Dixon Nacey/Kevin Haines: Conversations (digital outlets)

 |   |  1 min read

Dixon Nacey/Kevin Haines: Conversations (digital outlets)

Guitarist Dixon Nacey and bassist Kevin Haines should be familiar to Elsewhere readers, particularly from Rattle albums with drummer Ron Samsom which we have reviewed.

But here – in part prompted by some teaching research Nacey was doing for MAINZ where he now teaches after a period at the University of Auckland – they step out as a duo on an album with an appropriate title.

Nacey has appeared on a number of albums which Elsewhere has reviewed but Haines – as we noted a decade ago in an interview – made his emergence on recordings very late in his career.

Haines is a modest man and so measured, considered, discreet and supportive playing has been a hallmark.

But that takes nothing away from the keen intelligence he shows, especially here in this demanding format where there's no room to retreat or let Nacey's fluid guitar become anchorless without him.

At 80 and as a man of his generation – he grew up playing dances in the Fifties then Auckland clubs like the Montmartre – Haines is right at home on the standards here (among them a lovely low-key Stompin' at the Savoy, the swinging All of You, Miles Davis' Blue in Green and You Go To My Head).

But when Nacey offers his tribute to guitarist John Scofield on his slightly mischievous Sco, the shapeshifting Soar or his rhythmically complex original PB, Haines is there adding sinew and strength.

Haines' original Have You Ever Had an Answer? is a wonderful, melodic mood piece where an unhurried Nacey lets the notes and spaces hang in the air in a way which stops just the right side of melancholy and evokes a wistful quality. It's past midnight and there's something deep and sad to consider, a mood picked up by Haines' solo. It's a piece which cries out for lyrics.

Nacey is one of this country's finest, most subtle guitarists and if this began as something academic it certainly doesn't feel that way: Conversations is full of heart and soul.

Kevin Haines has indicated that this will be his final recording. If so, with this engaging collection and the intuitive interplay with Nacey he couldn't go out with more style, taste or applied wisdom.

.

You can hear this album at Spotify here.

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Eyolf Dale and Andre Roligheten: Departures (Edition Records/digital outlets)

Eyolf Dale and Andre Roligheten: Departures (Edition Records/digital outlets)

Say “Norwegian jazz” to most and the most immediate response from most would be of emotionally frosty ECM albums and brusque tonality from the saxophone. This established duo... > Read more

THE VERVE LABEL AT 50 (1994): Great music, bad maths

THE VERVE LABEL AT 50 (1994): Great music, bad maths

When there is time, Elsewhere will be sourcing a rich vein of its archival material which was published in various places during the Eighties and Nineties which are not available on-line. These... > Read more

Elsewhere at Elsewhere

Elsewhere Art . . . the Modern Jazz Quartet

Elsewhere Art . . . the Modern Jazz Quartet

This art was just absurd . . . as absurd in a way as the fact the buttoned-down, besuited and ineffably cool Modern Jazz Quartet would briefly appear on the Beatles' Apple label for two albums in... > Read more

GUEST MUSICIAN AND VIDEOMAKER STEFAN WOLF shares his hometown stories and friends

GUEST MUSICIAN AND VIDEOMAKER STEFAN WOLF shares his hometown stories and friends

Paekakariki, a village of just over a thousand people north of Wellington, is one of those rare places that attracts the creative.  Like moths to the flame they come here -  painters,... > Read more