The Jac: The Green Hour (Rattle Jazz)

 |   |  1 min read

The Jac: The Green Hour
The Jac: The Green Hour (Rattle Jazz)

There has always been the argument that you can't teach jazz in a school, it's an art form which can only be lean red on the bandstand.

While that may be true to some extent, what is increasingly clear in New Zealand is that the graduates of jazz courses in Wellington and Auckland are being given some serious musical tools and ideas to get on the bandstand and hold their own.

The eight-piece Jac from Wellington includes jazz graduates, but also others who have played the classical and rock arenas. That means when they get together -- four horns, piano, guitar drums and bass -- they have a lot of ideas available to them.

And their debut album The Nerve of last year was an impressive collection of originals penned and arranged separately by guitarist Callum Allardice and altoist Jake Baxendale.

This new outing -- again all Allardice and Baxendale originals, with pianist Daniel Millward also contributing a piece -- finds them on similarly assured ground. Where that is, is in what we might call post-Marsalis, the trickledown of the Eighties neo-con movement being respected but with some more contemporary edges added.

The Jac can play like a powerful ensemble (check the clever arrangement on the Baxendale-penned title track by way of example) while leaving space for Allardice to explore the world from John Scofield onward.

Equally, trumpeter Lex French gets away a pointed and increasingly astringent solo on Allardice's The Heist which refers to the blues but quickly leaves that behind to create the perfect in-point for the band to return, then another slippery solo spot for Allardice.

The standout among many is Baxendale's Andalucia in which the contract of post-Marsalis bop is fully explored over rolling and tumbling rhythmic patterns from drummer Shaun Anderson which keep everyone alert. And again the soloists shine in this 11 minute-plus piece which morphs and moves into different emotions as each player steps forward.

It is an example of how these distinct talents not only express their individuality but also come together as a powerful, tight ensemble.

Another damn fine album from The Jac who confirm the place of jazz education and the hardening of musicianship made possible by the crucible of the bandstand. 

The Green Hour is being launched in the Auckland Jazz Festival at CJC on Thursday October 22. For more details on the festival see here. Jake Baxendale has answered the Famous Elsewhere Jazz Questionnaire here.

AucklandJazzFestival_festbanner

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

INTRODUCING HERBIE HANCOCK'S BAND (2024): He headhunts the best

INTRODUCING HERBIE HANCOCK'S BAND (2024): He headhunts the best

Among the many problems some people have with jazz is there seems to be no concept of “a band”. Players shift around constantly and the leader's name on the album cover is the only... > Read more

Chucho Valdes: Jazz Bata 2 (Mack Avenue/Southbound)

Chucho Valdes: Jazz Bata 2 (Mack Avenue/Southbound)

This great Cuban pianist turned 77 last year and could reflect on a remarkable career in which he was acclaimed internationally, has won Grammys and founded the enormously successful Irakere band.... > Read more

Elsewhere at Elsewhere

CHER CONCERT REVIEW (2018): Stop the clocks . . .

CHER CONCERT REVIEW (2018): Stop the clocks . . .

You have to admire Cher, she might not be able to turn back time but she can certainly freeze iconic moments from her illustrious past. Take the closing overs of this 100 minute... > Read more

Buddy Holly: Blue Days Black Nights (1956)

Buddy Holly: Blue Days Black Nights (1956)

In the year before he became famous with the hit That'll Be the Day in mid '57, Buddy Holly – who was killed in that plane crash 60 years ago in February – unsuccessfully recorded a... > Read more