Graham Reid | | 2 min read
At the time of this writing in mid 2012, Merle Haggard is 73 and actually, against every preconception we might have about his tough, booze-afflicted life and hard travelling -- he' still looking pretty good.
At least, when he appeared at the White House in 2010 to pick yet another well-deserved honour he scrubbed up pretty well.
Stories about Haggard are legion and legendary -- we needn't repeat the ones about time in prison, the five wives -- but rather turn attention to his fine songwriting. And a rare ability to interpret a lyric from the inside.
Haggard, like many of his generation of country musicians, has done most things and opened this exceptional album with the moving, reflective Wishing All These Old Things Were New which sets the tone: "Watching while some old friends do a line, wishing it was still the thing even I could do ... watching while some young men go to jail, and they show it all on TV just to see somebody fail."
When he sings about "the good ol' days before it all fell through" it is as much about the times in which we live as something personal ("the kids don't want my cigarettes around . . .").
Haggard knows himself better than anyone, so he produced this one in his own studio and it came out on the same label as Tom Waits' more recent work (Anti) and it allows hm touch base with much of his past (Honky Tonk Mama) with his small and sympathetic band.
It sounds effortless, especially on laidback material like Crazy Moon.
There's a wistful quality here too (the closer, Listening to the Wind, is jes' plain lovely) and throughout he punctuates hard-learned lessons ("I knew some day you'd find out about San Quentin," he sings on I'm Still Your Daddy).
Apparently when Tammy Wynette died she had left word she wanted Merle to sing the title track -- only one of two non-originals here but a longtime staple in his live shows -- at her funeral. The lyrics suggest why, Haggard's worldwise delivery confirms it. He sings it from the inside.
There's the neat single entendre of the Texas swinging Bareback ("There ain't no riding bareback anymore") and Haggard is as at home on a pared-down Lullaby as he is on the jazzy Honky Tonk Mama.
The gentle Turn to Me has that same direct simplicity of lyric that Willie Nelson once claimed as his own.
Reflective, sentimental without being cloying, and he's still here despite it all.
Merle Haggard made any number of albums in his long career, and as recently as 2010 released one under the truth-telling and unapologetic title I Am What I Am.
As with fellow traveller Johnny Cash, you might consider showing your appreciation now -- and right here -- because the road doesn't go on forever.
These Essential Elsewhere pages deliberately point to albums which you might not have thought of, or have even heard . . .
But they might just open a door into a new kind of music, or an artist you didn't know of. Or someone you may have thought was just plain boring.
But here is the way into a new/interesting/different music . . .
The deep end won't be out of your depth . . .