The Aliens: Luna (Pet Rock)

 |   |  1 min read

The Aliens: Dove Returning
The Aliens: Luna (Pet Rock)

Back in the late Ninenties the Beta Band from Britain were, for some of us at least, the most exciting and promising thing around.

They released three charming folkadelic EPs -- packaged on CD as, you guessed it, The Three EPs -- and they were heard at the best barbecues. They were pastoral, trippy, sort of hip-hop if you only had acoustic instruments (although they had a turntablist), and were mysteriously oblique.

They coulda been contenders but none of their subsequent albums-proper fulfilled that early promise and so they eventually all drifted off to pastures new about four years ago.

Picking up where the Beta Band left off around the time of the Three EPs, founder Gordon Anderson with a couple of others from the Beta Band and an assembled crew of like-minded stoners came back as The Aliens and once more offered beguiling, sometimes bewildering trippy psychedelica with a folk and prog-rock consciousness.

The opener here -- 10 minutes plus -- roams from echoes of the Beta Band's wheezy harmonica through some cheery upbeat pop singalong, Beatlesque pre-psychedelics then down through Syd Barrett strangeness, a section which sounds lifted from the Rutles and then . . . There's a knees-up section in there too.

And that's just for starters.

They get some close harmony singing together for the wistful Beach Boys-like ballad Theremin which also recalls The Association from the Sixties; there's a rollicking piece of piano pop; nod to classic Oasis, and Floyd-like they later set their controls for the heart of the sun; aren't ashamed of a baroque pop hook that wouldn't be amiss from ELO . . .

Yes, this is an album like that: all over the place, hours of listening guaranteed as a new layer of the onion is peeled away, and you will never be any closer to figuring out just what/who the Aliens actually are. Or are being.

Love it or be annoyed by it, it is quite something. Although I'm still not sure what that is. 

Share It

Your Comments

post a comment

More from this section   Music articles index

Pacific Heights: The Stillness (Warners)

Pacific Heights: The Stillness (Warners)

Pacific Heights is the alias of Wellington producer and songwriter Devin Abrams who was a longtime member of electro-legends Shapeshifter. But here – the first outing under his own... > Read more

The Who: Endless Wire (PolyGram)

The Who: Endless Wire (PolyGram)

Right from the opening bars here - a repeated keyboard figure like Baba O'Riley and a crashing power chord - Pete Townshend puts you on notice that the sonic power of The Who, now just him and... > Read more

Elsewhere at Elsewhere

Various Artists; Bossa Nova and the Story of Elenco Records, Brazil (Soul Jazz/Southbound)

Various Artists; Bossa Nova and the Story of Elenco Records, Brazil (Soul Jazz/Southbound)

The Elenco bossa nova label -- founded in Rio de Janeiro in '63 -- gets this well-annotated Gilles Peterson-complied 23 track disc (and a booklet with an essay) of great tracks by guitarist Baden... > Read more

Screamin' Jay Hawkins: Monkberry Moon Delight (1972)

Screamin' Jay Hawkins: Monkberry Moon Delight (1972)

With Paul and Linda McCartney's Ram album being given the reissue treatment -- and album critically derided on release in '71 but a longtime Essential Elsewhere album and now picking up highly... > Read more