Dave Lisik: The Curse of the Queen's Diamond (Rattle Jazz)

 |   |  1 min read

Dave Lisik: Mercy
Dave Lisik: The Curse of the Queen's Diamond (Rattle Jazz)

Yet another fine addition to the Rattle Jazz imprint, this beautifully packaged album by Canadian-born, New Zealand-based trumpeter Lisik (and others) explores that profitable margin between chamber jazz and classical music.

And in that he has unimpeachable assistance; Amy Rempel is on piano and her improvisations are at the heart here, bass clarinettist Colin Hemmingsen has always played in jazz ensembles as well as the NZSO, and bassist Paul Dyne equally works in both camps.

The other discreet and essential ingredient in these often tightly intimate pieces is Richard Nunns on taonga puoro (traditional Maori instruments) who has also worked in different genres, so the result is music which also has a sometimes eerily exotic quality.

And that befits this project nominally inspired by the legend surrounded the precious diamond currently in the British Crown and which is known as Koh-i-Noor. It's said that whoever owns this massive diamond rules the world, but of course there are curses which come with it and its ownership has often been a sore point in India where the jewel was originally in the possession of the Mogul kings.

This myth however hardly informs the music -- it doesn't sound "Indian" -- but rather the musicians gently explore soulful, sometimes stately melodic lines which are woven together in a series of 12 often weightless pieces.

There are slow journeys into some (the beautiful Early Development where the trumpet seems to call from afar), others spring to life brightly (the skittering piano driving the frantic mood of In Hiding). Call for Help has all the melancholy mood of a delightful 2am ballad, and Echoes has an almost pastoral feel . . . although the trumpet and clarinet bring urgent breezes.

The eight minute Closing at the end is an outstanding, quietly evolving improvisation emerging over a sonic bed from purerehua (bull roarer).  

Lisik and Rempel have long and interesting careers behind them (and also a sense of humor when it comes to titles for his music, see here) and this album brings that experience into a local context while finding that musical niche between genres where all is possible and permissible.

Another outstanding Rattle Jazz release.

Like the sound of this? Then check out this.

Share It

Your Comments

Dean Jonasson - May 8, 2011

Lisik's piece really swings in the capable hands of the Quartet. As strong and satisfying as my morning coffee or an evening run.

mark robinson - May 27, 2011

at the risk of repeating myself another beatiful release from world class musicians recording in new zealand (check out Carolina Moon, Samsom Nacey Haines, Roger Manins, Reuben Bradley, John Psathas). such a wonderful mix of sonic textures.

post a comment

More from this section   Jazz at Elsewhere articles index

NEW ZEALAND'S iiii LABEL (2007): 20/20 vision into the past

NEW ZEALAND'S iiii LABEL (2007): 20/20 vision into the past

In a remarkably short period in the mid 80s, maybe 18 months, Wellington’s Braille label released a swag of albums -- I have eight, there may have been more -- which were nominally... > Read more

Vijay Iyer: Solo (ACT/Southbound)

Vijay Iyer: Solo (ACT/Southbound)

This gifted, multiple-award wining pianist and rather ferocious intellect has been profiled at Elsewhere previously (here) and this album is perhaps the one which will be persuasive evidence that... > Read more

Elsewhere at Elsewhere

ENEMY COMBATANT by MOAZZAM BEGG

ENEMY COMBATANT by MOAZZAM BEGG

The impending closure of Guantanamo Bay prison will bring an end to an especially dark chapter in American history and geo-politics . . . But perhaps not to the Orwellian newspeak so many Americans... > Read more

THE DOORS; LA WOMAN, 1971: Four decades gone, the big beat goes on

THE DOORS; LA WOMAN, 1971: Four decades gone, the big beat goes on

On record at least, the Doors career began and ended well. Their self-titled debut album of early '67 arrived in the same year as any number of striking first outings (Hendrix, the Velvet... > Read more