Cheryl Lynn: Got To Be Real (1978)

 |   |  <1 min read

Cheryl Lynn: Got To Be Real (1978)

If it weren't for Madonna's hit Vogue most people outside of New York wouldn't have known of this posturing late Eighties style which seemed to come with more attitude-dance than seemed healthy.

Narcissism isn't pleasant at any time.

But the music was something else and no musical style should be held to account because if its followers (or even its practitoners).

The music was full of classy grooves and spawned some genuine hits, not the least being this by Cheryl Lynn (which she cowrote with David Paich of Toto) from a decade previous which underwent a rediscovery. In 2005 it was inducted into the Dance Music Hall of Fame. (Yes, there is one.)

This is taken from the House Ballroom Scene of NYC 1989-92 collection, a double disc on Soul Jazz which includes classics such as Diana Ross' sensual Love Hangover alongside bandwagon rider Malcolm McLaren (Deep in Vogue), beatmakers Junior Vasquez, Armand Van Helden and others.

For more oddities, one-offs or songs with an interesting backstory check the massive back-catalogue at From the Vaults.

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

Susanna and the Magical Orchestra: Love Will Tear Us Apart (2006)

Susanna and the Magical Orchestra: Love Will Tear Us Apart (2006)

The Susanna here is Norway's Susanna Wallumrod and the Magical Orchestra is keyboard player Morten Qvenild . . . and this Joy Division classic is right in their frame of reference because her... > Read more

Tom Petty and the Heartbreakers: I'm a Man (2006)

Tom Petty and the Heartbreakers: I'm a Man (2006)

Tom Petty and the Heartbreakers have not been short of greatest hits, collections, a bio-doco or a box set anthology. So in 2009 when the four CD set Live Anthology rolled around you might be... > Read more

Elsewhere at Elsewhere

Thom Yorke, Mark Pritchard: Tall Tales (digital outlets)

Thom Yorke, Mark Pritchard: Tall Tales (digital outlets)

Sometimes it's useful for a critic to make clear their position and preferences, especially when it comes to artists with lengthy and diverse careers. We've mentioned this in regard to Pink... > Read more

The Gaslight Anthem: American Slang (Shock)

The Gaslight Anthem: American Slang (Shock)

Normallly an amalgam of early Springsteen/E Street Band energy, Bob Seger committment, the Replacements' punky thrash and Tom Petty's way with a lyric and melody would have been right up my street... > Read more