Black Seeds: Love & Fire (blackseeds/bandcamp)

 |   |  1 min read

Black Seeds: Love & Fire (blackseeds/bandcamp)

If Barnaby Weir didn't exist it might be very difficult to create him. The Wellingtonian is a musician, producer, songwriter and guitarist.

Okay, that might describe quite a few people.

However he has also been a DJ and presented radio programmes, is the mainman behind the long-running Black Seeds (coming close to its 25thanniversary) and has his hand on the tiller of Fly My Pretties which has been a touring and recording vessel for artists as diverse as Age Prior, Ria Hall, Laughton Kora, Tiki Taane, Mel Parsons, Anika Moa, Mark Vanilau, Hollie Smith, Eva Prowse . . .

With Loop Recording's mainman Mikee Tucker, Fly My Pretties delivered a series of acclaimed albums, live and theatrical shows as well as presented DVDs and documentary footage of their Loop releases.

Where FMP ran along a folk/rock axis, Black Seeds dig deep into funk, reggae and dub, and it too has had a revolving door of guests.

Black Seeds have taken their music global and albums have had excellent international reviews and sales, with tracks appearing in US television shows and series.

Behind all this activity is guitarist and facilitator Barnaby Weir, now in his mid 40s, who also found time along the way to release a solo album and collaborate with other artists on Loop.

The new Black Seeds album Love & Fire doesn't mess with the successful template of positive vibration reggae with slippery and woozy horns from Jarney Murphy, Barrett Hocking and Matthew Benton.

There's a smattering of slightly earthy funk on It's So Real, and Non Justice which opens the second side of the vinyl effectively digs into dub (courtesy of Dr Lee Prebble) and picks up a social issue which is rare on an album which defaults to positive, love'n'family grooves and some disappointingly mundane lyrics.

The second side, in terms of depth of sound and emotional drive, is by far the better of the two – it sounds deeper and darker: Raised With Love Dub at the end suggests the whole album could benefit from such dubbery.

Although even here hints of serious intent are ameliorated by lyrics which tell us, despite it all, we shouldn't worry and should just keep love in our heart and respect each other.

Such sentiments – benign and uncontroversial as they are – means Love & Fire, another installment which is bound to be popular as all Black Seeds albums have been, mostly feels less an album of songs than a vibe.

A welcome summertime vibe in winter, perhaps.

But just a vibe, nonetheless.

Love & Fire is available on CD and vinyl from bandcamp here.

.

6cc7b2d0_2a7d_e992_261c_6514d603fb88

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Various Artists: What Did You Do in the Beat Era . . . Daddy!!!; Let Me Take You Down  . . . Under (both Frenzy)

Various Artists: What Did You Do in the Beat Era . . . Daddy!!!; Let Me Take You Down . . . Under (both Frenzy)

The signature sound of the Beatles – three guitars, three singers and a backbeat – so changed the musical landscape in the early 60s that artists everywhere scrambled to catch up and... > Read more

Girls Pissing on Girls Pissing: Songs of Sodomy and the Compost of Aethyr (Muzai)

Girls Pissing on Girls Pissing: Songs of Sodomy and the Compost of Aethyr (Muzai)

For reasons we can't and won't fully explain, Elsewhere has always found something of considerable interest in the archly arty, post-punk/experimentalism and enjoyably indulgent shadowland... > Read more

Elsewhere at Elsewhere

Rome, Italy: The healing doll

Rome, Italy: The healing doll

There are few churches in Rome more interesting, or more overlooked, than Santa Maria in Aracoeli, tucked in beside the famous Vittoriano, the massive white monument which dominates Piazza Venezia... > Read more

Johnny Ace: Pledging My Love (1954)

Johnny Ace: Pledging My Love (1954)

And further to the now familiar story that death is good for a career . . . Johnny Ace had been enjoying a very good run of hits throughout the early Fifties, so much so that maybe he thought he... > Read more