Shawn Phillips: Landscape (1972)

 |   |  1 min read

Shawn Phillips: Landscape (1972)

Back in the late Sixties/early Seventies, the American folk-rocker Phillips was known for two things: the astonishing length of his hair, and a soaring falsetto.

And although he was moderately successful at the time -- bigger than a cult, not a chart topper -- he barely gets a mention in rock or folk encyclopedias today.

That's surprising given he performed at the Isle of Wight festival, played sitar on a few Donovan songs (and appeared with him), and had the great Paul Buckmaster -- who worked on Nilsson albums, Elton's Tumbleweed Connection and others, Bowie and Cohen records and more recently Mika's Life in Cartoon Motion -- as a longtime arranger.

During the late Sixties he was almost itinerant as he worked across the US and Europe, but then he settled in beautiful Positano on the Amalfi Coast in Italy and it was there he created the Faces album of '72 (among others).

Described on the cover as "an anthology of music from 1969", it was a collection of recordings in various places and with many musicians, among them Steve Winwood, Glen Campbell and Caleb Quaye (on the 18 minute Parisien Flight II), and a full orchestra on L Ballade. For Chorale he multi-tracked his voice(s) over guitar and sitar.

The album offered an indication of his musical breadth from the slightly satirical Anello Where Are You (Anello and Davide had made hip Beatle boots etc in Swinging London) to the angry I Took A Walk ('through the fields of America"), and the somewhat poppy We which should have been a hit.DSC01662

But it was when he let loose that extraordinary voice on music which, as with that of Tim Buckley, bridged folk and rock and jazz.

There's a case to be made that this should be an Essential Elsewhere album.

But until then . . . 

Landscape is about the journey from Naples to his home in Positano (left) which was rather less touristy and populated in those days).

This is music which soars -- and reminds what a singular talent Shawn Phillips was.

He's still recording and playing.

And still has quite a mane. 

For other one-off songs with a bit of history or an interesting back-story see From the Vaults.

Share It

Your Comments

MC - May 10, 2010

Shawn Phillips is truly one of the greatest overlooked artists of the 70's. His first album for A & M Records, "Contribution" was a masterpiece in itself - "withered Roses" providing a breathtaking insight to that amazing voice. Also his 3rd album for the same label, "Collaboration" astounded not only with intelligent, well crafted lyrics (in itself, quite unique of that era) but also the folk/funk/jazz fusion that his music of the later 70's became. Managed to catch him live at The Jazz Cafe in North London in the late 90's - a wonderful evening - the voice still as strong and unique as it was thirty years before.

post a comment

More from this section   From the Vaults articles index

George Strait and Alan Jackson: Murder on Music Row (2000)

George Strait and Alan Jackson: Murder on Music Row (2000)

There has been quite a tradition in country music of complaining about how it has lost its roots, lost its way, been taken over by big business and stars selling out for the almighty dollar.... > Read more

Sam Gopal: Escalator (1969)

Sam Gopal: Escalator (1969)

Everyone has to start somewhere, and most diehard Motorhead fans can tell you their mainman, the legendary Lemmy, was in the psychedelic spacerock outfit Hawkwind before he was kicked out for... > Read more

Elsewhere at Elsewhere

The Dalles, Oregon: Hill in a high place

The Dalles, Oregon: Hill in a high place

Sam Hill had a vision fairly common among the wealthy: an agrarian utopia where happy workers would toil in fertile fields, their cheery lives overseen by their benign master -- himself, of... > Read more

THE DREAM GOES ON: Bob Marley's enduring influence, in jazz and elsewhere

THE DREAM GOES ON: Bob Marley's enduring influence, in jazz and elsewhere

Twenty years after the death of its high priest, reggae still informed the vocabulary of music. Reggae had so thoroughly infiltrated pop, rock, hip hop and electronica, we hardly noticed it any... > Read more