CHESS BLUES: Taking it from the street

 |   |  1 min read

Billy Boy Arnold: You Got to Love Me (1955)
CHESS BLUES: Taking it from the street

Record companies are usually at their best when close to the street, turnlng up talent rather than just distributing it.

The Chess label was so close to the street it felt the sweat. Polish immigrant brothers Leonard and Phil Chess owned clubs around Chicago and from the late 40s started recording some of the most formative R & B and rock ’n’ roll (Chuck’s Johnny B. Goode. Bo's Bo Diddley and the still great Etta James).

And they got great blues, naturally.

Protracted litigation over ownership of the catalogue was resolved in the early Nineties and, as if to celebrate, MCA boxed up on four discs (with customary lavish booklet of relevant information, 19 previously unreleased tracks, etc) the seminal first 21 years of Chicago blues as Chess Blues.

Tetchy scholars will note some curious omissions: no Eisenhower Blues by J. B. Lenoir (covered by Elvis Costello on King of America) or Little Milton's Stormy Monday. There are five great tracks by the phenomenal Howlin’ Wolf (including Smokestack Lightning and Killing Floor) but no Back Door Man. Shame.

And presumably because Buddy Guy (two tracks only here) and Elmore James (only an altemate take of Sun Is Shining) had received their own boxes (Guy's Complete Chess Sessions and James' Capricorn label King of the Slide Guitar collection) they have been passed over.

But any collection that offers 101 tracks from artists such as Memphis Slim, Johnny Shines (the riveting Joliet Blues), Otis Rush and the omnipresent producer/bassist Willie Dixon has got to win points on all fronts. This music was The Source.

Look at what’s here: Etta James (l'd Rather Go Blind), Koko Taylor (Wang Dang Doodle), a stack of Muddy Waters (Mojo Working, Hoochie Coochie Man and I Can‘t Be Satisfied) and Lowell Fulson (Reconsider Baby). Wonderful.

Van Halen covered John Brim's raunchy Ice Cream Man, the Stones and Clapton were bred on this stuff and Rod Stewart lifted his “spread your wings" image from Robert Nighthawk’s Sweet Black Angel.

But that’s what white boys always do; there’s a world of difference however between Robert Plant ripping off Muddy Waters' All Night Long (here in a primal alternate take) and the raw purity of these sounds.

Somewhere in this box you’ll find every honest, scary human emotion.

Like this? Then check out the interviews, reviews and overviews at Blues in Elsewhere.

Share It

Your Comments

Phillip - Nov 27, 2010

While very flawed and just wrong in many ways, if the movie "Cadillac Records" sends just a few to ferret thru the blues section at their local record store (if either still exist) I hope some will have a musical revelation similar to the one I had, as a fifteen-year old, after veiwing Muddy Waters in the "The Last Waltz".

post a comment

More from this section   Blues articles index

BIG DADDY WILSON INTERVIEWED (2012): Blues sprechen here

BIG DADDY WILSON INTERVIEWED (2012): Blues sprechen here

Wilson Blount – aka Big Daddy Wilson – is certainly a bluesman with a point of difference. He may have been a Southern black kid and born in North Carolina, but he's honest enough to... > Read more

Ash Grunwald: Trouble's Door (Grunwald/Border)

Ash Grunwald: Trouble's Door (Grunwald/Border)

Australian Grunwald is a one-man dreadlocked folk, rock and boilied-up blues singer-guitarist, and live he certainly delivered well received sets at the recent Womad. But, as with so many Womad... > Read more

Elsewhere at Elsewhere

SHANI.O PICKS HER BEST EPs OF 2016

SHANI.O PICKS HER BEST EPs OF 2016

What a year it has been for EP releases. Following the semi-regular EP review columns that have been posted on Elsewhere throughout the year, here are five top picks from 2016:1. Shakes -... > Read more

THE BARGAIN BUY: Johnny Cash: Johnny Cash at San Quentin (Sony Legacy)

THE BARGAIN BUY: Johnny Cash: Johnny Cash at San Quentin (Sony Legacy)

The reputation of the late Johnny Cash is supported by such strong poles that even his worst moments cannot shake his legacy. Those hefty props include his early Sun sessions, his themed... > Read more