THE BARGAIN BUY: Charles Wright and the Watts 103rd Street Rhythm Band; Original Album Series

 |   |  1 min read

Charles Wright/Watts 103rd St Rhythm Band: I Got Love
THE BARGAIN BUY: Charles Wright and the Watts 103rd Street Rhythm Band; Original Album Series

In the liner notes to the Wright/Watts Band album Hot Heat and Sweet Groove in 1967, the comedian Bill Crosby -- then still a decade away from being the mainstream American television character he became -- said of this amalgam of funk, soul, pop and r'n'b that they sometimes played "mustache music, sometimes goatee, sometimes sideburns" sounds.

In that allusion to soul, jazz and rock he might have also added Afro hair stylings, because guitarist Charles Wright (who had started out in Southern doo-wop groups) and producer Fred Smith took this band into many diverse directions.

On the Hot Heat all-instrumental album they opened with a party-styled piece Caesar's Palace, followed it with a version of Yellow Submarine, got into a Soul Concerto and some steamy organ-driven Southern sounds on Fried Okra, didn't mind jazzing up The Girl From Ipanema or taking the mood down for Bring It on Home to Me with a vocal line so far in the distance it sounds like Wright (I guess that's who it is) was literally in another room.

Their diversity levelled out on subsequent albums where easy-livin' summertime funk and soul came to dominate, and their odd origins as a studio ensemble (of sometimes absent members) also stablised.

And when Wright stepped up as a soulful singer for the subsequent Together album and took control over their direction, they found their purpose. As the times changed -- the political heat turned up in black America -- so to did their intentions: In the Jungle Babe of '69 included a slow and thoughtful treatment of the Doors' Light My Fire, a strident stab into Sly Stone's Everyday People and, most significantly, Comment in which Wright looks at his communities fracturing, losing sons to Vietnam and friends peeling off into violent activism.

A real gospel/doo-wop heart-acher in the manner of Otis/Marvin but with dramatic punches, Comment still demands to be heard as it mixes politics, sentimentality and a sense of hope/hopelessness. And The Joker is a furious, horn-driven dancefloor stomper with twanging guitar.

Yet on the same album they also included the soulful Love Land which became a minor hit.

In this five CD collection, the final two albums Express Yourself (the title track sampled by NWA) and You're So Beautiful are perhaps even more interesting as all those elements are brought together in great, melancholy soul ballads and funky grooves.

JB_HZ_CHEAP_longFor a long time the original vinyl of these albums was the domain of cool DJs who would probably have prefered they remain rare grooves.

Well, this collection is now just $20 at JB Hi-Fi stores here which puts them in the reach of the ordinary wallet. And that -- as well as the great sounds here -- makes this a Bargain Buy

Share It

Your Comments

post a comment

More from this section   The Bargain Buy articles index

THE BARGAIN BUY: Clarence Carter; The Dynamic Clarence Carter

THE BARGAIN BUY: Clarence Carter; The Dynamic Clarence Carter

One part smooth Otis Redding, one part the more sedate end of James Brown and steeped in Southern soul, the great singer Clarence Carter was one of the finest interpreters of a song, even if he... > Read more

THE BARGAIN BUY: Various Artists; 100 Hits, 80s

THE BARGAIN BUY: Various Artists; 100 Hits, 80s

Yes, it's easy to tick off who isn't represented among these 100 hits of the decade that discovered synths -- Prince, Madonna, Bowie, every decent hip-hop act, the paisley underground bands,... > Read more

Elsewhere at Elsewhere

FINDING FELA, a doco by ALEX GIBNEY (Madman DVD/Blu-Ray)

FINDING FELA, a doco by ALEX GIBNEY (Madman DVD/Blu-Ray)

Early on in this in-depth two hour documentary about the life, music, cultural impact and legacy of the Nigerian lightning rod Fela Anikulapo Kuti, the director/choreographer of the Broadway... > Read more

HOWLIN' WOLF IN LONDON, 1970: When worlds collide

HOWLIN' WOLF IN LONDON, 1970: When worlds collide

One of the most beloved blues albums of the early Seventies was a super-session recorded when Howlin' Wolf went to London to work with the Stones' rhythm section of Charlie Watts and Bill Wyman,... > Read more