Joe Bonamassa: Blues of Desperation (Southbound)

 |   |  1 min read

Joe Bonamassa: Drive
Joe Bonamassa: Blues of Desperation (Southbound)

Despite commercial success and enthusiastic audiences at his shows, bluesman Bonamassa is also a divisive figure: many blues guitarists for example see him only as a sum of his considerable influences and not adding much originality. However he was also recently voted best blues guitarist by Guitar World so . . .

That former opinion however was confirmed by the second, electric, half of his show in Auckland in late 2014.

But -- in an idiom born on borrowing, referencing and outright theft -- there is an irony when you accuse any blues artist of referring to the autograph styles of others. 

So all that conceded, many of his studio albums are actually nailhard blowtorch outings which are best enjoyed at full volume, even if his originals sometimes lack the grip of the masters -- from old black bluesmen out of the Delta to post-Zepp figures -- and are frequently vehicles for his often furious guitar playing.

This new one is, astonishingly, his 17th and -- as has been the case previously, and in concert -- it is when he turns down the volume and explores more low range intensity that this is at its most effective. For example Drive here is a broody piece which takes you out to the swamp and the desert simultaneously courtesy of its moody and mysterious qualities.

On The Valley Runs Low he explores a more acoustic Americana style, a little like John Fogerty but with some well-placed gospel-style backing vocals.  

That said however, between them is the eight minute-plus No Good Place for the Lonely which -- despite alluding to sound of the great and late Roy Buchanan in places -- is a slow grinder which picks up energy and intensity as it goes before taking flight in one of his thrillingly dextrous solos.

With his excellent band --  among them drummers Greg Morrow and Anton Fig, keyboard player Reese Wynans elevating everything -- Bonamassa can seem like an unstoppable force here (the throb, thump and sheetmetal soloing of Distant Lonesome Train) or a man who has embraced so much blues history that he simply channels it in songs like the piano-enhanced Livin' Easy which sounds like it could have been written yesterday or at any time in the past five decades.

Joe Bonamassa has never needed promoters, record companies or reviewers because right from the start he has gone direct to his audience . . . and because of his consistency you can guess that growing demographic will be very happy with this. 

Share It

Your Comments

post a comment

More from this section   Blues at Elsewhere articles index

Louisiana Red and Little Victor's Juke Joint: Memphis Mojo (Ruf/Yellow Eye)

Louisiana Red and Little Victor's Juke Joint: Memphis Mojo (Ruf/Yellow Eye)

Almost an octogenerian, Louisiana Red (aka Iverson Minter) has understandably become a fixture on blues circuits. Born in Alabama and his father lynched by the Klan, he once recorded for... > Read more

BLIND BOY FULLER PROFILED: Still truckin' on

BLIND BOY FULLER PROFILED: Still truckin' on

Unlike so many other bluesmen and women of his era, Blind Boy Fuller (1907-1941) lived a life that was well documented, enormously prolific and fairly profitable by the standards of the day.... > Read more

Elsewhere at Elsewhere

BEST OF ELSEWHERE 2008 Omara Portuondo: Gracias (Harmonia Mundi)

BEST OF ELSEWHERE 2008 Omara Portuondo: Gracias (Harmonia Mundi)

The great Cuban singer - who came to world attention via the Buena Vista Social Club a decade ago - is still going even though she is in her late 70, which may be some kind of testament to the... > Read more

THE BARGAIN BUY: The Sony "Original Album Classics" series: Pop with a twist

THE BARGAIN BUY: The Sony "Original Album Classics" series: Pop with a twist

Even when it was exciting and happening all around you didn't have to be too bright to observe that punk was mostly just pop wound up tight and with more furious lyrics, that New Wave was just pop... > Read more