FARMYARD, AT AUDIOCULTURE (2021): Learning 'bout . . . stuff?

 |   |  1 min read

FARMYARD, AT AUDIOCULTURE (2021): Learning 'bout . . . stuff?
Wellington band Farmyard may have had a short career – just two albums in two years at the dawn of the 70s – but their progressive folk-rock and sometimes penetrating lyrics on their self-titled debut captured the mood of that changing time.

The joy-filled and youthful optimism of early 60s, when teenagers put their parents' post-war generation behind them, had begun with buoyant Beatlemania and morphed into the acid reign period at the end of the decade.

But that brief and colourful moment gave way to the uncertainties of young adulthood for many in a generation which saw the war in Vietnam just over horizon and the responsibilities of life beyond adolescence coming in all too soon.

hero_thumb_FarmyardAnd much of that was reflected by the five-piece Farmyard whose songs – like their two-part 'Which Way Confusion'on that debut of late 1970 (“Confused, don't know which way to go . . .”) – spoke to the sense of alienation the hippie generation was starting to feel.

Also on that impressive album was'Those Days Are Gone'(“age is all I have . . . once my days would drift along . . . but suddenly I have nowhere to hide”) and the country-rock of 'Learnin' 'bout Livin 'in which the singer has “a beard of grey”, is looking back and “it appears to me we've got to tow the line”.

Farmyard was saying the past was great, the present was tense and the future looked grim . . . but always delivering these thought-provoking lyrics in memorable songs.

That's because there was quite a pedigree in the group which had emerged out of the hefty r'n'b band Tom Thumb and even more interesting reference points.

The former Tom Thumb members were bassist/singer Rick White (also in pre-Thumb band Relic), and drummer and self-confessed “jazz fan” Tom Swainson (also in the pre-Thumb Spyce of Lyfe) .

They initially teamed up with . . . 

To read the rest of this article go to Audioculture here.

Audioculture is the self-described Noisy Library of New Zealand Music and is an ever-expanding archive of stories, scenes, artists, clips and music. Elsewhere is proud to have some small association with it. Check it out here.


Share It

Your Comments

post a comment

More from this section   Absolute Elsewhere articles index

PETER GABRIEL, THE RETURN AT LAST (2023): Bright, dark and inside/outside

PETER GABRIEL, THE RETURN AT LAST (2023): Bright, dark and inside/outside

Age shall not weary them? Guns'N Roses' 2008 album Chinese Democracy arrived 17 years after their previous album of original music and was so long-promised that some suggested China would get... > Read more

ORNETTE COLEMAN, INTERVIEWED (1996): The gentle genial genius in conversation

ORNETTE COLEMAN, INTERVIEWED (1996): The gentle genial genius in conversation

This interview took place on 26 April '96 in the studio of photographer Austin Trevitt, 241 West 36th Street, in the same midtown building as one of Ornette's studios. . For a man who's had... > Read more

Elsewhere at Elsewhere

THE FAMOUS ELSEWHERE HIGHLY PERSONAL QUESTIONNAIRE: Gray Vickers of These Four Walls

THE FAMOUS ELSEWHERE HIGHLY PERSONAL QUESTIONNAIRE: Gray Vickers of These Four Walls

Now based in Australia and with a new album This is Not a Future just released, former Aucklanders These Four Walls are pretty much stuck inside them when it comes to promoting an album which... > Read more

THOM YORKE, REVIEWED (2024): The master conjures up solo magic

THOM YORKE, REVIEWED (2024): The master conjures up solo magic

Just as the internet giveth, so it taketh away. It isn't uncommon for concert-goers to look up an artist's setlist before a show but, in my opinion, that takes away the element of surprise.... > Read more