Music at Elsewhere

Wendyhouse: Puddlekopf (digital outlets)

9 Dec 2024 | 1 min read

More than 25 years ago I heard an album by the slightly challenging but enjoyable avant-garde/literary-cum-music group Wendyhouse out of Wellington which used samples, spoken word and noise. I sent off my $15 and joined their fan club and received some little handmade magazines and such. It was kinda fun. But I lost touch with them until Bryce Galloway (who may be Mr Pudding) got in... > Read more

Meltflakes Pop

Various Artists: Reaction: The Label 1979-1989 (Frenzy Music)

9 Dec 2024 | 2 min read

Alongside the on-going celebration of Flying Nun (through new albums and vinyl reissues), Rob Mayes making more and more albums on his Failsafe label available and Peter McLennan's excellent book on the Deepgrooves label (although the music remains frustratingly unavailable), there are whole areas of New Zealand music being brought back to attention, notably through the independent labels which... > Read more

Forever Tuesday Morning, by the Mockers

The Coward Brothers: The Coward Brothers (digital outlets)

9 Dec 2024 | 1 min read

There a lot of great stories in rock: the rise of the Rutles from obscurity under the watchful eye of their manager Leggy Mountbatten; the British band that moved through any number of names (the Originals, the New Originals and so on) until they found fame as Spinal Tap . . . Then there was the bluegrass band Hayseed Dixie who were inspired by AC/DC albums found in a stranger's car when he... > Read more

Always

Beth Hart: You Still Got Me (digital outlets)

2 Dec 2024 | 1 min read

When the big voiced blues-rock belter Beth Hart came to this country in 2000 on a promotional tour, we pushed her LA Song to the top of our charts, her first number one anywhere. To be honest I don't remember the song that much but I certainly remember her. As I said in my interview at the time, “On what felt like one of Auckland's most humid days of the year, Los Angeles-based... > Read more

Wonderful World

Kim Deal: Nobody Loves You More (digital outlets)

2 Dec 2024 | 1 min read

Many years ago the British music writer Pete Frame would produce meticulously researched Rock Family Trees tracing the various comings and goings in scenes and bands, creating vast branches for groups like Fleetwood Mac. If he ever did the influential Pixies branches would include the career of bassist Kim Deal who later founded the Breeders (with Tanya Donnelly of Throwing Muses), then... > Read more

Crystal Breath

Norman McLaren: Rythmetic; The Compositions of Norman McLaren (digital outlets)

29 Nov 2024 | <1 min read

A few weeks ago we wrote about the late Scottish-born Canadian animator and film maker Norman McLaren and our distant relationship with him. We took the opportunity to do because of the Synchromy single/animated footage which appeared. It was one of those innovative pieces where McLaren drew the sounds on card and filmed them as . . . Better you just check it out here. What we... > Read more

Dots

A NOT RECOMMENDED RECORD: The Beatles: Live in Stockholm 1964

28 Nov 2024 | 1 min read

From time to time we have a Recommended Record, an album which you deserve to have on vinyl because it plays better that way, has an especially interesting cover (gatefold sleeve, lyrics, credits etc) and it just feels right on record. This album of the Beatles live in Stockholm comes in an excellent cover but . . . We knew what we were getting in to because we read the back cover (see... > Read more

RECOMMENDED REISSUE: Ray Charles: Crying Time (digital outlets)

25 Nov 2024 | <1 min read

There are any number of great Ray Charles albums (notably the two volumes of Modern Sounds in Country and Western Music) and numerous compilations, but this seminal album from 1966 has just been remastered and reissued so we bring it to attention. It included the slightly notorious (and hit) Let's Go Get Stoned but it is the Buck Owens title track with strings which is the real key.... > Read more

Crying Time

Arthur Ahbez: Arthur Ahbez and the Flaming Ahbez (digital outlets)

23 Nov 2024 | 1 min read

We have it on sort-of reliable authority that Arthur Ahbez is this local artist's real name, not a homage to the fascinating proto-hippie Eden Ahbez who wrote, among other things, the jazz standard Nature Boy. If Eden was proto-, Arthur sounds more post- because this album roams freely through psychedelic pop, country, folk-rock and more. It's quite a trip and if the destination is... > Read more

A Simple Medication

Adam Hattaway and the Haunters: High Horse (digital outlets)

22 Nov 2024 | 1 min read

No one could accuse Ōtautahi Christchurch's Adam Hattaway of coasting. Since his 2018 debut album All Dat Love with the Haunters, they've released five albums of Hattaway originals and co-writes, 2021's Rooster a double. They've ranged from swaggering Stones-like rock'n'roll and dancefloor disco-rock to power-pop and alt.country. The compilation Anthology... > Read more

Mercy for the Weak

Fazerdaze: Soft Power (digital outlets)

18 Nov 2024 | 1 min read

One of the most deceptively clever and memorable local pop songs of recent years was the Lucky Girl single by Amelia Murray (aka Fazerdaze). It had a gleaming and upbeat sound but a close listen revealed layers of uncertainty within it. It was on her excellent 2017 debut album Morningside where the classy, mostly upbeat guitar-driven pop belied a downward arc of insecurity in a... > Read more

Cherry Pie

Tessa De Lyon: Tessa's Album (digital outlets)

15 Nov 2024 | <1 min read

We encountered Tessa De Lyon under her given name Tessa Dillion as the singer and songwriter for the excellent Mystery Waitress. Their recent album Bright Black Night is wonderful and we concluded, “Bright Black Night – the title encapsulating the dichotomies in Dillon's astute, refined lyrics – is a rare one. It rocks as much as it penetrates”. De Lyon is the name... > Read more

Rain Swim

Blair Parkes: Blue Cloud (digital outlets)

11 Nov 2024 | 1 min read

Multi-instrumentalist/producer Blair Parkes has appeared a number of times at Elsewhere under his own name and as part of Running Club. He's not easy to pigeon-hole because he has effortlessly shifted ground from dense alt.rock to motorik pop and sometimes an amalgam of those + noise. This time out with longtime collaborator Miss Mercury (vocals) and bassist Marcus Thomas he announces... > Read more

Umlaut

Goodwill: Kind Hands (digital outlets)

11 Nov 2024 | <1 min read

By happy coincidence Goodwill -- Ōtautahi's Will McGillivray formerly of alt.rockers Nomad , not to be confused with the electronica artist The Nomad -- produced and mixed Mousey's impressive third album Mothers which we also review this week. And here he steps out with a debut album of lo-fi alt.folk pop which spotlights an aching and sometimes anguished vocal delivery atop... > Read more

I Will Never Let You Down

Mousey: The Dreams of Our Mothers' Mothers! (digital outlets)

11 Nov 2024 | 1 min read

Ōtautahi Christchurch's Sarena Close (aka Mousey) has appeared at Elsewhere for all of her albums, no surprise given we said of her debut Lemon Law, “even just a cursory listen would tell you there is a great depth of lyrical, vocal and songwriting talent here” We interviewed her at the time and subsequently published her thoughts on the making of her second album My... > Read more

Dog Park

Gurrumul: Banbirrngu – The Orchestral Sessions (digital outlets)

9 Nov 2024 | 2 min read

When the late Aboriginal artist Gurrumul (now referred to as Dr G Yunupingu) from the small and remote Elcho -- an island off the north coast of Australia near Darwin (population 2300 at the time) – emerged as a solo artist in the 2000s he was a great story, in part because he was blind and rarely spoke to the media. He was shy as many Aboriginal people are, and even though writing... > Read more

Wiyathul

Tom Irvine Band: Under the Wharf (digital outlets)

5 Nov 2024 | 1 min read

For many decades – from Warren Cate and Warren Love back in the Nineties and early 2000's to Danny McCrum more recently – we've noted a strong thread of accomplished, mainstream pop-rock writers and performers who get very little traction at radio. In part that may be because they are often undemonstrative artists although their music would fit playlists on stations which play... > Read more

Love Gone Bad

Springloader: Just Like Yesterday (Failsafe, digital outlets)

4 Nov 2024 | 1 min read

The excellent, on-going Failsafe reissue/release programme continues with this bright, blazing collection of disciplined, assertive and loud power pop with hooks so huge you could haul out a Great White with one. The band is a vehicle for Failsafe's Rob Mayes whose guitar playing here is something quite extraordinary. There's an interesting backstory to this album: the original band of... > Read more

All That I Want

Fat Freddy's Drop: Slo-Mo (digital outlets, vinyl)

4 Nov 2024 | 2 min read

In late September a column at Elsewhere titled The Groove In The Middle of the Road concluded with a consideration of the new album Waves by Toi, we noted how local artists seem to avoid contentious issues in favour of blandishments wrapped in a reggae-soul vibe and with uncontroversial lyrics. We said, “It is populist music which is undeniably popular because it doesn't provoke or... > Read more

Slo Mo

The Hard Quartet, The Hard Quartet (digital outlets)

28 Oct 2024 | 1 min read

It's strange to remember a time when musicians couldn't just guest on other people's albums, like Eric Clapton having to go uncredited on While My Guitar Gently Weeps and George Harrison appearing under a pseudonym on the Eric/Blind Faith album. These days rock is much more like jazz where players move to new bands, configurations or fellow travellers to extend themselves. Bands like U2... > Read more