Mose Allison: Parchman Farm (1957)

 |   |  1 min read

Mose Allison: Parchman Farm (1957)

Mose Allison is a jazz and blues singer whose songs have been covered by a surprising number of rock artists . . .  surprising because when you hear Allison's originals -- as in this case, typically swinging, groove-driven by drummer Nick Stabalus and bassist Addison Farner -- it sounds a very long way from how they turned out in the hands of people like Blue Cheer or the Who in the Sixties.

Townshend of the Who says their hit My Generation was inspired by Allison's Young Man Blues and his vocal on the demo was laidback in the manner of Allison.

But he accidentally stuttered so singer Roger Daltrey introduced that as a significant component of the song to suggest youthful nervousness and frustration.

The Who also covered Sonny Boy Williamson's Eyesight to the Blind (on Tommy) which Allison covered around the time of Parchman Farm and Young Man Blues, which the Who did . . . in a very different way.

Here's Mose Allison's Young Man Blues.

Mose Allison (b. 1927) Young Man Blues
 

And here's the Who 

Young Man Blues, the Who live in 1970

Parchman Farm clearly has its origins in the blues and is about an inmate at the notorious prison in Mississippi which held Bukka White (who wrote Parchman Farm Blues), Elvis Presley's father Vernon, various civil rights and black activists . . . among thousands of others.

This first recording of Parchman Farm was done in Rudy Van Gelder's Hackensack studio for the Prestige album Local Color released in '59.

You might like to compare Mose Allison's Parchman Farm with Blue Cheer's feedback-infused heavy metal version below.

How the hell did that happen? 

For more one-offs, oddities or songs with an interesting backstory see From the Vaults

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

Max Romeo: Wet Dream (1969)

Max Romeo: Wet Dream (1969)

The great Max Romeo has his War Ina Babylon (produced by Lee Scratch Perry) as an Essential Elsewhere album for its street politics and memorable songs, but this was the thing which got him a lot... > Read more

Hancock, Carter, Williams, McFerrin: Chan's Song, Never Said (1986)

Hancock, Carter, Williams, McFerrin: Chan's Song, Never Said (1986)

When it comes to movies about jazz, the jazz audience is almost impossible to please. Every detail – even in fictions – must be authentic, or at least ring true to the art, the artists,... > Read more

Elsewhere at Elsewhere

Jon Balke: Discourses (ECM/digital outlets)

Jon Balke: Discourses (ECM/digital outlets)

Norwegian pianist Jon Balke is quite unlike any other on the ECM label. Elsewhere first encountered him about four decades ago when he was in his Twenties and briefly in the Arild Andersen... > Read more

BOB DYLAN: DESIRE, CONSIDERED (1976): To the valley below . . . and beyond

BOB DYLAN: DESIRE, CONSIDERED (1976): To the valley below . . . and beyond

In the collective memory, Bob Dylan's Desire album of '76 comes between the exceptional Blood on the Tracks and is sandwiched between the two legs of his Rolling Thunder Review of late '75 and... > Read more