Absolute Elsewhere
Music interviews, overviews, critical essays and reviews. Big names, cult acts and interviews exclusive to Elsewhere. Straight and bizarre, oddball and ordinary music and musicians.
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GRAEME JEFFERIES, THE SELECTED BACK-CATALOGUE REVISITED (2020): You know we really like his style
18 Sep 2020 | 5 min read
Some time between Elsewhere reviewing his latest album as The Cakekitchen, Trouble in this Town Again and him ending up in hospital with a broken collar bone, Graeme Jefferies kindly sent Elsewhere four of his Cakekitchen releases from the early 2000s. None of these were readily available in New Zealand and they were recorded in Germany when he –... > Read more
RUBY SOLLY, AT THE BIG IDEA (2020): Pōneke, poetry & personality
16 Sep 2020 | 1 min read
When Ruby Solly was in Victoria University's jazz school, she studied cello. “Yeah. Superfruity, I know. And there was this idea that I'd never get any work. It was constantly said that if I was lucky, I might get a job on a cruise ship. “I heard that. A lot. “But there aren't many cellists around who can play without scores, and also I'd played in metal bands,... > Read more
KATE OWEN, A VIDEO ALBUM IN THE MAKING (2020): Coping with Covid cleverly
9 Sep 2020 | 1 min read
When singer-songwriter Kate Owen released her album Not a Proper Girl back in March, Elsewhere was impressed and noted that she needed to be seen in concert to be fully appreciated. Of course then the world changed and most people were forced to stay at home. During lockdown while many did Zoom concerts (with varying degrees of success), Owen made a sries of short films about the... > Read more
THE TECHTONES, REISSUED AND REVISITED (2020): Been a long time since we popped and rolled . . .
3 Sep 2020 | 5 min read
By the time Auckland's Techtones reached their apotheosis with their sole album TT23 in '81, they were gone. In October of that year Frank Stark in the Listener – in a column largely focused on the low-tech ethos of Chris Knox's willfully reductive recording ideology – observed that the Techtones had “joined the fame drain to Australia”. He noted the band had... > Read more
PAUL SIMON: THE CHANGING SOUND OF SILENCE (2020): The song which didn't remain the same
28 Aug 2020 | 1 min read | 1
It's an unusual thing to observe given he is one of the finest and most consistent songwriters of his generation, but the songs of Paul Simon have invited very few covers. Elsewhere has a shelf of maybe 120 tribute albums to everyone from Ace Frehley (of Kiss) and Joy Division to the Rutles (who never existed), the Grateful Dead and of course many of Leonard Cohen. The shelf for the... > Read more
PAUL McLANEY, AT THE BIG IDEA (2020): Helping to see the sound
5 Aug 2020 | <1 min read
Few musicians have brought quite as much emotional intelligence and appreciation for the synesthetic relationship between the visual arts and music as Auckland's Paul McLaney. For McLaney, cultural memory and personal imagination feed into what images he chooses for album covers. In a career spanning three decades, he has performed and recorded as an acoustic... > Read more
MERV THOMAS, AT AUDIOCULTURE (2020): Brass bands to Bird Dog, via rock'n'roll
3 Aug 2020 | 1 min read
No other musician could claim to have backed the young rock’n’roller Johnny Devlin, and built the tape recorder on which they originally recorded his debut single Lawdy Miss Clawdy in 1958, to have played Dixieland jazz at Mt Eden’s Crystal Palace ballroom during its heyday in the late 1950s into the 60s – and also to have appeared on the Verlaines’ Flying Nun... > Read more
BRITAIN YAWNING INTO THE NEW DECADE (2020): 1962; The year before the dam burst
22 Jul 2020 | 3 min read | 1
Was 1962 among the most bland in popular music? The charts from the UK and USA would certainly suggest as much. By the early Sixties, the excitement of the first wave of Fifties rock'n'roll from America (epitomised by Elvis Presley, Chuck Berry, Buddy Holly, Little Richard and others) had dissipated. In Britain the big star was still Cliff Richard who, in 1958, had recorded Move It at... > Read more
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JUNELLE AND ABRAHAM KUNIN INTERVIEWED (2020): Tibetan words of wisdom, universal sounds of peace
6 Jul 2020 | 9 min read
In a year full of the unexpected, the new album Inner World still surprises. It features the voice of the Dalai Lama speaking words of wisdom and compassion and placed against relaxing soundbeds. The album Inner World, released on The Dalai Lama's 85thbirthday, has already picked up excellent advance notices, perhaps because in a troubled time his thoughts speak to something deeper... > Read more
GREEN MONKEY OUT OF THE PACIFIC NORTHWEST (2020): Never too much Monkey business
3 Jul 2020 | 4 min read
When the music industry power players descended on Seattle waving cheque-books in the wake of Nirvana, a number of artists dodged that bullet. As grunge ran its course, many local artists and labels simply carried on making the music they wanted, free of the constraints of marketing, PR and a fickle media. As Elsewhere has frequently noted, we were lucky to have our attention drawn to... > Read more
BOB DYLAN, ROUGH AND ROWDY WAYS (2020): The curtain call for his masterpiece theatre?
21 Jun 2020 | 5 min read | 1
Pause for a moment to pity those journalists for major newspapers and websites whose job it is to constantly update obituaries. Many obits are easy because most of the subjects are of great age and haven't done anything much in recent decades. But then they look at their words on Bob Dylan. A decade... > Read more
DEREK LIND PROFILED, AT AUDIOCULTURE (2020): The artist in residence
14 Jun 2020 | 1 min read
When Auckland artist and singer-songwriter Derek Lind’s wife died unexpectedly in 2013, his world was shattered. The couple had been married for 35 years; Ra was the mother of their three children, a grandmother and Lind’s supportive companion. Lind had already cut back on releasing albums – his previous release 12 Good Hours of Daylight had been 11 years earlier... > Read more
THE RATTLE ECHO IMPRINT (2020): Sounds from our foreign country
8 Jun 2020 | 4 min read
Anyone who goes back to New Zealand's more experimental and innovative music of the Eighties will be astonished by just how distinctive and different it was. Alongside the tapestry of rock, pop, emerging reggae, soul, synth-pop and all the other mainstream genres was some avant-something music which sometimes seemed almost inexplicable and most certainly indefinable. There was a... > Read more
ROBERT FRIPP 1977 – 1981: (2020): Half a decade of hard work while in retirement
8 Jun 2020 | 5 min read | 1
For a man who announced in 1976 – after a retreat of a year into philosophical study – that the music business was insane and he couldn't see himself ever getting involved in it again, guitarist Robert Fripp got alarmingly busy while nominally in retirement. His retreat to Sherbourne House in Gloucestershire to go through physical and mental exercises while studying the work of... > Read more
SAM COOKE, HE'S GONNA BRING THE CHANGE AGAIN: The RCA Albums Collection
1 Jun 2020 | 5 min read
One of the many bitter ironies of Sam Cooke's greatest song A Change is Gonna Come of 1964 is that the singer never lived to see it become an anthem for the Civil Rights era. Although he had written it at the end of '63 (based on some personal experiences) and it had been released on the flipside of the single Shake in early '64, he was never comfortable with the... > Read more
Somebody Have Mercy (live)
ASTRID KIRCHHERR, BEATLES PHOTOGRAPHER, INTERVIEWED (1994): Young, free and wild.
18 May 2020 | 10 min read
At 55, Astrid Kirchherr still loves rock music and listens to it every day: The Beatles, the Doors, Bowie . . . “and Prince, he’s such a genius -- if he just wouldn’t wear those stupid clothes! I always wanted him to look serious, young and sexy. But he dressed like an old prostitute in drag.” Kirchherr laughs briefly -- the only time in this serious... > Read more
JESSICA MITCHELL, PROFILED (2020): Friends in the far north . . .
20 Apr 2020 | 2 min read
Since someone asked we'll tell you. Elsewhere doesn't find it music by a Spotify algorithm directing us to what it thinks we will like. We're old school: we read release schedules, have an e-mail address where musicians can contact us, we watch the skies and read the wind, and listen to what friends tell us. And it was through a somewhat convulted path with the latter that we came across... > Read more
LUKE HURLEY INTERVIEWED (2020): And as we wind on down the road
20 Apr 2020 | 7 min read
Earlier this year we not only favourably reviewed Luke Hurley's new album Happy Isles but also – because he has been such a singular and visible figure in recent New Zealand popular music – we invited him to tell us of his formative years. They were fascinatiing and delivered in his own idiosyncratic style which we didn't change just to capture his voice. But of course there... > Read more
BOB DYLAN: I CONTAIN MULTITUDES, CONSIDERED (2020): Very well then, I contradict myself.
18 Apr 2020 | 4 min read
In a world far removed from this when young and curious, I would often ask teachers about life and belief. Over time – many decades in fact – I drew down that many Western faiths were based on Know Thyself and those from certain Eastern philosophies No Thyself. The latter appealed to me more. One wise teacher said perhaps it all just came down to one question: Knowing... > Read more
I Contain Multitudes
TAYLOR SWIFT, MISS AMERICANA DOCO, CONSIDERED (2020): She got a suite and you got defeat
3 Apr 2020 | 2 min read
When Taylor Swift's Netflix documentary Miss Americana debuted in January, keyboard fury on social media accused this young pop upstart (who was 30) of appropriating the name of a genre defined by authentic American voices and music. In truth, “Americana” is just a taxonomic device, as vague as “jazz”, “pop”, or “alternative”.... > Read more