The Warlocks: Can't Come Down (1965)

 |   |  <1 min read

The Warlocks: Can't Come Down (1965)

By the mid Sixties the spirit and style of poetic Bob Dylan was everywhere as singers and writers tried to match his surreal wordplay. Dylan's harmonica, image heavy lyrics and monotone is everywhere in this demo by the Warlocks out of San Francisco.

Of all the Bob-copyists the Warlocks had the best claim to similar territory: they were heavily into acid, had made their own way to folk-rock independent of Dylan and within their ranks had a peculiar combination of a newcomer, a rock'n'roll journeyman, an ex-folkie and a highbrow literate.

At their centre was a very large man known as Pigpen.

sanfranWithin a few months they had dropped their name and adopted another, and would become legendary within the San Francisco hippie'n'dope scene -- and then as one of the most durable bands of their era with a global identity.

The Warlocks left their Dylan influences behind and dragged almost everything else into the mix when they became . . . The Grateful Dead.

This track is taken from the four-disc set Love is the Song We Sing; San Francisco Nuggets 1965-1970 (Rhino)

For more one-off or unusual songs with an interesting backstory see From the Vaults

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

The Tickle: Subway (1967)

The Tickle: Subway (1967)

These none-hit wonders have quite a remarkable claim to fame, if fame can be reduced to a footnote in rock history. The Tickle from Hull were the backing band on the debut album of a guy called... > Read more

Jay and the Americans: Tomorrow (1962)

Jay and the Americans: Tomorrow (1962)

Although they hit their peak when the American bands fought back against the British Invasion in the mid Sixties, Jay and the Americans always seemed like a band from an earlier era with their big... > Read more

Elsewhere at Elsewhere

Alan Brown: Silent Observer (alanbrown.co.nz)

Alan Brown: Silent Observer (alanbrown.co.nz)

Despite what many amateurs in the New Age world may think -- and Brian Eno's Bloom app allows you to pretend you can do it -- creating respectable ambient music isn't quite as easy as it sounds.... > Read more

LEE SCRATCH PERRY IN THE 90s: Getting dub'n'reggae through time tuff

LEE SCRATCH PERRY IN THE 90s: Getting dub'n'reggae through time tuff

By the early 90s - a decade on from the death of Bob Marley - the consciousness reggae movement he headed was floundering internationally. In New Zealand, where reggae is one of the bloodlines, it... > Read more