Pipsy: All You Ever Wanted (digital outlets)

 |   |  <1 min read

Pipsy: All You Ever Wanted (digital outlets)

This self-produced debut album is from Wellington's Pipsy who is Paul Pouwels McMillan, formerly drummer for Males, wrote his PhD on the tension between playing covers and original music in the Dunedin scene and identifies as they/them.

They use elevating 80s and early 90s synth-pop tropes – and equipment – to craft songs which, while handy for the dancefloor, pay attention to multi-layered vocals and suave pop in the manner of Sparks, Pet Shop Boys and mid-career Cure.

And offer the seductive charms of recent bands on Australia's Popfrenzy label (Camera Obscura, Institut Polaire, Deerhunter) on the uplifting, shiny guitar pop of the title track (“The sun's are coming up and I'm feeling astounded”) and the breezy Hey, OK! (“you never listened to what I said . . . I guess it's OK”)
However among these 11 songs are the abrasive garage-thrash I Want to Crush My Enemies and the yearning old-school synth sound of Who Am I Really which telegraph lyrical depth behind the sometimes lush, sweeping surfaces.
Mature self-doubt, contained and unrestrained anger, the ache of love and further proof pop music can be joyous, cathartic and have emotional resonance.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Chrissie Hynde: Standing in the Doorway (digital outlets)

Chrissie Hynde: Standing in the Doorway (digital outlets)

Those wondering about the current tributes to Bob Dylan – who signed his first record contract 60 years ago – needn't look too far for the reason: The man whose self-titled debut album... > Read more

Rewind Fields: Rewind Fields (bandcamp)

Rewind Fields: Rewind Fields (bandcamp)

A decade ago Emily Rice was an up-and-coming singer-songwriter at the University of Auckland and was, two years in a row, a finalist in the annual songwriting competition. So she knows a good... > Read more

Elsewhere at Elsewhere

TOM WAITS. BONE MACHINE, CONSIDERED (1992): Skeleton-rattling sounds and buried beauty

TOM WAITS. BONE MACHINE, CONSIDERED (1992): Skeleton-rattling sounds and buried beauty

In the early Nineties Jerry Garcia of the Grateful Dead observed that Bob Dylan still wrote the most beautiful tunes . . . didn't always sing 'em of course, but the melody was in there somewhere.... > Read more

Ebba Gron: Staten och kapitalet (1980)

Ebba Gron: Staten och kapitalet (1980)

The regular postings at From the Vaults have previously picked up this punk band from Sweden and although their single Scheisse in '81 went higher on the local charts (to number three) this is... > Read more