DEAN HAPETA'S 2002 UPPER HUTT POSSE REMIXES: Say The Word, and you'll be freed

 |   |  2 min read

DEAN HAPETA'S 2002 UPPER HUTT POSSE REMIXES: Say The Word, and you'll be freed

Dean Hapeta was the mainman in the Upper Hutt Posse (which also included singer-songwriter Emma Paki), the group which recorded the first New Zealand rap single E Tu in 1988. It was a powerful (if thin-sounding) statement of Maori anger and unashamedly used te reo (the Maori language) to strident effect. See lyrics below.

Hapeta - as Te Kupu/The Word - has since carved a distinctive path: he's done spoken-word performances, made films, and his solo album of 2000, Ko Te Matakahi Kupu/The Word Which Penetrates, came in English and Maori versions.

On the attention-grabbing 2002 album Upper Hutt Posse: Te Reo Remixes, he revisited 10 Posse tracks, and remixed and reconstructed them with Maori language vocals. So here Stormy Weather, which features vocals by Paki, is Te Rangi Paroro and Against the Flow is Atete Te Rere.

From the opener, Te Hono Whakakoro (Movement in Demand of '95, with samples from the protests at Waitangi in February 2002) this album bristled with anger and sometimes punishing beats where hip-hop was welded to haka. But it also had tracks of great beauty, notably Ka Huri Matapo/As the Blind See with Paki, which worked over an airy dub track.posse_1

E Tu, reworked by DLT and Nick Roughan, became a deeper and darker vision than the wire-thin, now adolescent-sounding, original. Ragga Girl (Kotiro Maori E) was similarly readdressed over deep beats, and there was additional scratching on other tracks, massive bass, and guitar and brutal stylus work from Rhys B underpinning Tangata Whenua.

These were sometimes radical revisions of their source material - much more than simply adding a te reo vocal over the original tracks - and remain powerful, muscular statements of Maoritanga you would ignore at your peril.

It's a measure of how far Hapeta has travelled, but how consistent his vision has been, that on this album he sounded more profound, but the "stand proud" sentiment he articulated all those years remained the same.

An essential and, I would venture, important album in New Zealand's music landscape. It is available from here.

Dean Hapeta's original lyrics to E Tu

Karanga, rangatahi, whakarongo, whakarongo
We're nga tamatoa, so we must light te ahi
Don't get led astray by Babylon, kia mau ki to Maori

There's a lot of people who think they're tough today
But chiefs like Te Rauparaha woulda blown dem away, Cher!
Hone Heke he expressed his disgust by
cutting down the flagpole, huh
Pakeha killed Maori inna Matawhero
So Te Kooti exacted it in a slaughter.

Yes, the Maori battalion inna World War Two
Staunch on the battlefield they had many clues
Like Moana Ngarimu on hill 209, Victoria Cross so true so strong
Yes the Maori was a bad warrior
Strike fear in the hearts of the Babylon soldier
Yeah its true, yeah its true, that's why I'm talking to you
Kia kaha, kia kaha two one two two

E Tu
Stand Proud
Kia Kaha
Say It Loud . . .

Share It

Your Comments

post a comment

More from this section   Absolute articles index

OKKERVIL RIVER. AN UPDATE (2014): Watching the river flow

OKKERVIL RIVER. AN UPDATE (2014): Watching the river flow

One of the most interesting and unexpected albums recently came from the emotionally damaged Roky Erickson – formerly of 60s psychedelic Texas rockers Thirteenth Floor Elevators –... > Read more

THE BEE GEES: ODESSA, CONSIDERED (2020): All at sea in separate lifeboats

THE BEE GEES: ODESSA, CONSIDERED (2020): All at sea in separate lifeboats

In 16 months from early 1967 when they returned to Britain after a trip back home to Australia, the Bee Gees cracked out a remarkable six hit singles and three albums. Their writing, recording... > Read more

Elsewhere at Elsewhere

Christy Moore: The story teller and me

Christy Moore: The story teller and me

Car dealers certainly. Lawyers and politicians of course, when it best suits them. But musicians? I know they gild the truth or embellish it for some self-aggradisement, but I never really expect... > Read more

WE NEED TO TALK ABOUT . . . THE DISCO SUCKS MOVEMENT: Divide and . . . conk out

WE NEED TO TALK ABOUT . . . THE DISCO SUCKS MOVEMENT: Divide and . . . conk out

It’s both easy and hard to explain the rise of the Disco Sucks movement at the end of the Seventies. In some parts of the world the zenith of disco coincided with the emergence of punk,... > Read more