World Saxophone Quartet: Take the A Train (1986)

 |   |  <1 min read

World Saxophone Quartet: Take the A Train (1986)

One of the most innovative and sometimes daring jazz groups around, World Saxophone Quartet was an implosion of individual talents: Julius Hemphill (alto), Oliver Lake (alto), David Murray (tenor) and Hamiet Bluiett (baritone).

Each of them had come into jazz from an angle of post-bop and often free playing, and their subsequent careers took them in very different directions again, notably Lake who recorded some reggae-influenced, almost jazz-pop albums in the Eighties.

And for their album World Saxophone Plays Duke Ellington, from which this is lifted, they paid a distinctive tribute to one of the jazz greats.

But even in this piece, a miniature masterpiece of layered lines and ensemble playing, you can hear those free elements coming through.

Hard to believe also, but a version of the WSQ (with others sitting in for Hemplill who left due to illness and died in '95) is still sometimes performing today, almost 35 years after they first formed.

And check out who they are playing in the clip below. 

For more oddities, one-offs or songs with an interesting backstory check the massive back-catalogue at From the Vaults.

.

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

Lewis: Like to See You Again (1983)

Lewis: Like to See You Again (1983)

The story behind the obscure album L'Amour by a man known only as Lewis is as odd and out-of-sych as the cover photos. In '83 the handsome, well-groomed Lewis turned up at a rundown punk studio... > Read more

Harry Partch: And on the Seventh Day, Petals Fell in Petaluma (excerpt, date unknown, possibly Sixties)

Harry Partch: And on the Seventh Day, Petals Fell in Petaluma (excerpt, date unknown, possibly Sixties)

When Tom Waits swerved left from his barroom piano ballads and into using new or found sounds on his clank'n'grind albums in the mid Eighties, he was hailed as an innovator . . . but conspiciously... > Read more

Elsewhere at Elsewhere

BO CARTER AND HIS RUDE BLUES: Putting more than just his pin in your cushion

BO CARTER AND HIS RUDE BLUES: Putting more than just his pin in your cushion

There are two peculiar and distinctive features about the career of bluesman Bo Carter (1893-1964). It's not that he sang rude, double-entendre songs – many blues artists did that... > Read more

I AM NOT YOUR NEGRO, a doco by RAOUL PECK

I AM NOT YOUR NEGRO, a doco by RAOUL PECK

Some years ago in New York I went up to Harlem and by chance there was an exhibition of photos and memorabilia about James Baldwin. It was interesting to note that among the many people... > Read more