Bob Dylan: Positively 4th Street (1965)

 |   |  1 min read

Bob Dylan: Positively 4th Street (1965)

When you have guitar, a voice, a studio and an expectant audience -- and some degree of vitriol to be delivered -- why would you not fire off this bitter salvo at former friends you might feel (rightly or wrongly of course) who have betrayed you?

Not many songs begin with such an arrestingly confrontational lines as, "You got a lot a lotta nerve to say you are my friend, when I was down you just stood there grinnin'." 

In mid '65 when he was between his albums Highway 61 Revisited (which had divided his former folk-loyalists) and the expansively exceptional Blonde on Blonde, Bob Dylan flicked out this single which was not just a farewell to those former friends but probably nailed a few people specifically.

He walks you into the rage and disappointment he feels about those who would hold him back, stop his growth, and suck him back into their rarified world where he had somehow let them down.

But that polite folk world of passive-aggression (as it later became known) was where beardy earnest men and wispy well-intentioned women were afraid to speak their real feelings -- but would talk behind his back  . . . Well, he's sick of it.

Fuggit, why not say they are pissed off but he's moving on?

"You know as well as me you'd rather see me paralysed, why don't you just come right out and scream it . . ." 

There were probably more than a few old pals who would have had a cold colon and shivering spine moment when Bob sang, "I know you're dissatisfied with your position and your fate, [but] don't you understand it's not my problem . . ."

You must have known that was directed at you, because of some unspecified slight or back-handed comment over bottles of wine down there in Greenwich Village.

But the master poet saves the best for last, one of the most brittle, resentful and coolly angry lines in his catalogue. In anyone's catalogue.

"I wish that for just one time you could stand inside my shoes and just that one moment I could be you . . .  you'd know what a drag it is to see you . . ."

Fade to back. 

.

For more on-offs or songs with an interesting back-story see From the Vaults.

Share It

Your Comments

mahadevan.rajan@gmail.com - Oct 10, 2011

Few more songs that begin and end as dramatically come to my mind, like Masters of War, Idiot wind ....

Music of Bob Dylan - Aug 14, 2020

We are actively promoting a link to this interesting topic on The Bob Dylan Project at:
https://thebobdylanproject.com/Song/id/498/Positively-4th-Street

If you are interested, we are a portal to all the great information related to this topic.

Join us inside Bob Dylan Music Box.

post a comment

More from this section   From the Vaults articles index

Joe Medwick: Letter to a  Buddie(1963)

Joe Medwick: Letter to a Buddie(1963)

Soulful singer Joe Medwick coulda been a contender but somewhere along the way he lost many of the songs he wrote for the likes of Bobby Bland, and his own singles and albums didn't really get much... > Read more

Cracker: Movie Star (1993)

Cracker: Movie Star (1993)

In some liner notes to the 1994 triple-CD box set compilation of tracks from the Virgin label, Martin Aston said of the American band Cracker “with their confidently ramshackle boho-pop they... > Read more

Elsewhere at Elsewhere

JULIA LEE RECONSIDERED: Not just the KC queen of rude blues

JULIA LEE RECONSIDERED: Not just the KC queen of rude blues

At the time of her death in 1958 at age 56, blues singer and pianist Julia Lee – who had started her career at 16, worked with the young Walter Page (bass), saxophonist Benny Carter and... > Read more

Neil Young: On the Beach (1974)

Neil Young: On the Beach (1974)

By consensus the idealism of the 60s was dealt two fatal blows in late '69: the first in August when the victims of Charles Manson's murderous family started turning up in flash Hollywood homes;... > Read more