Diana Krall: Quiet Nights (Verve/Universal)

 |   |  1 min read

Diana Krall: Walk On By
Diana Krall: Quiet Nights (Verve/Universal)

Popular though she might be, Canadian Krall (interview here) has been considered something of a lightweight jazz chanteuse and it has perhaps only been live when her piano playing comes into its own. But her 2004 album Girl in the Other Room (many of the lyrics co-written with her new husband Elvis Costello) was a great leap forward into more demanding material.

On a first listen to this album however, some might suggest her settled state and motherhood (twins with Costello) has meant she has pulled back to type: this is an orchestrated collection of soft standards in bossa and samba style, arranged and conducted by Claus Ogerman (who worked with Sinatra and Jobim).

But a closer listen allows you to hear the dexterity (albeit within a deliberately constrained range) she brings to the delivery: understatement is her forte by inclination but here she also pours meaning into otherwise threadbare standards such as I've Grown Accustomed to His Face, twists the melody of Walk On By to her own ends a world away from Dusty Springfield's pop version, and sits right in behind the music on the title track. She even does well with the gender flip on The Boy From Ipanema.

The extra tracks include a nice treatment of the Bee Gees' How Can You Mend A Broken Heart, and a slightly detached Every Time We Say Goodbye.

The title tells you all you need to know really: this is music for quiet nights at home (possibly after the twins have been put to bed, Alison and El?) but that doesn't diminish its subtlety and maturity. And while Este Seu Solar and So Nice let the side down, the warm bed of strings coupled with Krall in whisper mood and languid piano playing mean this shapes up a lot better than first impressions might suggest.

Not an essential album but very pleasant indeed, although it would have been better to hear her advance a little on Girl in the Other Room. Next time?   

Share It

Your Comments

post a comment

More from this section   Jazz articles index

Dave Holland Octet: Pathways (Red Eye/Southbound)

Dave Holland Octet: Pathways (Red Eye/Southbound)

Bassist Dave Holland has always had a much deserved reputation for his big band line-ups for which he writes interesting charts and gets in some of the finest (and often up-coming) jazz players.... > Read more

PAUL HORN INTERVIEWED (1992): The healing force within

PAUL HORN INTERVIEWED (1992): The healing force within

For a man pegged as “the founding father of new age music," jazz saxophonist and flute player Paul Horn has a clear, pragmatic view of the music – which was spawned in the wake... > Read more

Elsewhere at Elsewhere

The Rhythmagic Orchestra: The Rhythmagic Orchestra (Unfold)

The Rhythmagic Orchestra: The Rhythmagic Orchestra (Unfold)

The Rhythmagic Orchestra which plays Afro-Cuban and Latin jazz wouldn't perhaps qualify as world music for purists. They are mostly Londoners with an affection for the music of the greats of... > Read more

Radiohead: The Bends (1995)

Radiohead: The Bends (1995)

There is an easy and convincing case to be made for Radiohead's more obvious OK Computer of '97 -- or the even more edgy Kid A of 2000 -- as an Essential Elsewhere album. But The Bends was... > Read more