Jameszoo and Asko Schönberg: Music for 17 Musicians (Brainfeeder/digital outlets)

 |   |  1 min read

Big Game
Jameszoo and Asko Schönberg: Music for 17 Musicians (Brainfeeder/digital outlets)

A challenge perhaps and the title is the clue as it references Steve Reich's famous Music for 18 Musicians.

In 2022 contemporary Dutch composer Jameszoo (Mitchel van Dinther) released the album Blind (which came with tarot deck and a short film), mostly improvised music which used vintage synthesizers alongside disklavier (a motorised piano) and which also used other pieces of music recorded separately by other musicians which would become part of the jazz-cum-classical tapestry.

It's a strange trip. (you can hear it bandcamp here)

Music for 17 Musicians is mostly quite different although van Dinther did deploy a similar kind of strategy and drew from Blind and his previous electronic works in the company of the Schönberg ensemble and percussion group Hiiit.

It's not quite as bizarre as that suggests, although it sounds like Music for Bat Caves is actually a field recording in a cave for 17 minutes (very little happens, unless you are devout Cagean) before askew piano part interferes in broken passages.

Because of the nature of the music and the performances you might sometimes think you are listening to the Art Ensemble of Chicago in a collision with the World Saxophone Quartet (Bugatti), at other times some minimalist group.

And sometimes all of them in the same piece.

These art artists who, in the deathless words of Spinal Tap manager Ian Faith, is being selective about its audience.

We've put it under Jazz at Elsewhere but you might put it somewhere else. 

It's good, in parts.

You can hear and buy this album at bandcamp here


Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Antipodes: Good Winter (Rattle)

Antipodes: Good Winter (Rattle)

The name of this sophisticated, snappy and keenly intelligent jazz ensemble refers to the fact its members are from separate hemispheres; New Zealand and Australia, and Europe. Worlds apart... > Read more

ONE WE MISSED: Umar Zakaria: Fearless Music (usual digital platforms)

ONE WE MISSED: Umar Zakaria: Fearless Music (usual digital platforms)

Elsewhere has occasionally written about the self-marginalisation of New Zealand jazz, notably with regard to the annual New Zealand Music Awards. Many years ago the jazz czars decided to... > Read more

Elsewhere at Elsewhere

GUEST WRITER GARETH SHUTE suggests five acts to check out at Womad 2025

GUEST WRITER GARETH SHUTE suggests five acts to check out at Womad 2025

WOMAD has evolved over the years to serve a dual purpose: curating diverse and fascinating international acts for adventurous listeners whilst also embracing its role as one of a key festivals in... > Read more

DOUGLAS LILBURN . . . AND BEYOND (2022): The path to electronics . . . and beyond

DOUGLAS LILBURN . . . AND BEYOND (2022): The path to electronics . . . and beyond

Unlike pop and rock musicians, classical composers can't -- or don't - rely on lyrics ("pie cart rock'n'roll", "goin' down to Otaki") to convey a sense of place or mood.... > Read more