DAVID LINDLEY AND EL RAYO-X; VERY GREASY, CONSIDERED (1988): A Caribbean cruise in your own backyard

 |   |  1 min read

DAVID LINDLEY AND EL RAYO-X; VERY GREASY, CONSIDERED (1988): A Caribbean cruise in your own backyard

Without going the whole Buble/Christmas album route, there is some music which is seasonal.

And the Caribbean/Chicano/Louisiana warmth coming off this album by multi-instrumentalist and Ry Cooder-pal David Lindley is certainly one for summer listening.

The album was produced by Linda Ronstadt who, along with Jackson Browne, adds backing vocals on one track: the delightful treatment of calypso king Lord Kitchener's Gimme da'ting; Browne on Never Knew Her.

And oddly enough Lindley sounds very much like Browne on the steamy groove of I Just Can't Work No Longer.

Lindley has a great band here: bassist Jorge Calderon (longtime Warren Zevon friend/producer), Cuban-American drummer Walfredo Reyes (currently in Chicago), guitarist Ray Woodbury and the great sessionman/organ player William “Smitty” Smith (who died in '97).

These guys effortlessly bring reggae and funk to the version of Papa Was a Rolling Stone.

The sole musically downbeat moment here is Lindley (on acoustic guitars, bouzoukis and keyboards) with drummer Reyes on Talking to The Wino Too.

51x3tdHR3jLThere's humour here on the final track Tiki Torches at Twilight (“hula girls at the bar all the guys from the office are throwing up in their cars”) and the oddest track perhaps is their ska-influenced Warren Zevon's Werewolves of London in which Lindley digresses Zappa-like into talking about his greasy hair.

When he invites everybody to howl at the end you get that this is a real party album with its swinging reggae/ version of Do You Wanna Dance? and the appropriately titled Texas Tango.

While others are dreaming of white Christmas and sleighbells in the snow this is an album for a Pacific summer.

Baby it's warm outside. Gonna barbecue, pass me the suntan oil . . . and let's get very greasy.

.

You can hear this album on Spotify here

.

Elsewhere occasionally revisits albums -- classics sometimes, but more often oddities or overlooked albums by major artists -- and you can find a number of them starting here

Share It

Your Comments

post a comment

More from this section   The Album Considered articles index

MARC RIBOT AND CERAMIC DOG. CONNECTION, CONSIDERED (2023): Wrecks small speakers . . . .

MARC RIBOT AND CERAMIC DOG. CONNECTION, CONSIDERED (2023): Wrecks small speakers . . . .

Although avant-guitarist Marc Ribot has appeared at Elsewhere under his own name, he is perhaps best known for his work on albums by Tom Waits, Elvis Costello, Laurie Anderson and with Robert Plant... > Read more

VANILLA FUDGE: THE BEAT GOES ON, CONSIDERED (1968): The most pointless album of the rock era?

VANILLA FUDGE: THE BEAT GOES ON, CONSIDERED (1968): The most pointless album of the rock era?

When Vanilla Fudge released their Shadow Morton-produced album The Beat Goes On in 1968 the times and drugs were different. Rock musicians were reaching, and often over-reaching, the idea of a... > Read more

Elsewhere at Elsewhere

SIGUR ROS, REVIEWED (2022): Strangers from a strange land

SIGUR ROS, REVIEWED (2022): Strangers from a strange land

Among the many remarkable things about the Icelandic band Sigur Ros is you can't understand a word they say in their songs because frontman Jonsi sings in Hopelandic (a made-up language) and his... > Read more

FIVE, AND MORE, INFLUENTIAL BLUES ARTISTS (2020): Woke up this mornin'

FIVE, AND MORE, INFLUENTIAL BLUES ARTISTS (2020): Woke up this mornin'

Robert Johnson: The sessions for his few songs took place in Texas in November 1936 and some time in 1937. By the time they became available on 78rpm records Johnson was dead so his life and... > Read more