Graham Reid | | <1 min read
This album fits squarely into Elsewhere, but perhaps in few other places. Not only does it feature Elsewhere favourite Jon Hassell on trumpet and electronic effects, but it has a swooning Arab North African quality (singer Amina Alaoui comes from Morocco), the poetic lyrics come from Sufi writers and the whole thing is beautifully, and emotionally, orchestrated by Jon Balke.
With harpsichord, lute, a string section, Pedram Khavar Zamini on zarb (hand drums) and the violin of Kheir Eddine M'Kachiche, this remarkable album has a transcultural effect, the soaring vocals by Alaoui providing emotional uplift, the electronics from Hassell and dark viola and violincello providing a solid and exotically mysterious grounding.
Mesmerising, transcendental in places, occasionally dramatic and always affecting, this one is a standout for ECM.