THE BEATLES . THE WHITE ALBUM REISSUED AND REMIXED (2017): A pale shade of whiter

 |   |  4 min read

Back in the USSR (from the White Cage version)
THE BEATLES . THE WHITE ALBUM REISSUED AND REMIXED (2017): A pale shade of whiter

When the founder of Wikileaks Julian Assante released 150,000 secret files last week to celebrate the Spanish court dropping rape charges against him, one small corner of that internet world got very excited but the buzz went largely unnoticed by the mainstream media.

While CNN, the Fox Network, Aljazeera and TV3's The Project all focused on the aspects of Middle Eastern policy, those who looked into the small print found something exciting for Beatle fans: the 2018 50th anniversary reissue of the Beatles self-titled double album aka “The White Album”.

According to internal memos and e-mails leaked from within Apple Records, “The White Album” (hereinafter referred to as The White Album) is going to be re-presented in a half century celebration.

Given the current 50th anniversary reissue of the Beatles' Sgt Pepper's – additional outtakes, new versions and remix by Giles Martin, son of their producer the late Sir George Martin (“peace be upon him”) – a not dissimilar but even more ambitious reissue and remix of The White Album should not have been unexpected.

But from the internal Apple memos and e-mails the scale of this re-issue is quite spectacular, and so far we can glean the following: The White Album will appear in the following formats on double vinyl in a box set late next year.

maxresdefault_3There will be the same-old same-old stereo version you already have, if you have it. But this version will more collectable because it comes with the cover and vinyl deliberately distressed and slightly scratched so they appear to be the original '68 version.

There will also be the pristine double vinyl in mono and stereo editions and, most innovative and exciting for collectors, a remix of the whole album by Gillian Martin, the six-year old grand-daughter of the late Sir George (“peace be upon him”).

Internal memos say that Gillian had never previously been in a recording studio so therefore took a “refreshing” attitude to remixing the songs.

Memos say her remix of the Ringo Starr song Goodnight has the first minute slowed to one fifth the original speed so it has a long hypnotic droning quality, but then she got bored and sped up the rest to 10 times the speed so it comes in at barely two minutes long.

“It is very avant-garde”, reads one memo, “and therefore is in the spirit of the Beatles' experimentation in the studio”.

She has also stripped out the vocals on Why Don't We Do It In The Road leaving only the basic drum track and for Lennon's Glass Onion “pulled the faders up and down at random to create a fascinating if bloody annoying psychedelic effect”.

Another memo notes the discovery of a new version of Revolution, a slower and more tropical treatment with penny whistle and steel drum “which creates a very Trinidad-type vibe”.

It seems that in the box set of all these albums will also be the full 48 minute version of Revolution 9 created by Lennon, Ono and Harrison which has been previously unreleased.

“It's no Carnival of Light,” says one leaked e-mail, referring to an obscure and as yet unreleased Beatles jam, “but it's pretty out-there. Even at its most boring it's quite fascinating”.

There is also a double vinyl version of the album which Yoko Ono -- the acclaimed Japanese artist/musician and Lennon's professional widow -- has been especially enthusiastic about. The 45 tracks have had the instrumentation and all the vocals removed. This completely silent version seems to be currently undergoing a number of different names: the White-Out Album, The Whitest Album and perhaps most appropriately -- in a nod to the classical composer John Cage's famous 4' 33" where no instruments are played -- the White Cage Album.

"I think the Beatle band is now ready for four sides of silence," says Ono in an e-mail, "in the way that John and I did on our own Unfinished Music No 2, Life With the Lions in 1969. The Beatle band have now finally caught up with John and me as avant-garde artists." 

4160110343_d41fa29ae2_bIt is believed all these limited edition vinyl albums – just 500,000 will be made available – will be presented in a large white box which will also contain memorabilia such as a sliver of the original front desk at Abbey Road which all the Beatles actually looked at.

The package also contains "visual remixes of the original photos which came with The Beatles", according to one e-mail. These have been done by the photographer/musician Kraut Voorman who was a friend of the Beatles in Hamburg days and also drew and designed their Revolver album cover. Leaked versions of these photos appear below. 

The White/Whiter/Whitest/White-Out package is scheduled for late 2018 and already Beatle enthusiasts are excited. Especially anticipated is the Gillian Martin remix of Harrison's While My Guitar Gently Weeps in which she has removed all the guitar parts and just left a basic drum track and Harrison's vocal.

“It's like a really weird dub track,” says an Apple insider who has heard it. “But without the bass”.

These are the possible "remix" photos by Beatles' friend, photographer and bass playing musician Klaus Voldemort, also formerly of the smash hit Sixties pop band Paddy, Klaus and Gibson.

john_copy

paul_copy

george_copy

ringo_copy

Share It

Your Comments

Steve M. - Jun 9, 2017

Ha! Well done, Graham. Not much of a stretch from what does happen now, though - especially when I think of the recent Pink Floyd reissue sets, and the like. I think the White Album is much more interesting than Sgt. Peppers, partly due to the growing tensions within the group - I listened to both again the other day one after the other and the White Album feels a bit like The Clash's first album held up against Wind and Wuthering (I might be stretching things, too). GRAHAM REPLIES: I see Giles Martin is not discounting more expanded editions of Beatle albums when anniversaries roll around! I take your Clash Vs Genesis analogy.

post a comment

More from this section   Something articles index

THE TAITE MUSIC AWARD FINALISTS 2015: Money changes everything?

THE TAITE MUSIC AWARD FINALISTS 2015: Money changes everything?

Every year since 2010 the Taite Music Prize – named for the late journalist and music aficionado Dylan Taite – goes to an artist whose album of the previous year, irrespective of... > Read more

Auckland City,  Where The Past is Present

Auckland City, Where The Past is Present

I just caught a glance at him out of the corner of my eye when I heard him shout “Why don’t you keep quiet”. Or words to that effect, with unprintable expletives included. He was... > Read more

Elsewhere at Elsewhere

WE NEED TO TALK ABOUT . . . JEANNE DECKERS: From heaven to oblivion on the wings of a song

WE NEED TO TALK ABOUT . . . JEANNE DECKERS: From heaven to oblivion on the wings of a song

When the virginal singer Jeanne Deckers – sometimes Jeannine -- enjoyed a sudden hit in the early Sixties it was clear to anyone outside her circle that her career could only go one of two... > Read more

GUEST MUSICIAN PHIL WALSH tells of a band finally recording a single, four decades later

GUEST MUSICIAN PHIL WALSH tells of a band finally recording a single, four decades later

There wasn’t a lot to do for young teenagers in Morrinsville in the early Seventies. So Kim Murphy, Kevin Smith, another gal (Debbie) and I ended up forming our own little band. I think... > Read more