Bob Dylan: Dirge (1974)

 |   |  1 min read

Bob Dylan: Dirge (1974)

While flicking the pages of a rock magazine the other day I came on an interview with a young musician who cited among his current favourite listening Bob Dylan's Planet Waves.

When that album was released it was met with polite but hardly laudatory reviews, and even the enormously successful and highly profitable tour with the Band (Dylan's first since '66 during which many of the albums songs were featured) didn't push along sales. At the end of '74, despite it topping the charts on advance orders, it had barely sold 600,000 copies in the US, an alarmingly small figure given applications had been received for around 10 million concert tickets which showed "an explosion of feeling" towards Dylan, as Playboy wrote in its review of this album.

But at this distance it is understandable why a young musician might find the album more interesting than it seemed for those who were there for Highway 61, Blonde on Blonde and John Wesley Harding.

The songs are spare and taut, melodically interesting with sometimes angular arrangements, and many offer flashes of the deeply personal. Some are dark, others -- like the hugely popular Forever Young -- seem sentimental, warm and domestic. It is an album where a relationship (Dylan was separating from his wife Sara) is sometimes being viewed through a fractured prism.

Dirge is a difficult and uncomfortable song, seen in the light of that marriage breakdown.

It is, according to Clinton Heylin, "an astonishing catharsis of years of seething resentment, seemingly directed at an ex-lover but surely one of that small body of songs in his oeuvre directed as much at his audience as some disembodied lover".

Heylin puts it alongside It Ain't Me Babe and What Was it That You Wanted in that regard . . . and he might have mentioned Positively 4th Street and even Like a Rolling Stone also.

Dylan, playing piano, and Robbie Robertson on guitar nailed it on the second take. It was the last song to be recorded for the album.

Even though the context has faded and the circumstances which prompted it have disappeared into the fog of time, Dirge -- the name given to a song written for a funeral, lest we forget -- stands as one of Dyan's most commanding studio performances.

For more oddities, one-offs or songs with an interesting backstory use the RSS feed for daily updates, and check the massive back-catalogue at From the Vaults.

Share It

Your Comments

Jeffrey Paparoa Holman - Jul 18, 2011

Hi Graham

I loved this album when it hit the streets in 1974 (not my best year ever): it caught something I haven't found elsewhere. I love Wedding Song too - but Dirge is unforgettable (except by Bob, who never plays it). I rank it with Idiot Winds as one of his most excoriating and bitter pieces, which both sound as if he's taking aim at American Emptiness, more than any one person.
Such great musicianship. Thanks.
Jeffrey

post a comment

More from this section   From the Vaults articles index

Joe Jones: You Talk Too Much (1960)

Joe Jones: You Talk Too Much (1960)

Sometimes there is an eloquence and directness in simplicity: "Wild thing, you make my heart sing . . ." Hard to improve on that. Or this blunt sentiment by Joe Jones, a rhythm... > Read more

William Burroughs: What Washington? What orders? (1953)

William Burroughs: What Washington? What orders? (1953)

As guest writer Andrew Schmidt noted in his Other Voices Other Rooms piece on writer William Burroughs, his influence has been profound on many areas of the arts. We might also note that he had... > Read more

Elsewhere at Elsewhere

Easy Star All-Stars: Thrillah (Easy Star)

Easy Star All-Stars: Thrillah (Easy Star)

And of all the tributes to Michael Jackson, this might be the most expected. Easy Star All-Stars make a habit of taking classic rock and giving it the reggae/dub treatment (Beatles, Radiohead,... > Read more

Various Artists: George Harrison's Jukebox (Chrome Dreams/Triton)

Various Artists: George Harrison's Jukebox (Chrome Dreams/Triton)

Although no one would seriously argue that people should have fewer choices, it's interesting to observe that before the balkanisation of radio into genres and demographics which ensured audiences... > Read more