Steve Marcus: Half a Heart (1968)

 |   |  1 min read

Steve Marcus: Half a Heart (1968)

There are so many urban myths surrounding the distinctive saxophone solo by Raphael Ravenscroft on Gerry Rafferty's global hit Baker Street we should get them out of the way . . . before picking up this slightly more interesting thread.

It has long been said that session musician Ravenscroft (who died in 2014) got just a nominal payment for the riff which made the song so distinctive. In fact he told a BBC show not long before his death that he'd only been paid union rate (£27.50) for the session.

And legend had it the cheque bounced.

This may or may not have been true: the former probably true because was a session player, who continued to work with Rafferty, picture above and who died in 2011, on subsequent albums even after Rafferty was coining it in from Baker Street royalties.

As to the latter about the rubber cheque?

Think what you like.

But then there was the other suggestion – again from Ravenscroft – that he had made up the distinctive solo . . . although others said, Rafferty among them, that Rafferty had already recorded a guide guitar melody along the same lines, although he (Rafferty) thought it should be sung.

Demos confirm Rafferty's version of the story. He had the melody which Ravenscroft played. And played so well.

What is more interesting in this world of he said/he said and questions of originality – and let's not get into how Rafferty's song in Stealer's Wheel Stuck in the Middle With You is Dylan by another name – is just where the original melody came from.

marcusNeither Rafferty, nor Ravenscroft, it seems.

With little digging at all you can hear an uncannily similar melodic line and tone in the track Half a Heart played by saxophonist Steve Marcus.

It appeared on his really out-there jazz-rock album Tomorrow Never Knows which opens with his treatment of the Byrds' Eight Miles High, which was based on a phrase from John Coltrane so . . .

The story of who did what first, or when, or what is original and what is new . . .

That's a never-ending – and sometimes disputed – story.

Steve Marcus' recommended album Tomorrow Never Knows is on Spotify here. Buckle up dream babies!

For more oddities, one-offs or songs with an interesting backstory check the massive back-catalogue at From the Vaults.

Share It

Your Comments

Patrick - Jul 29, 2019

Interesting to hear Billy Connolly last night talk about Rafferty as one half of the Humblebums!

post a comment

More from this section   From the Vaults articles index

Pete Townshend: Behind Blue Eyes (1983)

Pete Townshend: Behind Blue Eyes (1983)

In '83 Pete Townshend of the Who released the first of three double albums of demos, outtakes, working drawing for songs and unspecified instrumental tracks. Under the generic title Scoop --... > Read more

Carl Perkins: Dixie Fried (1956)

Carl Perkins: Dixie Fried (1956)

Known mostly these days as the writer of Blue Suede Shoes (he sang it before Elvis' chart-topping cover), Carl Perkins was the man who was the most hillbilly cat of them all in the early... > Read more

Elsewhere at Elsewhere

Stockholm, Sweden: If the spirit moves you

Stockholm, Sweden: If the spirit moves you

The song on the sound system couldn't have been more appropriate. Or more inappropriate. Playing quietly in the restaurant-cum-bar is the Pogues' boozy and woozy Fairytale of New York which... > Read more

WE NEED TO TALK ABOUT . . . Z'EV: He bangs the drum, and then some

WE NEED TO TALK ABOUT . . . Z'EV: He bangs the drum, and then some

When a couple of writers from the then-recently launched Re/Search tabloid went to visit the experimental percussionist known as Z'EV in 1981, the conversation was esoteric and philosophical.... > Read more