GRG67: Happy Place (Rattle)

 |   |  1 min read

MayWayDay
GRG67: Happy Place (Rattle)

This Auckland jazz group with what looks like a personalised plate for a name, impressed mightily with its debut album The Thing two years ago. And at that time we noted the credentials of the players, notably saxophonist Roger Manins who here again writes most of the pieces.

The same quartet appears here – Manins, guitarist Michael Howell, drummer Tristan Deck and bassist Mostyn Cole – for another fine and edgy collection of material recorded and mixed by former Auckland Uni jazz student (and member of the Beths) Jonathan Pearce.

This album however isn't simply more of the same but in many places a considerable leap into more challenging and extended interplay, notably on the first three tracks.

And especially on the spring-heeled, Cole-composed Birdhouse which steadily extends the contract of Ornette Coleman's harmolodic ideas forwards into exciting free interplay (especially between Manins and Howell) and backwards into ensemble work.

A standout is 911 at the midpoint, a spare then expansive Manins ballad where the subtle undercurrents from Deck increase in dramatic urgency (as befits the title) and by the centre of its evolving eight minutes it is resolving into an expressive tumult. As the saxophone siren pulls back there is a sense of gentle resolution.

MayWayDay is quite different from its surroundings: an almost fundamental North African kind of funk beamed in from the early Seventies and held down by Cole and Deck with sci-fi guitar.

There is considerable whimsy in Manins too: on the last album there was Chook 40 and Crab Empathy, this time we have Chook Empathy (which gets a difficult conversation going between sax and guitar) and the equally busy I Got Chicken.

The final piece here is a considered, almost film-noir interpretation of Hine e Hine which, like its predecessor did with Psalm, closes the album on a reflective note.

Last time we noted that the album The Thing was submitted as part of Manins' doctorate.

We're pleased to report he is now Dr Roger and well, well, well, he's feeling fine . . .

.

To hear and buy this album go to the Rattle website here.

.

5c7d0e82_a862_447b_93e8_b986a373d46f


Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Carter/Wilner/Toure/Ughi: New York United (577 Records/Southbound)

Carter/Wilner/Toure/Ughi: New York United (577 Records/Southbound)

They say when you get a dealer you can trust, someone who is reliable and knows what you need, then stick with them. So it is for me with Troy at Southbound Records... > Read more

Anouar Brahem: Le Voyage de Sahar (ECM/Ode)

Anouar Brahem: Le Voyage de Sahar (ECM/Ode)

Tunisian Brahem who plays oud --- like a slack-string lute -- steers another fine album under his own name on ECM, a label with a reputation for meticulously produced if sometime emotionally... > Read more

Elsewhere at Elsewhere

GUEST AUTHOR DAVID VEART argues toys are us

GUEST AUTHOR DAVID VEART argues toys are us

Although many of our toys were produced in factories, others came from the backyard shed and the kitchen table: trolleys, tin canoes, dolls' houses, dolls' clothes, soft toys, made by cash- or... > Read more

ERIC BIBB INTERVIEWED (2009): Born into this

ERIC BIBB INTERVIEWED (2009): Born into this

You could say singer-guitarist Eric Bibb had little choice, that he was born to the musical life: his father Leon was a well-known New York folk singer; his uncle was John Lewis, the pianist in... > Read more