David Friesen Trio: Another Time Another Place (Rattle)

 |   |  1 min read

Sailing
David Friesen Trio: Another Time Another Place (Rattle)

The release of this album recorded live in Auckland in late 2015 could not be more timely because American bassist Friesen is about to tour again (dates below) with guitarist Dixon Nacey and drummer Reuben Bradley who are on hand here.

Friesen is a Major Player in the US jazz scene, has a list of album credits under his own name as long as your outstretched arms, and has played on sessions with Chick Corea, Dexter Gordon, Dizzy Gillespie, Kenny Garrett, Paul Horn, Mal Waldron, Sam Rivers, Joe Henderson . . .

At 75, he has played with key jazz musicians across about five decades of different style, but on this date with musicians half his age he certainly doesn't sound like he is coasting into an easy retirement.

And both Bradley and Nacey ensure that he couldn't because this is very much a trio of equals.

Start with the hypnotic Basic Strategy which is a truly haunting piece of almost eight minutes which starts very seductively with a simple guitar line by Nacey behind which Bradley lays out brisk tempo and Friesen hits a repeated figure which takes over to lay down a menacing and almost funky stake in the ground. And then, through solo passages and changing dynamics it swells and retreats, leans left as Nacey and Friesen play off each other in buzzing rock-like repetition, slinks down low with a Friesen solo which descends into being almost inaudible then everything comes back into the foreground with Bradley's vigorous control in his solo.

It is an absolute and compelling highlight in a set which delivers them aplenty.

There is a brisk bounce in the step of the opener Blue 10, elsewhere this breathes a breezy warmth (the fluid Sailing) but also astringency (the closing overs of the 10 minute Tribute when Nacey's guitar veers into abrasive prog-rock territory) and a slinking, bluesy exoticism (Counterpart).

This is jazz of shifting moods which only the most accomplished and intuitive of players can pull off, as they do consistently across this 70 minute set of Friesen original compositions.

Certainly a superb and convincing calling card for the forthcoming tour . . . and a further reminder that Friesen wouldn't play with these local musicians if they weren't world class.

But we knew they were already, right?


DAVID FRESEN TRIO TOUR AND WORKSHOPS

16th October:  Workshop at Toi Ohomai Institute of Technology Rotorua, Performance at The Rogue Stage, Princess Gate Hotel 8pm

17th October:  Workshop at Wintec Hamilton, Performance at Nivara Lounge 8pm

18th October:  Auckland Jazz Festival 2017 for the Creative Jazz Club, The Thirsty Dog Tavern 8pm 

19th October:  Workshop at Auckland University 

20th October:  Workshop & Performance in Wellington for the Wellington Jazz  Collective, The Pyramid Club 8pm

21st October:  Workshop in Christchurch for the Big Band Festival 2017, Performance at Orange Studio 8pm

Share It

Your Comments

Stuart Hubbard - Oct 10, 2017

The Rattle label continue to put out some great music - however they have dropped the 'Rattle Jazz' imprint now and Steve Garden says many Rattle artists don't want the 'jazz' tag either. GRAHAM REPLIES: My mistake, correction made.

post a comment

More from this section   Jazz at Elsewhere articles index

Neil Cowley Trio: Touch and Flee (Naim/Southbound)

Neil Cowley Trio: Touch and Flee (Naim/Southbound)

Among the many reasons to pay attention to, and respect, British pianist Cowley is this: a few years back for a tribute record to the Beatles' "White Album" he did a version of . . . .... > Read more

KAMASI WASHINGTON; THE EPIC (2015): Sometimes bigger is much better

KAMASI WASHINGTON; THE EPIC (2015): Sometimes bigger is much better

If progressive rock of the late Sixties and early Seventies taught us anything it was this. That only a rare musician (Pete Townshend of the Who, the acerbic Frank Zappa, Ian Anderson of... > Read more

Elsewhere at Elsewhere

UB40: Just another labour of love

UB40: Just another labour of love

It was a few years ago now, but UB40 were back for another New Zealand tour. Well pardon my lack of enthusiasm. It's not that, like most critics, I don't have much time for their MOR reggae. I... > Read more

BOB MARLEY; RASTAMAN VIBRATION RECONSIDERED: The legacy is music and the message

BOB MARLEY; RASTAMAN VIBRATION RECONSIDERED: The legacy is music and the message

The bassist with Hamilton reggae band Katchafire, Ara Adams-Tamatea, said it: "You go to parties now and they are still playing the same '70s Bob albums 20 and 30 years later. Why is that?... > Read more