The Cure: A Forest (1980)

 |   |  <1 min read

The Cure: A Forest (1980)

Because it is so familiar – the band play it at almost every show and it is the go-to song for archetypal Cure – it is hard to remember how innovative and different it seemed at the time.

Melodically and in its tone, it wasn't too far removed from their debut single, the often misunderstood and Camus-inspired Killing An Arab.

But the swathes of keyboards and prominent bass (in that regard close to Joy Division) along with the distant vocals of Robert Smith gave the whole thing an eerie quality.

It became their aural fingerprint for the goth sound they became associated with. It feels bleak and monochromatic, a sense of unease pervades the whole thing.

Ironically for a song which was so influential and career defining A Forest didn't even make the top 30 in Britain.

It is hard to listen to as the step-change it was but maybe it has been a while since you really paid attention to it.

Put everything else aside for a few minutes and let the Cure take you by the hand for a walk in the dark woods.

.

For more oddities, one-offs or songs with an interesting backstory check the massive back-catalogue at From the Vaults.


Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

Curtis Mayfield: Hard Times (1975)

Curtis Mayfield: Hard Times (1975)

Few artists captured the feelings of loss, discomfort, urban troubles and spiritual hope better and more consistently than Curtis Mayfield. This subtle slow-burner is lifted from his... > Read more

The Chicks: The Rebel Kind (1966)

The Chicks: The Rebel Kind (1966)

New Zealand has no great tradition of political pop or rock. All those years of high unemployment during the Flying Nun heyday . . . and who mentioned it? Very few. Even the Springbok tour in... > Read more

Elsewhere at Elsewhere

THE TAITE MUSIC AWARD FINALISTS 2015: Money changes everything?

THE TAITE MUSIC AWARD FINALISTS 2015: Money changes everything?

Every year since 2010 the Taite Music Prize – named for the late journalist and music aficionado Dylan Taite – goes to an artist whose album of the previous year, irrespective of... > Read more

THE CHANGING CULTURE OF CLASSICAL MUSIC: Real world murder in the house

THE CHANGING CULTURE OF CLASSICAL MUSIC: Real world murder in the house

When the recording of Robert Moran’s new opera was released in '94 there was an almost predictable ripple of controversy in the more staid sections of the classical world. And not because... > Read more