PJ HARVEY CONSIDERED (2016): All killer and no Polly filler

 |   |  2 min read

PJ HARVEY CONSIDERED (2016): All killer and no Polly filler

When she first emerged under her own name in the early Nineties with the album Dry we called her “PJ Harvey”, because “Polly” seemed rather too familiar for someone so tightly wound and sharply poetic.

And because Dry's follow-up Rid of Me was called “the best miserable album of all time” by Q magazine.

She changed over time, but even in 2001 when I interviewed her before a Big Day Out it was with some trepidation. But she was funny, personable, quite charming and amused by the image she had. On stage she was a firebrand.

She's now nine studio albums and couple of collaborations into her career, so in advance of her sold-out concert in Wellington in January we thought we'd offer a buyers' guide to PJ . . . or Polly as she is now.


220px_Rid_of_MeRid of Me (1993)

Darker and more difficult than her demanding debut Dry of the previous year.

This collection catalogues some of the deeper recesses of a troubled mind (a relationship had ended) and is full of vengeance, rage, punk anger and dense blues.

Twisting melodies and Steve Albini's production only add to the allure.


220px-To_Bring_You_My_Love_1To Bring You My Love (1995)

This belated follow-up to Rid of Me was even more complex lyrically, owed debts to Captain Beefheart and Patti Smith, again turning the microscope on her emotions and another relationship which came apart.

But in its weave of dense poetry, compelling music and producer Flood's atmospheric settings it was picked as the year's best by many writers and magazines.

Essential in any collection.


220px_Stories_From_The_City__Stories_From_The_SeaStories from the City, Stories from the Sea (2000)

By this time she was “Polly”, parading a confident sexuality, and from the chiming guitar jangle of the openers Big Exit and Good Fortune there was a more mainstream pop-rock ethic in play, and – although she still explored some nooks and crannies – you sensed she was emerging as a new person, more comfortable in her own skin.

It won her the Mercury Prize after two previous nominations.


220px_PJ_Harvey___Let_England_ShakeLet England Shake (2011)

Another Mercury Prize-winner and an album inspired by her readings about the folly of historic and current wars.

But she again wrapped her narratives and thoughts in engrossing music.

She subsequently released a series of short films of the songs using images by war photographer Seamus Murphy.


220px_The_Hope_Six_Demolition_Project__Front_Cover_Also

Check out this year's The Hope Six Demolition Projectthe result of her trip to Afghanistan, Kosovo and a beleaguered suburb of Washington DC with photographer Murphy.

And also the risky, sometimes uncomfortable but ultimately engaging A Woman A Man Walked By (2009), her second collaboration with producer/multi-instrumentalist John Parish.

Share It

Your Comments

post a comment

More from this section   Absolute articles index

HORST STUNZNER OF THE SAMOAN SURF RIDERS INTERVIEWED (2018): Fresh off the boat and into the studio

HORST STUNZNER OF THE SAMOAN SURF RIDERS INTERVIEWED (2018): Fresh off the boat and into the studio

To hear 84-year old Horst Stunzner tell it, the recording session in 1964 took place somewhere just off Queen St in Auckland. The group was in and out quickly, he expected there might be a single... > Read more

BANDSTAND, AT AUDIOCULTURE (2019): Kiwi musicians on Australian screens

BANDSTAND, AT AUDIOCULTURE (2019): Kiwi musicians on Australian screens

Video may have killed the radio star for the MTV generation, but during the 1960s in Australia, radio stars became household faces when they appeared on the small screen. In New Zealand the... > Read more

Elsewhere at Elsewhere

THE BARGAIN BUY: The Bee Gees; One Night Only (Universal)

THE BARGAIN BUY: The Bee Gees; One Night Only (Universal)

Although older brother Barry has long been the one with health issues (crippling arthritis for over a decade), it seems strange and sad that his three brothers -- first Andy, then Maurice and more... > Read more

Sammy Price: Nice'n'nasty

Sammy Price: Nice'n'nasty

Sammy Price, who had been the house pianist on Decca sessions in the Forties (and played with the likes of Sister Rosetta Tharpe) among many other things, told me a very funny story which I... > Read more