Paul Bley Quintet: Barrage (ESP-Disk)

 |   |  1 min read

Paul Bley Quintet: Walking Woman
Paul Bley Quintet: Barrage (ESP-Disk)

Recorded in one night in October '64 for the seminal free jazz label ESP-Disk (and initially re-presented in 2008 as part of their reissue programme), this selection of six pieces written by Carla Bley further illustrates how pervasive the influence of Ornette Coleman was at the time.

Not his Free Jazz album so much as his earlier Something Else!, Tomorrow is the Question and The Shape of Jazz to Come where vigorous atonality and melodic ballads existed in equal juxtaposition (usually within the same piece, as on his classic Lonely Woman from Shape).

Here the great avant-garde pianist Paul Bley -- and his group of trumpter Dewey Johnson, altoist Marshall Allen of Sun Ra's band, bassist Eddie Gomez and percussionist Milford Graves -- get down to the business of finding common ground on tunes like the ballad And Now the Queen (shades of Coleman) and the Bley's early signature tune, the frantically busy Ictus.

For much of this, Canadian Bley -- who had played with Charlie Parker in Montreal and recorded a trio album with Charles Mingus and Art Blakey over a decade previous as a 21-year old -- takes a backseat behind Allen and Johnson, but when he explodes as on Ictus and his particularly skittish work on Around Again you can hear him staking his claim as one of the great free players of the time.

The short pieces -- none more than five and half minutes, most a little over four -- don't allow for great extemporisation, but in their taut economy they are perhaps a decent introduction to the difficult territory that is free jazz.

Bley only recorded two albums for ESP-Disk and of the second, Closer in '65 -- with bassist Steve Swallow (who like Bley would become an ECM mainstay) and drummer Barry Altschul -- one jazz encyclopedia said it "should be in every collection".

Bley was getting to the top of his game with Barrage, it all came together on the more open setting of the trio on Closer. 

Share It

Your Comments

Chris - Mar 27, 2013

Paul Bley is an absolute legend. It's amazing listening to everything from his 1953 trio recording with Mingus/Blakey, the 1958 recordings with Ornette, the amazing trio recordings for Savoy and ESP in the 60s, the quartet albums with Frisell/Surman/Motian in the 80s... funnily enough i just found a copy of Barrage on Trade Me!

post a comment

More from this section   Jazz articles index

RAY BROWN, SUPERBASS (1926-2002): A talent beyond words

RAY BROWN, SUPERBASS (1926-2002): A talent beyond words

Ray Brown great practical joker. Once, in Japan, Brown --- bassist in pianist Oscar Peterson’s famous drummerless group, the most highly paid trio in the jazz world in the 1950s -- went to... > Read more

Samsom Nacey Haines: Cross Now (Rattle Jazz)

Samsom Nacey Haines: Cross Now (Rattle Jazz)

In a recent conversation with keyboard player Murray McNabb and drummer Frank Gibson -- who have played together for 50 years and founded the seminal New Zealand jazz bands Dr Tree and Space Case... > Read more

Elsewhere at Elsewhere

Terakaft: Alone (Out Here)

Terakaft: Alone (Out Here)

Old hands -- greybeards we might say -- in the genre that we loosely call "world music" have long ago given up trying to anticipate where the next great sounds might come from and, as we... > Read more

SNEAKY FEELINGS CONSIDERED (2013): The Nuns that really flew

SNEAKY FEELINGS CONSIDERED (2013): The Nuns that really flew

Although Flying Nun was renowned as a label for indie bands (“college rock” as they were known in the States in the Eighties), there were always those on the roster who had a pure... > Read more