicians such as Charlie Parker, Dizzy Gillespie and Thelonious Monk, all of whom deserve to be counted in the roll-call of great American musicians of the past century for their invention and genius.

But as the title of this engrossing book hints, this is as much a social as a musical history of the period.

The social snobbery between middle-class black musicians who went to different colleges but had high social aspirations is emblematic of one of the great unaddressed issues in any discussion of race anywhere (snobbery and social position are not race-selective), and DeVeaux grounds his discussion in economic necessity as much as the need for musical expression.

Thelonious Monk once said that jazz is about freedom. DeVeaux doesn't necessarily disagree.

But it's about much else besides, not the least matters of race, money, marketplace and the ever-changing moods of its practitioners.

If you read nothing else of DeVeaux's probing book, read the introduction where he poses that question, "Was bebop jazz a revolution or simply a musical evolution?"

It might not keep you awake, but you may find yourself reading into the night.

Share It

Your Comments

post a comment

More from this section   Writing articles index

ROBERT PLANT; A LIFE by PAUL REES

ROBERT PLANT; A LIFE by PAUL REES

There are many excellent and insightful biographies of musicians around these days -- among them Mark Lewisohn's recent Tune In about the Beatles which at 900 pages only gets you to the start of... > Read more

THE NZ BOOK by LUNNON, MACKECHNIE, FITZSIMONS and BECKFORD (FitzBeck)

THE NZ BOOK by LUNNON, MACKECHNIE, FITZSIMONS and BECKFORD (FitzBeck)

One of the writers of this attractive page-turner has already appeared at Elsewhere, but in a very different capacity. Nigel Beckford was one of the prime movers behind the terrific double CD and... > Read more

Elsewhere at Elsewhere

Various: Next Stop . . . Soweto (Strut/Border)

Various: Next Stop . . . Soweto (Strut/Border)

Subtitled "Township Sounds from the Golden Age of Mbaqanga" this lively, groove-oriented and guitar jangle collection of 20 songs comes from Strut, the same label which has brought you... > Read more

The Rolling Stones: Exile on Main St (1972, reissued 2010)

The Rolling Stones: Exile on Main St (1972, reissued 2010)

Few albums in rock have been so surrounded in dark mythology as this sprawling double album which was the last great gasp of the Rolling Stones. Certainly subsequent albums -- Goats Head Soup,... > Read more